Rivelazioni di un'evasa da un carcere femminile

Jeff is sent to a woman prison, after being caught carrying heroine that belonged to her crime figure boyfriend Rudy. He asks her to keep her mouth shut and would try his best to get her out, but unknowingly to her he has other plans. When she arrives at the prison to do her time, she must face a tyrant of a head warden, Alabama who has a thing against American woman and a sadistic torture chamber of the dark ages called "the playpen" for certain troublemakers.

We all know the formula by now for cheap drive-in WIP features, I take it? Wrongly accused woman. Hard labourers work in the fields. Out-of-control cat-fights. Mass showering. Suffering at the hands of the head warden. Harsh terrain surrounding the prison to make it hard to escape. A gusty prison break. And finally those corrupted individuals get their up and comings. So basically the heat is on in the banana republic.

"Woman In Cages" is another quick, cheaply done Corman production, but this time Jack Hill didn't hold the helm. Instead Gerry De Leon was in the director's chair and he brought to the table a real mean-spirited and quite gloomy Philippine WIP affair. His conventional direction might lack style and cracking energy, but it's balanced out by its intrusive grittiness. The story by James H. Watkins and David R. Osterhout is rather straightforward with little lead way in its same-old-same-old actions and plodding moments, but plenty of sour and quite outlandish moments do occur. The moral card of injustice that leaks its way in comes off as quite silly and lazy. While, there's some slight wit evident, it just seems to get derailed. It mainly concentrates on the unpleasantness and sleazy nature that's drilled in constantly. In the long run these scenes might be effectively crude, but personality does lose out to this rough shtick that really does dry up proceedings. The characters don't feel as dominating; say in "The Big Doll House". Some of the actresses of that film do turn up here. Pam Grier plays the nihilistic lesbian head prison guard with such venom, but this hard-boiled devil woman glow does take away from her energetic persona. The crackling stunner Roberta Collins is in fine form as the on edge drug addict and the gorgeously biting Judith M. Brown also appears. Jennifer Gan was decent in the lead role of the glassily clueless Jeff. Music director Tito Arevalo provides a smoking; on-the-ball soundtrack and Felipe Sacdalan's cinematography methods are unsparingly grounded.

Not one of the best of the sub-genre, but well worth a look for the fans for some glorified badass whipping in this mostly dour WIP outing.

American B-film companies found in the Philippines a cheap, plentiful supply of labour and locations for their tropical drive-in sleazefests. Admittedly these exploitation films are an acquired taste and a dubious form of entertainment; however they mark an important cultural milestone as the first features where a black actress, even playing a prison moll or topless revolutionary, is given a lead role of any substance. Director Jack Hill started the eightball rolling when he shot The Big Doll House in 1971, set in a nameless Latin American prison but filmed in the Filipino jungle. Unseen in Australia since the early 70s, the film featured a mixed cast of local and American exploitation regulars, but it's remembered as the first high-profile role for the later Queen of Blaxploitation, Pam Grier.

Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.

In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

Pam Grier is in this - and you may or may not be aware of her, but after watching this, you will have her on your radar. Really mesmerizing performance. And while the movie itself was not exactly good, the other actors give it their best shot too. Women in cages - it's almost taking the (sub)genre and put it into your title. It literally is if you think about it.

As with every good (and bad) of these female prison exploitation movies (I have not seen many, but they sort of write themselves to a degree), you have a lot of violence but also a lot of nudity. It just is inevitable. Sleaze and down and dirty as it goes. This is I would imagine not the worst of them, though if you are into that sort of thing, you'll find something to "enjoy" anyway

There have been a lot of movies with the theme of beautiful women being locked in prison and abused by the warden. This film is a classic example of that theme.

Pam Grier, the black movie queen of 1970's "B" movies, is the sadistic warden of a women's prison in a foreign country. Two of the prisoners attract her attention - a hot-blooded redhead, and the prison-informant blonde. The redhead is in prison on charges of murdering her husband. I can't remember why the blonde is in prison, but then that doesn't really matter in the film anyway. Let's just say that the redhead and the blonde don't get along, and the warden utilizes her own distinct form of justice when they get into a fight.

The redhead is taken into the warden's "play room", stripped naked (we only see the upper half), has her arms pulled up over her head and is then locked into some boots, which are then slowly cranked apart to spread her legs wide. A brazier's flame covers her modesty for most of this scene, as the warden taunts her a bit and then pushes the brazier forward - "This is our version of the hotfoot!". Cut to a scene of the women working in the field as the redhead's screams echo through the prison walls.

Later on there's a prison riot and the blonde irks the warden. To punish her, the warden strips the blonde (this time a restraint strap covers the actress' modesty) and binds the prisoner to a wheel and spins her around. After a few rotations, the warden tries to taunt the blonde into submission, but instead of surrendering, the blonde spits into the warden's face. In retaliation, the warden pulls out a trident and stabs the blonde as she's spun on the wheel some more.

Eventually the blonde and redhead team up and escape from the prison, and are pursued by the warden and her guards. The prisoners kill off the guards, capture the warden, and leave her tied to a tree as they flee to freedom.

The movie is worth seeing if you like women-in-prison films. Not much gore, and the only nude scenes are the ones described above, but what's there is worth a late-night or afternoon screening. People probably won't think of you as a cinematic genius, but what do you expect for a 1970's prison film?

Afraid of being caught with a stash of heroin by the Filipino law enforcement, a drug dealer named "Rudy" (Charlie Davao) slips the package inside a purse belonging to his girlfriend, "Carol Jeffers" (Jennifer Gan). When she is apprehended, she remains silent in the naive belief that Rudy will pull some strings and get her released. Instead, she is sentenced to 10 years of hard labor in a remote prison deep inside the Philippine jungle. Even then she remains convinced that Rudy will make every effort to get her out. Instead, he tries to ensure her silence by having one of her cell mates named "Stoke" (Roberta Collins) kill her. If that wasn't bad enough, the main patron named "Alabama" (Pam Grier) takes sadistic pleasure in torturing the inmates and Carol is in her sights. At any rate, rather than spoil the film for those who haven't seen it, I will just say that this is essentially a B-grade exploitation film. The acting is second rate, and the fight scenes leave much to be desired. Likewise, as in most films of this type, one should be aware that there is some nudity and a couple of graphic scenes here and there. Even so, the story flows smoothly and there are some attractive women, most notably Judith Brown (as "Sandy") along with the aforementioned Roberta Collins and Pam Grier to keep things interesting. And while it's certainly not a great film by any stretch of the imagination, it's not necessarily a bad film considering the genre.