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IMDbPro

Ciao Manhattan

  • 1972
  • R
  • 1h 24min
VALUTAZIONE IMDb
5,6/10
1252
LA TUA VALUTAZIONE
Edie Sedgwick in Ciao Manhattan (1972)
BiographyDramaRomance

Aggiungi una trama nella tua linguaThis parallels the life of Andy Warhol Factory star Edie Sedgwick. The film chronicles "Susan Superstar's" (Sedgwick) glory days in the late 1960s through her inevitable downfall and the tra... Leggi tuttoThis parallels the life of Andy Warhol Factory star Edie Sedgwick. The film chronicles "Susan Superstar's" (Sedgwick) glory days in the late 1960s through her inevitable downfall and the tragic addiction that would claim her life only weeks after filming wrapped in 1971.This parallels the life of Andy Warhol Factory star Edie Sedgwick. The film chronicles "Susan Superstar's" (Sedgwick) glory days in the late 1960s through her inevitable downfall and the tragic addiction that would claim her life only weeks after filming wrapped in 1971.

  • Regia
    • John Palmer
    • David Weisman
  • Sceneggiatura
    • John Palmer
    • David Weisman
    • Chuck Wein
  • Star
    • Edie Sedgwick
    • Wesley Hayes
    • Isabel Jewell
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,6/10
    1252
    LA TUA VALUTAZIONE
    • Regia
      • John Palmer
      • David Weisman
    • Sceneggiatura
      • John Palmer
      • David Weisman
      • Chuck Wein
    • Star
      • Edie Sedgwick
      • Wesley Hayes
      • Isabel Jewell
    • 22Recensioni degli utenti
    • 18Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 3:46
    Trailer

    Foto9

    Visualizza poster
    Visualizza poster
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    Visualizza poster

    Interpreti principali27

    Modifica
    Edie Sedgwick
    • Susan Superstar
    Wesley Hayes
    • Butch
    Isabel Jewell
    Isabel Jewell
    • Mummy
    Jeff Briggs
    • Geoffrey
    • (as Geoffrey Briggs)
    Paul America
    • Paul
    Tom Flye
    • Tom
    Gabriel Lampa
    • Mario
    Pat Hartley
    Pat Hartley
    • Yoli
    Nell Bassett
    • Receptionist
    Charlie Bacis
    • Doctor Robert
    • (as Bhavananda)
    Jane Holzer
    • Charla
    • (as 'Baby' Jane Holzer)
    David Weisman
    • David
    Wesley Rand
    • Wes
    Viva
    Viva
    • Diana - Vogue Editor
    Roger Vadim
    Roger Vadim
    • Dr. Braun
    Brigid Berlin
    Brigid Berlin
    • Brigid
    • (as Brigid Polk)
    Lilimor Mercer
    • Lil
    Rosko
    • Locker Attendant
    • Regia
      • John Palmer
      • David Weisman
    • Sceneggiatura
      • John Palmer
      • David Weisman
      • Chuck Wein
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti22

    5,61.2K
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    10

    Recensioni in evidenza

    2emefay

    Sad, so very, very sad

    As Edie's biography here on IMDb says, she was in and out of institutions. It is clear that this woman-child was taken advantage of very callously by Andy Warhol and others, at first for her money, and later for her celebrity.

    Ciao! Manhattan shocked and angered me when I first saw it in 1972, because I had known Edie. For several months in 1962, when she was in a very tony, low-security psychiatric institution in Westchester, I knew her as a sweet-natured, somewhat reticent, and very artistic 19-year-old. When I first met her I thought she was a 12-year-old child, as I was, for she was so thin and under-developed looking for her age. Seeing the way she is abused in Ciao! Manhattan just leaves me feeling very sad for her. She deserved better than this exploitation film.

    As for the "Summer of Love" reference made by an earlier reviewer on IMDb, referring to the fact that this film was actually made partly in 1967, I do not think Ciao, Manhattan represents any of the genuine feelings of free expression and loving attitudes that were touted at the time. There is far too much cynicism inherent in this film to connect it in any way to the hippie happiness one could experience in pleasanter circles than that inhabited/created by the ghastly, selfish, mean-spirited, and self-involved Warhol. He used and threw away such gentle souls as Edie. I weep for the lost and under-appreciated life she led while under the influence of Warhol. In kinder company, she might have survived and been happier.

    Ciao, Edie! You deserved better.
    6vonnoosh

    Worn out and exhausted remains of the 1960s

    This movie had a DVD release about 20 years ago and I highly recommend viewing this movie with the audio commentary because then it becomes a documentary about Edie Sedgwick. Without that commentary, you have a quasi drama(with a little sci fi) movie based around a fictionalized version of Edie Sedgwick. This character is burned out from the same setting but is living in an empty pool with a palace of pies owner for a mother. She recounts her life while showing off early breast implants much of the time. That's when the movie shifts to black and white archival footage. There's a rich and powerful shadowy figure stalking her. We never really know why. She has a love interest named America. Cant remember if that was Captain or Mr. A Jesus looking type character is the rich guy's henchman. The movie tries to be alot of things. Whatever plots they were trying to develop never really get resolved.

    What we learn in the audio commentary is what the footage actually means regarding Edie Sedgwick. Roger Vadim has a role as a doctor because his mother was deeply enamored with Edie Sedgwick and wanted to be near her. Some footage from a gathering in '68 is significant because it shows Edie falling apart and this happened around the time she abandoned Andy Warhol for Bob Dylan. A betrayal Warhol never overcame.

    Also they explain how much input Edie herself offers in the making of the film which is apparently alot including the filming of a real electroshock therapy session which she insisted be done.

    We learn about other people always around Andy's Factory like Brigid Polk and other models. We also get more explanation of the story they were trying to tell.

    I'd give this an 8 with audio commentary by the directors David Weissman and John Palmer and costar Wesley Hayes and a 6 without it. On its own, its just showing footage with a vague story tying it all together. I can see how so many viewers find the movie appalling given the fact that Edie died weeks after much of the later footage was shot but as they said in the commentary, making this movie kept her going. This was something she wanted to make and when it was just about finished, she was gone.
    ebh

    strange little curio of a film

    Definitely an odd little time killer about Edie Sedgwick, an Andy Warhol fledgling who has fallen on hard times, and is living in a swimming pool in Beverly Hills. Very trippy strange little flick, more so pasted together with old clips of Edie in some early Warhol films. Would have served a better purpose as a documentary, but definitely worth checking out. Obviously this is not for all tastes.
    6TIALI

    it's odd! it's creepy! but somehow, it's kinda cool.

    I've seen this video a couple of times, and I've seen parts of it many times and it always gets my attention. There's something oddly hip about it, even today. Maybe it's living in an empty swimming pool or just wasting the days sleeping that appeals to me, or maybe it's seeing a topless girl with a nice body seem entirely unglamorous, or is it just the kooky narration?... but there's a fresh insanity about this that makes it worth watching. I don't know, but anyway, I dig it .
    5BlackJack_B

    Ciao! Edie

    Ciao! Manhattan is an underground film starring former Warhol Superstar Edie Sedgwick. Edie was one of those troubled rich girls who died young because they only found solace in drugs and booze. Certainly an interesting individual. Of course, for me it is difficult to respect any "socialite" since the ones we've had the last two decades have given these people a bad name.

    Ciao! Manhattan is a combination of two films: a black-and-white production made shortly after Sedgwick's exit from the Warhol Superstars from 1966-67 and color footage from 1970-71. Sedgwick plays herself, albeit with the name of Susan Superstar as she lives in a tent in the pool of her Mom's mansion, boozing and drugging herself to death while some drifter from Texas named Butch half-listens and half-dreams while she talks about her sordid life in New York.

    I found the film to be 90 minutes of druggy dialogue. Ms. Sedgwick was clearly drugged up during the color segments. You needed subtitles to understand what she and Butch were saying. I also saw it as an overlong YouTube video where somebody is pleading for help. She's asking in vain for somebody to help her and the clowns who are supposed to listen to her cries for help are too busy screwing around.

    Sadly for Edie, her entire 28 years were a total mess. I doubt even today you could save her. She was the Amy Winehouse of her day.

    These people associated with Andy Warhol were quite an eclectic group and it is certainly worth watching any material you can find of them to see what the excesses of the 1960's did to them. I still wonder what happened to those drug addicts in the Roliing Stones' CS Blues but we already know what happened to Ms. Sedgwick.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Final film of Edie Sedgwick. Also final film of Isabel Jewell.
    • Blooper
      Butch is seen hitch-hiking past a billboard advertising Land of Make Believe and past a graveyard. These locations are along US Route 46 in White Twp, New Jersey. Butch is later seen at the Pocono Diner in Tannersville, PA which is farther west. He says that he is trying to go to New York City but he would have been traveling in the wrong direction.
    • Citazioni

      Susan: Speed is the ultimate, all-time high. That first rush. Wow! Just that burning, searing, soaring sense of perfection.

      [...]

      Susan: There's no way to explain it unless you've been through it. There's no way to tell anyone who hasn't tasted it. I'd like to turn the whole world on just for a moment... just for a moment. I'm greedy. I'd like to keep most of it for myself and a few others, a few of my friends. Keep that superlative high just on the cusp of each day so that I radiate sunshine.

    • Versioni alternative
      Originally conceived as "Stripped and Strapped" written by Warhol luminary Chuck Wein and Genevieve Charbin, was intended to capture the counter-culture scene of mid-late 1960s Manhattan. Although the script was never finished some of the original material from the script by Wein and Charbin was shot but ultimately cut from Ciao! Manhattan. These scenes are now featured on the DVD 30th Anniversary edition as "The Lost Reels" and include:
      • Missing Subplot: In "Stripped and Strapped," Susan, played by Edie Sedgwick, had a friend played by Nena Thurman (mother of actress Uma Thurman) who was involved in an incestuous relationship with her brother. Scenes of them together are show in a kitchen.
      • Another part of the missing subplot included Susan's obsession with astrological signs and things of an other worldy nature. In the Lost Reels, scenes are shown of Susan (Edie) in a room painted wall to floor with strange astrology and hand signs, talking with Allen Ginsberg. These scenes like the incestuous brother and sister were written by Chuck Wein who was inspired by Andy Warhol, who did films about nothing, and so Wein wrote these scenes to be about nothing.
      • Additional unfinished footage:
      • Scenes of Susan (Edie) at the "Be-In" were originally longer and featured her climbing a rock and socializing with the hippie crowd.
      • Aerial shots of Manhattan, which in 1967 looked industrial and more concrete, taken in a helicopter rented from the Pan-Am building of the time.
      • Scenes of Nena Thurman and Susan(Edie) shop-lifting at downtown Manhattan store Paraphernalia.
      • Scenes of Susan(Edie) having a "bitch fight" with Baby Jane Holzer after Susan returns home to the Chelsea Hotel from shop-lifting at Paraphernalia.
      • Susan and Paul America eating sushi at one of the first sushi bars in late 60s Manhattan.
      • More scenes of Edie and Paul America wandering New York. Also included are some night shots of Edie at a fountain.
      • David Weisman was also featured in the film much longer before editing and included: Scenes of him at his home with Nena Thurman, Edie, Paul America and some friends of his getting high. David shows off his Samuri sword, apparently he had an obsession with Kurosawa films. Also a scene of David with his Manhattan "Scenesters" is shown.
      • Three dancers are shown dancing in front of Mario with a monkey.
      • Allen Ginsberg's appearance at the "Medium Convention" was origanlly much longer and featured him performing one of his monologues.
      • Some shots of Paul America in a car, picking up and dropping off Baby Jane Holzer at the heloport, he gets angry and takes off in the car and isn't seen again for a few years.
      • The only existing footage of the interior of famed Max's Kansas City was found among the reels and is featured here.
      • Some beautiful black and white footage of women in the cotumes/dresses of the Silver Sixties are shown at night in the cold fog.
      • Missing color footage included: A shot of Edie falling over while dancing in front of Butch, she spills the cup of vodka she is drinking on the mattress at the bottom of the pool.
    • Connessioni
      Featured in Superstar: The Life and Times of Andy Warhol (1990)

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    • How long is Ciao Manhattan?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 18 luglio 1974 (Germania occidentale)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Ciao! Manhattan
    • Luoghi delle riprese
      • Tannersville, Pennsylvania, Stati Uniti(Exterior: Kinsley's Market)
    • Aziende produttrici
      • Court Pictures
      • Maron Films
      • Sugarloaf Films Inc.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 24 minuti
    • Colore
      • Black and White
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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