Una rivisitazione musicale della lotta politica della rivoluzione americana nel Congresso continentale per dichiarare l'indipendenza.Una rivisitazione musicale della lotta politica della rivoluzione americana nel Congresso continentale per dichiarare l'indipendenza.Una rivisitazione musicale della lotta politica della rivoluzione americana nel Congresso continentale per dichiarare l'indipendenza.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 vittoria e 2 candidature totali
Recensioni in evidenza
William Daniels as John Adams stole the show. He was the best actor in a very strong cast and I was captivated from the very first scene. He has such a cool voice. (But no matter what he's done in his career, he's always be Mr. Feeny to me!) I've always admired the real John Adams to boot so he made an engaging protagonist. Howard de Silva as Benjamin Franklin was another definite highlight acting wise.
The Broadway version of "1776" became a sensation with audiences and went on to win the Tony Award for Best Musical of 1969.
During this era of film-making, the musical was still considered to be a draw for audiences, so it was natural to take this show and bring it to the big screen. And best of all, John Warner brought the bulk of the cast from the show to the film. William Daniels IS John Adams to a lot of people, and his portrayal of the feisty proponent for independence is one of the great performances of any "real life" character. Daniels is equaled by his fellow Congressional cohorts, Ken Howard as the author of the document, Thomas Jefferson, and the amazing Howard Da Silva as the good doctor, Benjamin Franklin.
To me, the most remarkable element is the facts of the story are pretty much accurate, the timing of the events, measured with a wall calendar, keeps the tension going as we count down to that particular date... July 1st, 2nd, 3rd...
But it's more than just the story of the founding of the country, it's a love story, or really two, with the Jeffersons Martha, played by Blythe Danner and the Adams pair, with the incredible Virginia Vestoff as John's Abigail who interacts with her husband only in his mind.
For a musical, it is something of a "warts and all" examination of the process, as the south refuses to sign a declaration that freed their slaves, as Jefferson had intended in the original draft. John Cullum brilliantly voices this discussion as the genteel South Carolinian, Edward Rutledge, in the hypnotic and haunting "Molasses to Rum." In fact, every song in the score is well thought out, clever, truthful and very entertaining!
Maybe this isn't *exactly* how the USA began, but, at least once a year, let's say it is.
William Daniels,is of course spectacular as John Adams,the linchpin of the show. Howard DaSilva and Franklin is just jaded enough(read dirty old man), and Ken Howard is delightful as Jeffrson. One person who was not in the stage production but is a definite asset to the movie is John Cullum as Rutledge.especially in his big solo number,Molasses to Rum.
A real treat for eyes and ears ,and a history lesson to boot.
Lo sapevi?
- QuizIn an interview in TV Guide in the 1970's, Ken Howard related that he was rehearsing some of his lines from the play aloud while traveling on an airplane. The inflammatory revolutionary rhetoric caused the plane's crew to summon the police and he was questioned by the authorities when the plane landed.
- BlooperSouth Carolina was not resistant to the notion of independence, far from it. In fact, South Carolina had rewritten its constitution in 1774, removing all references to Royal Authority.
It is stated quite clearly in the film that South Carolina would welcome independence, not just from England but from the other states as well.
- Citazioni
John Adams: I have come to the conclusion that one useless man is called a disgrace; that two are called a law firm, and that three or more become a Congress! And by God, I have had this Congress! For ten years, King George and his Parliament have gulled, cullied, and diddled these colonies with their illegal taxes! Stamp Acts, Townshend Acts, Sugar Acts, Tea Acts! And when we dared stand up like men, they have stopped our trade, seized our ships, blockaded our ports, burned our towns, and spilled our BLOOD! And still, this Congress refuses to grant ANY of my proposals on independence, even so much as the courtesty of open debate! Good God, what in hell are you waiting for?
- Curiosità sui creditiThe theatrical version has no credits at the beginning other than "Columbia Pictures presents" and the film's title. The Director's Cut and the extended laserdisc edition includes a main title sequence at the opening.
- Versioni alternativeThe studio cut the film heavily prior to its release. Released theatrically at 141 minutes; laserdisc reissue is 180 minutes and features deleted footage, alternate takes for certain scenes, and an additional musical number titled "Cool Considerate Men." This version also includes an overture and intermission. According to the laserdisc jacket, the original film elements of the extended version were destroyed; thus the deleted scenes were taken from whatever Columbia could find, mostly old, misused prints (which leads to a decrease in picture and sound quality whenever the film transitions from the theatrical version to the deleted footage). One deleted scene was taken from a black-and-white print and was presented as such.
- ConnessioniFeatured in Playing Columbine (2008)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 1776 - Rebellion und Liebe
- Luoghi delle riprese
- Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, California, Stati Uniti(Benjamin Franklin sitting for painting)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Tempo di esecuzione2 ore 21 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1