A Tutte le auto della polizia

Hey anyone interested seasons 3 and 4 are now on YouTube under Executive Decision.

Excellent show! The 70's was not only the best time for television but especially for the police shows. I hope it comes out on dvd as S.W.A.T did. You have to remember that this is an older show & we loved it back then. To watch it now would bring back memories of childhood & how much we waited to see it every week. To me, that is what the Rookies is all about.

I remember this series with great fondness. I was seriously contemplating a career in law enforcement when I grew up, and this show had great appeal. Three brand-new, fresh-out-of-the-academy police officers were going to clean up the mean streets of Santa Clara, California! They were all "pretty people": Michael Ontkean, Georg Stanford Brown, Sam Melville and, not to be forgotten, Kate Jackson. The plots were frequently paper thin and the acting was always terribly earnest, but there was still a certain something that made it very watchable. Not the least of these intangibles was Gerald S. O'Loughlin as the supervising (and long-suffering) lieutenant. It does not stand the test of time - I mean, really, who believed that two rookies would be assigned to ride together and a third would be assigned to lone patrol with no senior officer in sight? And while replacing Michael Ontkean with Bruce Fairbairn didn't work for me, it still has the charm of nostalgia.

*TRIGGER WARNING*

I've been watching this on my Roku which is airing this for free-I have always loved the nostalgia factor of old 1970's cop shows-and I have to admit, I was a bit shocked at several of the reviewers' contention here that this series "doesn't hold up" in modern times. Then I noticed that all the reviews that make this assertion were written in the early 2000's.

That is, before 2020.

Before the BLM protests/riots.

Before buildings were again being vandalized or out-and-out destroyed in the name of free speech.

Before crowds were again overturning police cars, and calling police officers "pigs," and threatening them with death, simply for doing their jobs.

Before thinly veiled threats against political candidates were again a commonplace sight in public arenas.

Before suspicion and distrust of the establishment again became the order of the day.

Quite simply, the reason these reviewers thought that this series didn't hold up was simple:

They didn't know what was coming (or "coming again," if you prefer).

The powers that be may delete this review if they wish, but the fact remains-

Each of the above scenarios has been shown both on the evening news in the last five years...

...and was dealt with repeatedly as themes on episodes of this show.

Suddenly, for some reason, I think "The Rookies" is very relevant again, and thus "holds up" extremely well. Everything old is new again.

One of the more successful TV police dramas which seemed to be exploding all over the place during the Seventies as westerns declined and because they were getting expensive to make was The Rookies. The show was about three eager young police officers straight from the Academy on their first assignment. The three, Georg Stanford, Brown, Michael Ontkean, and Sam Melville served as cops in the mythical community of Santa Clara in California.

I liked the show because it showed three idealistic young cops and a time when idealism was at a premium. The Rookies debuted while Richard Nixon was running for re-election and we got treated nationally to all the stories about Watergate and the aftermath during the run of this show.

In that vein it was also nice to see a moral authority like Lieutenant Eddie Ryker who took The Rookies under his wing and taught them to be good cops. As a police officer Ryker was one of the best ever shown on television and it gave Gerald S. O'Loughlin his career role. He was and remains one of my favorite television police officers.

The women and the gay men certainly had a lot of nice beefcake to look at with the three Rookies. Michael Ontkean left the series midway to pursue a movie career and he's best remembered for Making Love to Harry Hamlin and Kate Jackson in Making Love and for that never to be forgotten strip tease on ice in Slap Shot. He was replace by Bruce Fairbairn for the rest of the show's run.

Speaking of Kate Jackson, she was the only regular female in the series and she played Sam Melville's wife. She was also a nurse in the emergency ward at the Santa Clara Hospital. Kate's got incredible skill or luck if you prefer in picking television series. The Rookies was her second series, she was in Dark Shadows, after The Rookies came Charlie's Angels and The Scarecrow and Mrs. King. That's one pretty substantial record and most would envy her for just one successful TV series. Kate as a nurse allowed her to get into the action in a few shows, she was not just home waiting dinner for Sam Melville. They were like a lot of young marrieds then and now, struggling to maintain a two income household and both with stressful occupations.

The Rookies were not supercops, they were young and inexperienced and made mistakes out there. Those mistakes became the basis of many a story line. But under Gerald S. O'Loughlin's wise tutelage they weren't Rookies when the series ended its run.