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IMDbPro

L'inizio del cammino

Titolo originale: Walkabout
  • 1971
  • T
  • 1h 40min
VALUTAZIONE IMDb
7,6/10
28.890
LA TUA VALUTAZIONE
Jenny Agutter, David Gulpilil, and Luc Roeg in L'inizio del cammino (1971)
Trailer for Walkabout
Riproduci trailer4:04
1 video
99+ foto
Avventura nel desertoRaggiungimento della maggiore etàSopravvivenzaAvventuraDramma

Due fratelli cresciuti in città sono bloccati nell'entroterra australiano, dove imparano a sopravvivere con l'aiuto di un ragazzo aborigeno durante la così detta passeggiata, una separazione... Leggi tuttoDue fratelli cresciuti in città sono bloccati nell'entroterra australiano, dove imparano a sopravvivere con l'aiuto di un ragazzo aborigeno durante la così detta passeggiata, una separazione rituale dalla sua tribù.Due fratelli cresciuti in città sono bloccati nell'entroterra australiano, dove imparano a sopravvivere con l'aiuto di un ragazzo aborigeno durante la così detta passeggiata, una separazione rituale dalla sua tribù.

  • Regia
    • Nicolas Roeg
  • Sceneggiatura
    • Edward Bond
    • Donald G. Payne
    • Nicolas Roeg
  • Star
    • Jenny Agutter
    • David Gulpilil
    • Luc Roeg
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    28.890
    LA TUA VALUTAZIONE
    • Regia
      • Nicolas Roeg
    • Sceneggiatura
      • Edward Bond
      • Donald G. Payne
      • Nicolas Roeg
    • Star
      • Jenny Agutter
      • David Gulpilil
      • Luc Roeg
    • 201Recensioni degli utenti
    • 96Recensioni della critica
    • 85Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    Walkabout
    Trailer 4:04
    Walkabout

    Foto157

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    Interpreti principali12

    Modifica
    Jenny Agutter
    Jenny Agutter
    • Girl
    David Gulpilil
    David Gulpilil
    • Black Boy
    • (as David Gumpilil)
    Luc Roeg
    Luc Roeg
    • White Boy
    • (as Lucien John)
    John Meillon
    John Meillon
    • Father
    Robert McDarra
    • Man
    • (as Robert McDara)
    Peter Carver
    • No Hoper
    • (as Pete Carver)
    John Illingsworth
    • Girl's Husband
    Hilary Bamberger
    • Father's Wife
    Barry Donnelly
    Barry Donnelly
    • Australian Scientist
    Noeline Brown
    • German Scientist
    • (as Noelene Brown)
    Carlo Manchini
    • Italian Scientist
    George Roubicek
    George Roubicek
    • Radio Announcer
    • (voce)
    • (non citato nei titoli originali)
    • Regia
      • Nicolas Roeg
    • Sceneggiatura
      • Edward Bond
      • Donald G. Payne
      • Nicolas Roeg
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti201

    7,628.8K
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    Recensioni in evidenza

    8loza-1

    Who Says Silent Cinema Is Dead?

    Although this is a sound film, and the characters talk to one another, this film could have been made just as well in the 1920s. It does not really need sound.

    The film is about nature, and man's relationship with it. If a civilised person were left out in the desert, then they would soon die. But, as this film shows, there are people and creatures living out there quite happily.

    The film has been criticised for having a weak beginning and a weak end. But where does the story of this film start? And where and when would you end it? Yes you can end it when the two children get back to civilisation. But does the story end there? No. Because of their experiences, things are never going to be the same again. And for them, the story has not finished, it is only just beginning.

    I have seen this film several times and I notice something different every time I see it.
    8rlcsljo

    What's this talk about "Walkabout"

    In the late sixties and early seventies there was an unusual kind of excitement when you went to the movies. It probably had not happened since movies were first invented and has not happened since in commercial theatrical releases. This was the feeling of "I don't know what is going to happen next"! What happened one day was completely unexpected when I first saw the opening of "Walkabout". The introduction gave almost no clue as to what was to come next, but it was visually and aurally fascinating. The rapidity in which the plot shifted gears made you more sympathetic to the plight of our main characters. The sudden appearance of the Aborigine boy in the nick of time and his taking them under his wing. Then surprises of all surprises--our heroine does many nude scenes. Then her final look of yearning at the end suddenly explains it all. All the while Roeg is doing a travelogue of the Australian outback. This movie is pure genius from beginning to end. A must for any movie collection.
    sunsix

    INNOCENCE

    Goodness gracious it's amazing how many reviewers missed the most obvious aspect of the film. This tale is about innocence and it approaches that from many different angles. As for Roeg practicing camera tricks-maybe today these are tricks but at the time the style was a pioneering method of telling and showing psychological elements, wasted on todays audiences. Roeg presents innocence in juxtaposition with the hardness and neuroses of society, not as WHITEMAN BAD but as society, modern society makes us very neurotic by taking away our innocence. Roeg makes an brilliant point and stylizes a mostly nonverbal experience by letting us journey with children all on the cusp of some new stage of growth. This movie is a small masterpiece!!
    8jdwilliams-2

    Another opinion

    As far as comments about Roeg's going overboard with his message of "nature/aborigine good, industrialisation/white men bad," this is a simplistic way of reading it. First of all, every director has his or her own style, and Roeg started as a cinematographer--his movies tend to contain long, meditative (or, boring, depending on one's view) visual passages. Roeg floods the screen with cascades of images, by turns repetitive and contrasting, much as a poet uses the sounds and rhythms of words, as well as their semantic content, to create "meaning" in the context of the poem.

    To expect Roeg not to dwell on images is to expect Tolstoy not to go off on 20-page rants about how the lack of Napoleon would necessitate another to fill his historical role. One overlooks idiosyncracies in one's friends.

    I found the movie much more powerful than I expected. My only disappointment with the Criterion DVD release is with the commentaries. I would love to have heard more about the story, and it would have been nice to have heard from David Gulpilil, whose role as the aborigine was a watershed in Australian cinema, as noted in the IMDb article on his career.
    8Hey_Sweden

    Unforgettable, potent entertainment.

    A teenaged girl (ever-lovely Jenny Agutter) and her young brother (Lucien John, a.k.a. Luc Roeg, the directors' son) are stranded in the desolate Australian outback. They really have no clear idea of where to go or what to do, but they meet a stranger who saves their lives. He is an aborigine (Aussie icon David Gulpilil) who is partaking in the ritual known as "Walkabout", wherein he temporarily leaves his tribe to go off on his own and live off the land.

    The experiences between these three young people form the balance of this excellent film. The culture clash is immediate, as the two urbanized white kids struggle to make themselves understood by the aborigine. But they ultimately become rather inseparable.

    Along the way, they encounter all sorts of flora and fauna. "Walkabout" is highly noteworthy for its respect for Nature, and is filled with many visual wonders. Given that director Nicolas Roeg had been a camera operator and cinematographer, it's no surprise that the film *looks* beautiful, and it's set to a haunting and lovely John Barry score.

    Three highly engaging performances anchor the film. Agutter has a naturally sexy presence, and Roeg doesn't miss opportunities to let the camera take in every aspect of her body. His son does a nice job as the brother, avoiding being overly cutesy and always relaxed on screen. Gulpilil proved to be a real find in his film debut. Another Aussie favourite, John Meillon, appears briefly as the white kids' father.

    "Walkabout" was largely improvised. The Edward Bond script, based on a novel by Donald G. Payne, was actually only 14 pages or so. Knowing this, it makes the acting that much more impressive, as the cast react instinctively to the scenes & settings.

    Overall, this is one of *the* iconic Australian films, and is a must-see for movie lovers interested in cinema from this part of the world.

    Eight out of 10.

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Luc Roeg was actually sun-burnt in the scene where the aboriginal boy treats his back by rubbing him with fat from a wild boar. Director Nicolas Roeg thought it would make a good scene for the film so he picked up the camera and shot it.
    • Blooper
      The credits name the actor playing "Black Boy" as David Gumpilil. It should be David Gulpilil.
    • Citazioni

      Narrator: [last lines - from "Poem XL" by A.E. Housman's "A Shropshire Lad"] Into my heart an air that kills, From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went, And cannot come again.

    • Curiosità sui crediti
      After the credits, there is a flash of white light on the screen and as it becomes a black screen, radio tuning is heard while the words "rien ne va plus" are shown.
    • Versioni alternative
      A director's cut of this movie was released in 1997 with 5 additional minutes. This cut is identical to the original British release version (100 minutes): the film was shortened by five minutes for its original American release.
    • Connessioni
      Edited into Terror Nullius (2018)
    • Colonne sonore
      Electronic Dance
      Written and performed by Billy Mitchell

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    Domande frequenti19

    • How long is Walkabout?Powered by Alexa
    • Why does the father try to kill his two children?

    Dettagli

    Modifica
    • Data di uscita
      • 1 luglio 1971 (Stati Uniti)
    • Paesi di origine
      • Regno Unito
      • Australia
      • Stati Uniti
    • Lingue
      • Inglese
      • Aborigeno
      • Ceco
      • Francese
    • Celebre anche come
      • Encuentro de dos mundos
    • Luoghi delle riprese
      • Alice Springs, Northern Territory, Australia
    • Aziende produttrici
      • Max L. Raab Productions
      • Si Litvinoff Film Production
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.000.000 A$ (previsto)
    • Lordo in tutto il mondo
      • 1888 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 40min(100 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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