Ora zero: operazione oro

Recently, I've been commenting on films I haven't seen for years. At my age, It just seems about right to remark films that left decided impressions on me, many years ago.

As one reviewer remarked, this film was released shortly after Sean Connery's last appearance in the original James Bond series, with "Diamonds Are forever". I know of more than one friend who finds "DAF" an entertaining film. I was appalled when I first saw it and I am still appalled, a truly wretched film, and prophetic of the dip in class in the Bond films represented by Roger Moore.

So I was utterly delighted when I saw this film in an old movie-house in my home town a short while later. The experience was so pleasurable, I still remember that it was a snowy night, but not too cold; I remember the original poster advertising the film; and I remember that I felt personally disappointed that so few others were in the audience - the film disappeared within a week.

Hopkins' performance especially made the film memorable. I can still see his walk, how he carried a machine-gun, and his wry, somewhat jaded smile.

Everything about the film is "Bond on a low budget"; and the fact that MacLean actually wrote the script tells me that this was probably intentional - the Bond films, after all, had borrowed heavily from earlier films based on Maclean novels, while at the same time effectively burying them - "The Guns of Navarone" is well-remembered, but only brought out of mothballs for the Turner Movie Channel every now and again, but everyone owns a copy of "Goldfinger".

Yet it is this quality - which I recognized at once on initial viewing - that endeared the film for me forever - Producer Albert Brocolli had turned Bond into a clown; MacLean returned my hero to me as I always imagined him.

I think that says something positive about this one.

I love this film, because I think it is pretty true to McClean's book and Calvert is suitably downmarket to be a more believable agent than James Bond ever could be. The scenery is fantastic and the diving scenes are good too. I also have to say that I love the theme music and wish I could get it on CD!

It seems that the whole world and their dogs know of Commander Bond, who takes his martinis shaken and not stirred, has his dalliances with the ladies, and manages to save the world before dawn.

Agent Calvert (played most suitably by Anthony Hopkins) is how I believe Bond should have been. Both are Commanders of the British Navy I believe, both educated 'working class' and with both, you get a sense of being slight sociopaths. Don't get me wrong, I really am a fan of the Bond genre, but this performance by Hopkins seems gritty and more realistic a character and compares quite favourably to the Bond character played by other actors.

There is some great dialogue between the upper middle class boss of Agent Calvert (Uncle Arthur played by Robert Morley) and Agent Calvert, which helps keep interest in the film between the action scenes. Compared to many of the scenes produced by action heroes of the last 10 years, some are a little dated, although there were still enough to keep me interested.

Nathalie Delon was a great choice as the leading lady requiring rescue from the sea (were her intentions good or bad?), and its a pity that most outside of her native country did not see much more of her in other things.

One of my personal favourite pieces of work by Anthony Hopkins.

If you're an action fan, I still think this is worth a look. Long overdue a worthy remake I think.

A not bad interpretation of an interesting book by thriller writer Alistair Maclean, who has also written the screenplay in this instance. If this adaptation has anything going for it, it must surely be that it at least attempts to keep to the essential essence of the original novel, which was quite a page-turner. So many adaptations based on books by Maclean have been apparently destroyed in the writing or re-writing stage that little sense remains of the original concept. The thrill is often removed from the thriller. The essence of these books have often been hacked to pieces in an attempt to transform them into something cinematic. When things go wrong, it´s Maclean´s name that gets dragged through the mud!. Were this film to be made today, I believe it could be made much better, but still, it is an enjoyable romp made more enjoyable by the pairing of Anthony Hopkins with the luscious Nathalie Delon. Recommended.

Hopkins could have been Bond and I think he'd have made a good one. In fact, a review at the time of his performance in When Eight Bells Toll proclaimed he played his character Calvert in a way that "made James Bond look like a lounge lizard." The film is a fondly remembered actioner from my childhood (well, early teens). Although there's no way in which the pyrotechnics on show could bear realistic comparison with the CGI-dominated eye-candy extravagance of today's equivalents (witness the studio bound finale in the boat house if you really need convincing), it remains a brisk, fun way to idle away the best part of two hours.

The script is sharp, the dialogue cynical, the action belts along nicely - and Robert Morely's Whitehall mandarin thrust into the field is an eccentric delight. Nathalie Delon (whatever happened to her?) is an icy femme fatale who couldn't act to save her life (or anyone elses) and Jack Hawkins, who had throat cancer, is voiced by Charles Gray. Jack's lip-synching is well-duff to say the least. He's almost a good five minutes behind. Add Old Vic stalwart Corin Redgrave as Calvert's pragmatism-challenged sidekick and you have a recipe for some top fun.

The plot (McGuffin) is some nonsense about missing bullion ships, but it's no more than a hook to hang the action on. For me, this is a case of nostalgia most certainly being what it used to be. I just love it.

For anyone who likes the early seventies Bond movies, it's almost an essential accoutrement.

Right, next stops on the Alistair MacLean '70s movie DVD trail - Fear Is The Key, Caravan To Vaccares and the sublime Puppet On A Chain.