Io sono Valdez

At the summary states, this film truly made an unusual casting decision by casting Burt Lancaster as a Hispanic man. At first, this made me groan, but after a short time I realized that he did a pretty good job with the accent and there are many light-skinned Mexicans, so it wasn't too hard to believe this. The only negative about this is that the film is in many ways about race prejudice and you wonder if maybe casting an Anglo in such a role that it might be undermining the central message. Regardless, the film is several notches above the usual Western.

It begins in the Old West with sheriff Lancaster being called in to arrest a man holed up in a shack with his odd woman. The man inside is killed by Lancaster and then it's discovered that the man was NOT the wanted man, but totally innocent. Lancaster feels bad about this and tries to take up a collection to help the lady but no one seems to care. In particular, the rich land owner who insisted the guy in the shack WAS guilty felt no compunction to help at all. This angered Lancaster, but the rich guy said that he could care less since the dead man was Black.

The rest of the film consists of Lancaster spending the rest of the movie trying to force the rich guy to contribute his share. However, the rich guy responds by having Lancaster beaten and humiliated--and in the process unleashing retribution from Lancaster, who begins killing off the land owner's posse as they chase him across the Southwest.

Despite the simplicity of the plot, the film never got dull nor did it seem overly preachy. Also, the film ended very well, though I don't want to spoil anything by saying more about it. An intelligently written script, good acting and direction make this film a winner.

A former Apache hunter, who has lost his taste for violence, becomes embroiled in a running duel across a scorched, rugged terrain with a gang of gunrunners...all over a lousy 100 bucks...and honor...and a woman. This film reminded me somewhat of Charles Bronson's first big box office hit, "Chato's Land". The band of thugs, unlike the group chasing Chato, were up to the job of killing Valdez, but found their quarry to be more elusive than they had bargained for. Very good western, right up there with Lancaster's film of the same year, "Lawman". I still can't feature Burt as a Mexican, though.

I've watched this film over and over. There is perfection in it's brevity, assuredness in performance, outrageous make up, good costumes, peculiarly effective non-classical western camera-work and Burt! Perhaps one day I will write that piece on Burt's political stance demonstrated in his movies, but for now will add my name to the list of Valdez supporters. I particularly admire the taut structure and tone, the minimal but highly emotional exchanges between the players and the curious fact that none of the Mexicans are played by - Mexicans. I do not agree with the associations made by some commentators about the Leone connection. This film came from a completely different camp. This is Lancaster territory not Leone's. I would love to talk to Edwin Sherin about this film or any of the surviving cast and crew. Any offers?

Life's full of coincidence, no? This is true: just a few weeks back, I happened to pick up another novel from Elmore Leonard called 'Valdez is coming'. After reading it, I said to a close friend, 'Hey, this is a great story – and it'd be another great movie..." So, when he told me it already was, I just had to get it and have a look.

Leonard is prolific: not only one of America's premier authors, he's responsible for some of the most talked about films ever, among them being Get Shorty (1995), Mr. Majestyk (1974 ), Jackie Brown (1997 ), Pronto (1997 ) and many others. So, when you get wind of another one from this master storyteller, you sit up and take notice.

Leonard's heroes tend to fall into two camps: the tough guy who's got heart when needed, or the guy with heart who gets tough when pushed. In both cases, you get a character who's the type of guy you'd always like to have as a friend, but never as an enemy...

Bob Valdez (Lancaster) is the local constable who gets caught up in a stand-off between an alleged killer and a vigilante posse led by Frank Tanner (Jon Cypher). After being forced to kill the accused murderer, Valdez tries unsuccessfully to persuade the towns' leaders and Tanner to kick in some compensation for the man's Apache widow. They refuse, of course, and, in the process of asking Tanner again, Valdez is cruelly treated: Tanner orders his men to tie a wooden cross to Valdez's back and then forces him to walk back to town – some fifteen miles.

Unhappily for Tanner, he picked the wrong guy to bully: Valdez is a retired scout and Indian fighter who knows how to exact revenge. He returns to Tanner's spread and kidnaps his girl friend, thus forcing Tanner to pursue both of them into the high sierra – the very place that Valdez knows better than anybody. That sets up the final confrontation between the two men, but preceded by Valdez picking off eleven of Tanner's men with better tactics and better firepower. And, for a western, the final scene is unique: you'll never see another western with an end like it. Bar none...

Filmed in Spain, up in the sierra, the cold terrain and air are overwhelming, almost. The music sound track is adequate and doesn't intrude as others have; the editing is just a tad too quick in a couple a places, but the photography is just stunning. Lancaster gives a solid performance as the Mexican constable, with just the right amount of lilt to his affected Mexican-English, and his tacit subservience to the bullying Americans; Cypher is excellent as the cruel and near-sociopathic trail boss and landowner; Susan Clark is competent, but not outstanding, as the kidnapped girlfriend; and a special mention for Barton Heyman as El Segundo who finally learns what true loyalty means. In sum, a stellar cast for a well-produced and very intelligent western.

If you like the western genre, in my opinion this one ranks in the top ten for that genre. So, if you haven't seen it yet, I give this one my highest recommendation.

Valdez is Coming is a companion piece to Martin Ritt's HOMBRE. Both stories center on a single man's moral code, as does MR. Majestyk with Charles Bronson. Filled with incredible dialogue and a trailer that cried out,"Tell Frank Tanner, Tell El Segundo and the sixteen others, Valdez Is Coming.Valdez, a good old man tries to ask Frank Tanner for some money to support a widow that was married to a mullato Tanner forced Valdez to kill. Not only doesn't Tanner give the widow and money, after a second attempt of restitution Tanner throws Valdez to his men who tie him to a cross and leave him in the desert to die. A slimey Richard Jordon releases him and 'Bob' Valdez puts his old military uniform on and with his scatter gun and 'indian fightin' ways Valdez proceeds to kill all the men who don't recognize his code of honor, meanwhile stealing and wooing Tanner's woman. An absolute classic of the spaghetti western genre carried to a higher realm by Leonard's script and Lancaster's subtle acting.