The Bob Newhart Show

This was part of the great CBS Saturday night line-up which included "Mary Tyler Moore", "All in the Family". Bob Newhart's deadpan reactions to all the craziness that was going on around him was what helped to make this show special. Its surprising how it never received an Emmy, or for that matter a nomination. Maybe it was because it was part of such a legendary prime time line-up that it got lost in the shuffle. Also, maybe it was due to the fact that it had such a strong ensemble that no one particular member of the cast stood out. Besides Newhart, Suzanne Pleshette, Peter Bonnerz, Marcia Wallace and Bill Daily all made this show what it was, but the funniest character on the show had to be Elliot Carlin. He definitely was one of the most acerbic characters ever created for television. This still is one of the classic situation comedies of its era and it was very much more of an intellectual show.

Not cutting edge like "All in the Family," and lacking the social relevance of Mary Tyler Moore's single woman who was gonna make it after all in a man's world, "The Bob Newhart Show," which shared the CBS Saturday night lineup with those shows in the 70s, nonetheless had the strongest legs. While Archie Bunker fumbled once daughter Gloria and "Meathead" moved out, leaving him without a regular nemesis, "The Bob Newhart Show" delivered first rate comedy as dependably in its last season as it did in its first.

Newhart was a more mature Seinfeld in that most of the madness was provided by the supporting cast, and a terrific one it was too: Suzanne Pleshette, sassy and sexy as Bob's earthy wife, Emily; Peter Bonerz as the dentist and sarcastic ladies man, Jerry Robinson; and Bill Daley as perpetually befuddled pilot Howard Borden. Then there was Marcia Wallace as snippy receptionist Carole, the wonderful John Fiedler as mousy Mr. Peterson, and Jack Riley as the truly deranged Mr. Carlin. All had their moments of brilliance, but it was Newhart, with his low-key genius, who held the show together and made it work. A comedy classic.

I spent WAY too many hours glued to the TV as a youngster during the 1970s. Many of the shows I thought were absolutely perfect in 1972 or 1975, I have trouble sitting through for 10 minutes today. Some, however, have stood the test of time.

I would have to say that The Bob Newhart Show, more than any other show, has grown in my estimation as I have matured. I enjoyed it as a kid, but love it all the much more now.

Mr. Newhart, simply put, was and is a comedic genius. One blank look from him can surpass a 15-minute monologue by many comedians, for laugh production. In the right setting, with the right handling, Bob Newhart was one of the funniest ever. Fortunately for us, that perfect setting came together in the 1972-78 Bob Newhart Show. This show had impeccable writing by Charlotte Brown, Dick Clair and others, great directing by Peter Baldwin and many others, as well as wonderful acting.

One might have doubted that the struggles of a psychologist and his patients would make good fodder for comedy. Wrong! Who can forget the obnoxious Elliot Carlton (Jack Riley), the sharp knitting needles of Mrs. Bakerman (Florida Friebus, a.k.a., Dobie Gillis' mom), and wimpy Mr. Peterson (John Fielding, also in `12 Angry Men')? Who can forget the elevator and its frequent involvement in scenes, or Bernie Tupperman (Larry Gelman), the pudgy urinologist, or the periodic visits from `The Peeper' (Tom Poston)? And these, of course, were NOT part of the main supporting cast.

Suzanne Pleshette was perfect as Bob's lovely and usually supportive wife, Emily. Marcia Wallace became a household name as Carol, the perky secretary. Peter Borenz and Bill Daily, meanwhile, were absolutely delightful as Bob's two best friends, dentist Jerry Robinson and navigator Howard Borden. Daily, who was also great in `I Dream of Jeannie,' provided one of the most hilarious characters in sit-com history, as the clueless neighbor, Howard.

The cast of The Bob Newhart Show was so good and so deep that I have to make one confession. While I love Bob Newhart himself, I believe my favorite episode was one in which he had only a cameo appearance, phoning home from a convention somewhere. Carol, Jerry and Howard became convinced that an old flame visiting Emily while Bob was gone, spelled trouble. They spied on the two in a restaurant and the scene was possibly the most hilarious in the show's run, as Jerry wore a ridiculous fake glasses/nose combo and Howard could never seem to recognize him.

The Bob Newhart Show was a high-water mark for intelligent, sophisticated humor - although occasional forays into slapstick gave it an even more satisfying balance. Overall, I would call it one of the top three or four comedies ever made.

"The Bob Newhart Show" is possibly the most brilliant of the "adult sitcoms" of the early 1970's. Along with "The Odd Couple" and "Mary Tyler Moore", this show exhibits a subtle, mature humor that has all but disappeared from television today. Great actors make this show with a simple "situation" -- adults working, talking, eating, and going to bed -- hilarious and reflective. Bob Newhart's unique comedic style finds a perfect outlet in "The Bob Newhart Show." For the uninitiated, it might be compared to "Seinfeld" in that it is a "show about nothing" that derives humor from the interactions between people and not "jokes."

I loved this show as a kid (I was 10 in 1975)... it was a show that actually made sense to me (yeah, yeah, I watched all the other 70's shows too...). It was adult without being sexy (I hated that in TV shows... nothing's grosser than Marion & Howard getting "frisky")-- the characters were wry, the situations were plausibly ridiculous (?!?!?), and the writing was intelligent. I knew, even then, that there was a difference between intelligent humor and (gawd help us) pratfall humor (think: Jack Ritter), and what I preferred. I also dug that I "got" it, and that Bob was a nebbishy kind of guy, who stumbled along through life, really making it on his wits (certainly wasn't his good looks). Gave a geeky girl a certain hope for her future.