Una Venere senza nome per l'ispettore Forrester

Devil Came from Akasava, The (1971)

* 1/2 (out of 4)

Fred Williams and the beautiful Soledad Miranda star in this campy film that tries to pay homage to your 60's spy movies. A mineral, which can kill and then bring the dead back to life, is stolen so it's up to the Secret Agents (Williams/Miranda) to get it back before more trouble breaks out. Sadly, Miranda died just after finishing this film, which was shot at the same time as Vampyros Lesbos and She Killed in Ecstasy. Both of them films are a lot better but Miranda turns in a good performance here, which makes her death all the more sad since it's clear she would have had a great future. The film itself is meant to be campy but it just didn't make me laugh. I also thought the story was rather poorly written, which is another reason I couldn't stay entertained. Howard Vernon, Paul Muller and Franco himself have roles as well. This film is mainly recommended to those who need to see every Miranda film but her other Franco's films are a lot better.

Soledad Miranda plays a British spy in this movie and is not believable in the slightest; but thank God she is in it because if she weren't, this Krimi-style James Bond send-up would have been a complete dead loss. This movie is rather strange all round. It's based on an Edgar Wallace story and therefore is shot in the same style as the popular Krimi films from the sixties and seventies; but it's directed by Jess Franco, who is more famous for his trashy euro-exploitation flicks, and it takes obvious influence from James Bond; although the suave spy featured here is a sexy female. The plot is complete nonsense of course and focuses around some mineral that has been discovered by some researchers. It has unique properties; it can turn ordinary metal into gold and...wait for it...humans into zombies. Naturally this mineral becomes pretty sought after and it is soon stolen. Shortly thereafter, Scotland Yard sends spies to investigate its disappearance and stop whoever has stolen the mineral.

Soledad Miranda made a handful of films with Jess Franco before her untimely death in 1970; and it's unfortunate really that this had to be one of them. She was in her element in films like She Killed in Ecstasy and Eugenie De Sade, whereas here she's out of her element and it's not really a very good performance. One of the most noticeable things about this film is the score. It's groovy and entertaining, but it's also constant and it does become a bit grating after a while. The madcap plot starts to wear thin rather quickly also and to be honest I was getting bored long before the movie ended. The whole zombie plot might make you believe that there'd be some horror element to the movie, but this is hardly touched on...although that might be a good thing as the quality of this production is very low even without that. It all bubbles up some stupid conclusion that fits the movie well. Overall, The Devil Came from Akasava is not a good movie by any stretch of the imagination. Soledad fans will of course want to track it down, however, and it is worth seeing just for her.

This is a kind of a silly spy spoof like the ones that were big in Europe at the time. Jess Franco did any number of them ("Kiss Me Monster", "The Girl from Rio"). It also might by be loose adaptation of an Edgar Wallace mystery, which were really big in Germany where the film was produced (although more likely it's based on a work of his much less talented son, Bryan Edgar Wallace). The story involves a bunch of characters all chasing after this mineral a murdered professor has discovered that can apparently do everything from waking up patients in narcoleptic comas to turning worthless metals into gold. The mineral is really a "McGuffin" though, in fact, the whole plot is pretty much a McGuffin. The real fun to be had is watching all these bizarre characters crossing and double-crossing each other.

Franco regulars Paul Muller and Howard Vernon are on hand, the latter playing a pretty unconvincing hired assassin. Ewa "Vampyros Lesbos" Stromberg also has a small role, but she keeps her clothes on this time. My favorites though are the lead villains--a husband who is apparently confined to a wheelchair and his prim, matronly wife who wields a mean sword cane! The real reason to watch this movie though can be summed up in two words: Soledad Miranda. Soledad Miranda had what the French (and a a lot non-French pseudointellectual types)called "je ne sais qoi" (basically "I don't know what"). She was very beautiful, standing out even among the many beautiful actresses Franco worked with. She was also talented having made many movies before she started working with Franco. She was always willing to take her clothes off and display her beautiful body, but she was classier and much less unabashedly exhibitionistic than her successor Lina Romay (who probably should have been more "abashed" about doing hardcore porn or letting Franco practically explore her colon with his zoom lens). Maybe it was because she died tragically young. She was always a sexy but ethereal actress whose erotic presence haunted even silly, nonsense movies like this.

As his fans know, Franco himself as director had a certain "je ne sais qoi" with some of his films. (With others though it was more like "je ne sais why the hell I am watching this crap!"). He's especially zoom-happy in this movie, but it actually works pretty well with the frenetic, pop-art style plot. It's not a great movie by a long shot, but the movies Franco did with Soledad Miranda are all pretty special, even the slightest ones like this.

If you´re an admirer of Jess Franco and the unforgettable Soledad Miranda, who died shortly after the production of this film, which has been produced back to back with Vampyros Lesbos and Sie tötete in Ekstase, in which she starred also, this one´s definitely a must-see. Everything in this movie is adorable (besides gorgeous Soledad, who is credited as Susann Korda): the plot (hilarious secret agent/conspiracy stuff), the actors (watch out for Horst Tappert), the production values (you might remember from Vampyros Lesbos) and, of course, the unbelievable groovy 70s soundtrack. It´s got everything you wish from a typical Jess Franco movie. And if you haven´t seen one yet, this is a good one to begin with.

The prolific Spanish Exploitation deity Jess Franco made some of the most famous cult gems in his repertoire of almost 200 films with the gorgeous cult-goddess Soledad Miranda, who tragically died in a car accident at only 27 - an accident which robbed the world of cinema of one of its most stunning beauties. Sadly, the majority of their collaborations were released only after Miranda's death in August 1970. Being a big fan of both Jess Franco and his most beautiful muse, I am always looking forward to seeing one of their collaborations. Their most famous one is probably the brilliantly titled VAMPYROS LESBOS (1970) in which Miranda plays a Lesbian Vampire Countess, others include NACHTS WENN Dracula ERWACHT (COUNT Dracula, 1970) the cast of which also includes Christopher Lee, Klaus Kinski and Herbert Lom, SIE TÖTETE IN EKSTASE (SHE KILLED IN ECSTASY, 1971) and EUGENIE DE SADE (1974). DER TEUFEL KAM AUS AKASAVA aka. THE DEVIL CAME FROM AKASAVA (1971) is probably the most shamelessly nonsensical of their collaborations and yet Soledad alone makes it an absolute must-see for any admirer of beauty.

THE DEVIL CAME FROM AKASAVA seems like a very-low budget, but stylish James Bond rip-off, only that it is a female Bond with exhibitionist tendencies, played by one of the most mesmerizing women ever seen on screen. The sublime Soledad plays a foxy British secret agent who poses as a stripper. She comes to a tropical island in order to solve a bunch of disappearances... without giving too much away I can promise that the 'mysterious' motivation for the disappearances is hilariously nonsensical. The entire film makes hardly any sense, and yet it is incredibly entertaining. Once asked about the reason for film-making, the admitted sleaze-lover Jess Franco stated "showing the female body naked". And many parts of the plot here seem to be an excuse for the stunning Soledad Miranda to take her clothes off (which is more than welcome). The nudity in this film is very tasteful nudity (as opposed to many of Franco's rather pornographic 80s outings); as almost all Franco flicks from the early 70s, this a very stylish and groovy flick with a cool jazzy soundtrack. The rest of the cast includes many familiar faces, such as regular Franco-flick eerie-man Howard Vernon, Paul Muller and Horst Tappert, who is primarily famous in German-speaking countries for his role of the TV-inspector Derrick.

Overall, THE DEVIL CAME FROM AKASAVA is certainly not Franco's masterpiece, but an incredibly entertaining flick that doesn't take itself seriously, and a must-see for the goddess Soledad Miranda alone.