VALUTAZIONE IMDb
6,3/10
5300
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAs the plague sweeps the countryside, a quarantined village is visited by a mysterious traveling circus. Soon, young children begin to disappear, and the locals suspect the circus troupe mig... Leggi tuttoAs the plague sweeps the countryside, a quarantined village is visited by a mysterious traveling circus. Soon, young children begin to disappear, and the locals suspect the circus troupe might be hiding a horrifying secret.As the plague sweeps the countryside, a quarantined village is visited by a mysterious traveling circus. Soon, young children begin to disappear, and the locals suspect the circus troupe might be hiding a horrifying secret.
- Regia
- Sceneggiatura
- Star
Anthony Higgins
- Emil
- (as Anthony Corlan)
Christine Paul
- Rosa
- (as Christina Paul)
David Prowse
- Strongman
- (as Dave Prowse)
Recensioni in evidenza
Title: Vampire Circus
Director: Robert Young
Cast: Adrienne Corri, Thorley Walters, Anthony Higgins
Review:
Vampire Circus is one of those hard to find, elusive Hammer Vampire flicks. I had been looking for it for the longest time having heard nothing but good things about this uncommon vampire movie. I finally got my hands on it and I feel that I have somehow found the holy grail or something.
It starts out like many vampire flicks. The towns people storming the castle of a vampire who has been feeding on the towns young women and children. They decide to take justice into their own hands and rid the world of Count Mitterhouse.
When I say that this movie starts out like many other vampire flicks, I don't mean that in a bad way. This opening is a very fast paced one, filled with lots of confrontations...somehow you get the feeling that you are walking in on the ending of the film. Count Mitterhouse is a very vicious vampire, he seems almost more fierce then Lee's Dracula in many scenes. Great way to open a movie! In the first 12 minutes you get a couple of towns folk slaughtered full frontal nudity and a little girl killed by Mitterhouse. But when the towns people finally do get to kill him, he says he will one day come to life again and just before he dies he curses the town with a plague.
Fast forward fifteen years later...and people are dying from a horrible curse, the town is quarantined and no one is allowed to leave. If you do try to leave the town...you get shot down! Anyhows in comes the "Circus of Night" a circus that the towns people welcome with open arms...something to take their minds away from all the death that the plague has brought upon them. The "circus of night" has their own little plan under their sleeves but that is for you to find out when you see the movie.
Well people thats the set up for what was surely one of the strangest vampire flicks I have ever seen. I mean...come on....vampires and a weird circus in the same movie, how can you go wrong with a mix like that? Does the movie manage to be interesting after a fast paced action packed opening sequence like that? It sure does.
Like many films with the circus/carnival setting one of the main attractions on this movie were the circus performers. This "circus of night" is filled with your usual circus folk. The Strong Man, The Twins Who turn into bats, The Midget Clown and The Panther who turns into a man, The Body Paint Dancers, Um...OK, maybe they are not your usual circus folk, but they sure do make for an interesting and freaky film. All the characters in the circus are very intriguing simply because of their freakishness, they are certainly more likable then the towns folk.
This Hammer production has more boob shots then usual. The nudity was very abundant in Vampire Circus. Another really cool thing about the flick: the vampires have huuuge fangs. I mean when they open their mouths you get to wondering how they are ever going to close them again with fangs that big. Cool image.
The movie is accompanied by a feeling of surrealism. Be on the lookout for some really freaky performances during the show. Specially those scenes involving "The Mirror of Life". Also those scenes with the naked/body paint/dancing lady. Add to this that the ring master is a midget clown and you have a night of weird bizarro cinema assured. Oh, and it also has one of the coolest and most original vampire death scenes I have seen! Not gonna spoil it for you guys but be on the look out for that.
As you can see, I don't have a great many bad things to say about this one. Maybe they screwed around with the vampire mythos a little too much, I mean a were-panther/vampire dude? Maybe that was a little too much. But I guess it just adds to the bizarre feeling this movie has.
Also some of the acting wasn't so good, mainly from the young guy who plays the son of the doctor in the film. He delivers his lines with a lot of overacting. But thats just a minor flaw, it was an all around good Hammer flick.
So, in conclusion. I'm glad I finally got to see Vampire Circus its a film that was fun because its weird freaky carnival feel and its likable villains. Too bad this film is often times ignored and doesn't get the recognition it deserves. Why release films like "The Satanic Rites of Dracula" which are just plain hurtful to look at, and then just completely ignore a gem like this? Sadly this film isn't even available in the United States.
It certainly is one of the most unique vampire films to come out of Hammers House of Horror, and one that any Vampire/Hammer lover should not miss.
Rating: 4 out of 5
Director: Robert Young
Cast: Adrienne Corri, Thorley Walters, Anthony Higgins
Review:
Vampire Circus is one of those hard to find, elusive Hammer Vampire flicks. I had been looking for it for the longest time having heard nothing but good things about this uncommon vampire movie. I finally got my hands on it and I feel that I have somehow found the holy grail or something.
It starts out like many vampire flicks. The towns people storming the castle of a vampire who has been feeding on the towns young women and children. They decide to take justice into their own hands and rid the world of Count Mitterhouse.
When I say that this movie starts out like many other vampire flicks, I don't mean that in a bad way. This opening is a very fast paced one, filled with lots of confrontations...somehow you get the feeling that you are walking in on the ending of the film. Count Mitterhouse is a very vicious vampire, he seems almost more fierce then Lee's Dracula in many scenes. Great way to open a movie! In the first 12 minutes you get a couple of towns folk slaughtered full frontal nudity and a little girl killed by Mitterhouse. But when the towns people finally do get to kill him, he says he will one day come to life again and just before he dies he curses the town with a plague.
Fast forward fifteen years later...and people are dying from a horrible curse, the town is quarantined and no one is allowed to leave. If you do try to leave the town...you get shot down! Anyhows in comes the "Circus of Night" a circus that the towns people welcome with open arms...something to take their minds away from all the death that the plague has brought upon them. The "circus of night" has their own little plan under their sleeves but that is for you to find out when you see the movie.
Well people thats the set up for what was surely one of the strangest vampire flicks I have ever seen. I mean...come on....vampires and a weird circus in the same movie, how can you go wrong with a mix like that? Does the movie manage to be interesting after a fast paced action packed opening sequence like that? It sure does.
Like many films with the circus/carnival setting one of the main attractions on this movie were the circus performers. This "circus of night" is filled with your usual circus folk. The Strong Man, The Twins Who turn into bats, The Midget Clown and The Panther who turns into a man, The Body Paint Dancers, Um...OK, maybe they are not your usual circus folk, but they sure do make for an interesting and freaky film. All the characters in the circus are very intriguing simply because of their freakishness, they are certainly more likable then the towns folk.
This Hammer production has more boob shots then usual. The nudity was very abundant in Vampire Circus. Another really cool thing about the flick: the vampires have huuuge fangs. I mean when they open their mouths you get to wondering how they are ever going to close them again with fangs that big. Cool image.
The movie is accompanied by a feeling of surrealism. Be on the lookout for some really freaky performances during the show. Specially those scenes involving "The Mirror of Life". Also those scenes with the naked/body paint/dancing lady. Add to this that the ring master is a midget clown and you have a night of weird bizarro cinema assured. Oh, and it also has one of the coolest and most original vampire death scenes I have seen! Not gonna spoil it for you guys but be on the look out for that.
As you can see, I don't have a great many bad things to say about this one. Maybe they screwed around with the vampire mythos a little too much, I mean a were-panther/vampire dude? Maybe that was a little too much. But I guess it just adds to the bizarre feeling this movie has.
Also some of the acting wasn't so good, mainly from the young guy who plays the son of the doctor in the film. He delivers his lines with a lot of overacting. But thats just a minor flaw, it was an all around good Hammer flick.
So, in conclusion. I'm glad I finally got to see Vampire Circus its a film that was fun because its weird freaky carnival feel and its likable villains. Too bad this film is often times ignored and doesn't get the recognition it deserves. Why release films like "The Satanic Rites of Dracula" which are just plain hurtful to look at, and then just completely ignore a gem like this? Sadly this film isn't even available in the United States.
It certainly is one of the most unique vampire films to come out of Hammers House of Horror, and one that any Vampire/Hammer lover should not miss.
Rating: 4 out of 5
People are always mentioning the Dracula series when talking about Hammer's best Vampire flicks and, every once and a while, `The Vampire Lovers' and `Twins of Evil' are named. But I never heard anyone praising Vampire Circus before
And yet this is one of the greatest vampire movies I've seen so far. A very structured and ingenious story with frightening characters, nasty gore and constant action. The most fantastic aspects about this film are the genuine strangeness and fairytale-like atmosphere. Yet, the solid tension-level of this film depends on a simple principle: circus people are eerie, and the idea of a travelling bunch of circus freaks is ominous. The legendary director Tod Browning already knew this back in 1932 and the overlooked chiller `Circus of Horrors' also follows this principle closely. Personally, I get a lot more uncomfortable at the sight of a painted-face midget than when seeing aliens, bogeymen or whatever other overblown horror characters.
Vampire Circus is terrifically set in 19th century Serbia. 15 years after the townsfolk of a little community killed an evil count, they live in complete misery. The Plague has isolated them from the rest of the world and they live under the believe they're cursed. A travelling circus finally seems to bring some diversity into the lives of the poor townspeople with their amusing tricks of changing into nightly animals back and forth. But, there seems to be an horrific connection between the eerie circus and the destroyed count Most members of the circus are vampires too, coming to avenge the Count's death and to make him rise from his tomb. For once in your life, look beyond the poor production values! Vampire circus looks laughable and cheesy, but it really does have a compelling story to tell. A story with all the necessary horror ingredients: tension, gore (surprisingly much), great music, good-looking girls and even a bit of nudity. The more Hammer movies I see, the more I think this production company rules!! Even their most underrated ones, like it's definitely the case for Vampire Circus, must be seen by every horror fan. Highly recommended!
Vampire Circus is terrifically set in 19th century Serbia. 15 years after the townsfolk of a little community killed an evil count, they live in complete misery. The Plague has isolated them from the rest of the world and they live under the believe they're cursed. A travelling circus finally seems to bring some diversity into the lives of the poor townspeople with their amusing tricks of changing into nightly animals back and forth. But, there seems to be an horrific connection between the eerie circus and the destroyed count Most members of the circus are vampires too, coming to avenge the Count's death and to make him rise from his tomb. For once in your life, look beyond the poor production values! Vampire circus looks laughable and cheesy, but it really does have a compelling story to tell. A story with all the necessary horror ingredients: tension, gore (surprisingly much), great music, good-looking girls and even a bit of nudity. The more Hammer movies I see, the more I think this production company rules!! Even their most underrated ones, like it's definitely the case for Vampire Circus, must be seen by every horror fan. Highly recommended!
Not sure why 'Vampire Circus' isn't mentioned when people talk about the best Hammer movies, because it certainly deserves to be. As usual the studio manages to create a lot of period atmosphere and chills on, one assumes, not a very large budget, and like most of their movies the acting is uniformly good. The story concerns a village being attacked by a mysterious lethal plague which may or may not be connected with a dark episode in the small communities past concerning an evil Count who once terrorized all and sundry. The village is cut off from the outside world, and while they anxiously await some outside medical attention, a strange traveling circus arrives. The villagers leap upon anything to tale their minds off their awful predicament, but as you can tell from the title, the circus folk aren't exactly what they appear to be and have secret plans of justice and revenge. The performers themselves are much more interesting and sensual than the uptight villagers, and this creates an unusual tension in the viewer compared to many vampire movies, where good vs. evil is black and white with no troubling ambiguities. This is a very unusual twist on the familiar subject matter, and in my opinion one of the most underrated and overlooked vampire movies ever made. Trainspotters note: the supporting cast includes David 'Darth Vader' Prowse as the circus strongman, and Lalla Ward (who replaced Mary Tamm as Romana in 'Dr Who') as a pretty sexy vampire.
Fifteen years after staking Count Mitterhaus, the vampire that had been preying upon their children, the people of a remote European village suffer once again as a mysterious plague begins to claim their lives. With roadblocks in place to stop the disease from spreading, they are cut off from the outside world.
When a gypsy circus somehow beats the quarantine to put on nightly shows at the village, the locals are happy that they have something to take their minds off the illness. But soon, the now-grown-up children of those who killed the Count begin to turn up dead, and the villagers start to suspect that the circus folk are somehow responsible. It eventually transpires that the creepy entertainers, some of whom are vampires, are out to seek revenge for Mitterhaus's death, and ultimately aim to raise the Count from his tomb.
A better-than-average offering from Hammer studios, Vampire Circus offers all of their trademark elements—lush visuals, lavish sets and costumes, beautiful women, handsome heroes and Gothic atmosphere to spare—plus quite a bit of blood and gore, and a generous amount of gratuitous nudity from several beautiful babes (although the stunning Lynne Frederick unfortunately remains fully clothed).
Director Robert Young ensures that the film is effectively creepy from start to finish, paying special attention to the scenes featuring the bizarre circus folk, which prove to be genuinely freaky (the dwarf, with his evil grin and painted face, is particularly disturbing). Occasionally the film suffers from some poor special effects, and the odd spot of hammy acting, but this does not detract from one's enjoyment (on the contrary, they actually made the whole experience more fun for me).
Best watched at night, with the curtains drawn, lights out, and accompanied by a big box of popcorn, this solidly entertaining vampire yarn is well worth checking out.
When a gypsy circus somehow beats the quarantine to put on nightly shows at the village, the locals are happy that they have something to take their minds off the illness. But soon, the now-grown-up children of those who killed the Count begin to turn up dead, and the villagers start to suspect that the circus folk are somehow responsible. It eventually transpires that the creepy entertainers, some of whom are vampires, are out to seek revenge for Mitterhaus's death, and ultimately aim to raise the Count from his tomb.
A better-than-average offering from Hammer studios, Vampire Circus offers all of their trademark elements—lush visuals, lavish sets and costumes, beautiful women, handsome heroes and Gothic atmosphere to spare—plus quite a bit of blood and gore, and a generous amount of gratuitous nudity from several beautiful babes (although the stunning Lynne Frederick unfortunately remains fully clothed).
Director Robert Young ensures that the film is effectively creepy from start to finish, paying special attention to the scenes featuring the bizarre circus folk, which prove to be genuinely freaky (the dwarf, with his evil grin and painted face, is particularly disturbing). Occasionally the film suffers from some poor special effects, and the odd spot of hammy acting, but this does not detract from one's enjoyment (on the contrary, they actually made the whole experience more fun for me).
Best watched at night, with the curtains drawn, lights out, and accompanied by a big box of popcorn, this solidly entertaining vampire yarn is well worth checking out.
"Vampire Circus" tells the story of a village plagued by the curse of a vampire. As the residents are doing away with the evil Count Mitterhaus (Robert Tayman), he swears that he will "live" again to savage their children. 15 years later, a circus comes to town while a plague of a different sort is ravaging the countryside. It's all connected, of course: most of the performers in this circus are vampires themselves. While the disease spreads, some foolish villagers try to flee, but it's all for nothing. No, these people are going to pay the price.
While it does suffer from a story (by Judson Kinberg) that isn't always terribly coherent or well thought out, "Vampire Circus" is still engaging horror-fantasy from those fine people at Hammer. It does benefit from absolutely intoxicating atmosphere, grandiose music (by David Whitaker), and a merciless body count that includes a number of kids. Its characters are decently defined, whether they are heroes like young Anton (John Moulder-Brown), or completely vile like the Count and his minions (such as Emil (Anthony Higgins) and the malevolent midget clown Michael (Skip Martin)). The special effects are occasionally dodgy, and some of the gore is hilariously tacky, but in general the makeup (by Jill Carpenter) is pretty good, especially on a female performer painted like a tiger.
Once again, Hammer assembles an elegant British cast that plays the material for everything that it's worth. Actors such as Adrienne Corri (as the Gypsy Woman who presides over the circus), Martin, Tayman, and Higgins are clearly relishing their villainous roles. Moulder-Brown is a likeable young hero, and Thorley Walters (as the Burgermeister), Laurence Payne (as Mueller the schoolteacher), Richard Owens (as the brave Dr. Kersh), and Robin Hunter (as Hauser) are all excellent. Lynne Frederick is positively ravishing in the role of Dora. David "Darth Vader" Prowse shows off his incredible physique as the circus' silent strongman.
Showcasing the kind of sex appeal and gore that would mark later entries in Hammers' filmography, "Vampire Circus" isn't a great shocker, but it certainly is fun.
Seven out of 10.
While it does suffer from a story (by Judson Kinberg) that isn't always terribly coherent or well thought out, "Vampire Circus" is still engaging horror-fantasy from those fine people at Hammer. It does benefit from absolutely intoxicating atmosphere, grandiose music (by David Whitaker), and a merciless body count that includes a number of kids. Its characters are decently defined, whether they are heroes like young Anton (John Moulder-Brown), or completely vile like the Count and his minions (such as Emil (Anthony Higgins) and the malevolent midget clown Michael (Skip Martin)). The special effects are occasionally dodgy, and some of the gore is hilariously tacky, but in general the makeup (by Jill Carpenter) is pretty good, especially on a female performer painted like a tiger.
Once again, Hammer assembles an elegant British cast that plays the material for everything that it's worth. Actors such as Adrienne Corri (as the Gypsy Woman who presides over the circus), Martin, Tayman, and Higgins are clearly relishing their villainous roles. Moulder-Brown is a likeable young hero, and Thorley Walters (as the Burgermeister), Laurence Payne (as Mueller the schoolteacher), Richard Owens (as the brave Dr. Kersh), and Robin Hunter (as Hauser) are all excellent. Lynne Frederick is positively ravishing in the role of Dora. David "Darth Vader" Prowse shows off his incredible physique as the circus' silent strongman.
Showcasing the kind of sex appeal and gore that would mark later entries in Hammers' filmography, "Vampire Circus" isn't a great shocker, but it certainly is fun.
Seven out of 10.
Lo sapevi?
- QuizThe film used the same sets as Le figlie di Dracula (1971).
- BlooperAt the start, Muller raises his stake behind and above Count Mitterhaus's shoulders. The protruding stake is then shown emerging much lower, under the rib-cage.
- Versioni alternativeThe BBFC examiners originally required heavy cuts to the film but many of these were successfully waived after Hammer consulted BBFC head Stephen Murphy. Among the cuts were shots of Hauser's burnt face (reduced from 2 to 1), a face stabbing during the opening skirmish in the castle (removed completely), some bloody shots during the climactic decapitation, the whipping of Gerta, erotic elements of the circus 'whip' dance, and shots of the mutilated panther victims in the forest. However the latter scenes seem to have been reduced rather than cut, leaving the results somewhat ambiguous. It is unlikely that the cut footage still survives, and all later video and DVD releases feature the UK cinema print.
- ConnessioniEdited from Mircalla, l'amante immortale (1971)
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- Tempo di esecuzione
- 1h 27min(87 min)
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