Sole rosso

This Spaghetti Western with enjoyable casting (Bronson , Mifune , Delon and Andress) concerns the robbing a Japanese blade from a train crossing American West and the Japan Ambassador had for gift of emperor (the Japanese Ambassador refers to the emperor as the "Mikado") to US President . The thieves result to be Charles Bronson and Alain Delon . But Bronson (one of The Magnificent Seven) is double-crossed by Delon , then Toshiro Mifune (one of the Seven Samurai) along with Bronson team up as two unlikely heroes . It is a surprisingly low-key Bronson/Delon Western , this time accompanied by the Japanese star number one , Mifune . Bronson as another of his two-fisted gunfighters and joining forces with a Katana expert , a specialist on martial arts well played by Toshiro Mifune to find a missing valuable blade and the stolen loot.

The picture contains an interesting plot , Western action , shootouts and a little bit of campy and refreshing humor . It's an improbable blending of standard Western , tongue-in-cheek and chop-socky . A clever premise , gunslingers against samurais , and agreeable international cast make this oater well worth the watching . As the movie stars U.S. born Charles Bronson, Japanese actor Toshirô Mifune, French actor Alain Delon and Swiss actress Ursula Andress , it was filmed in desert of Tabernas , Almeria , Spain, as usual , by the British director Terence Young . Pretty good Charles Bronson in his ordinary tough role , this film is one of Charles Bronson's 70s westerns ; his westerns made during the 1970s include Chino by John Sturges (1973) , Red sun (1971) , Chato the Apache by Michael Winner (1972), From noon till three by Francis D Gilroy (1976), Nevada Express by Tom Gries (1975) and The White Buffalo by J.L. Thompson (1977) . Besides , there appears usual secondaries from Italian Western such as : Anthony Dawson , Guido Lollobrigida or Lee Burton , Ricardo Palacios , Bernade Barta Barry and several others . Considerable and spectacular musical score by Maurice Jarre (Lawrence of Arabia) . The motion picture was regularly directed by Terence Young (Dr.No , From Russia , Thunderball.. among others) but turned to be entertaining . The picture takes part of a sub-genre in which during the period of the 70s combined Spaghetti Western and art martials with original influence from ¨David Carradine's Kung Fu ¨ series , for example : ¨Karate law in the west ¨(Tonino Ricci), ¨The Karate , the Colt and the impostor¨ (Anthony M Dawson) , ¨ My name is Shangai Joe¨ (Mario Caiano) and its sequel ¨ Return of Shangai Joe ( Bitto Albertini)¨, furthermore ¨ The white, the yellow and the black¨(Sergio Corbucci) that bears remarkable resemblance to ¨Red sun ¨ . It's an offbeat , muddle and uneven Western but will appeal to Bronson , Andress and Delon fans.

Culture clash ending in mutual respect, with an understanding of BOTH cultures... good western action-adventure at the same time. Battle of wills and skills as Bronson butts heads with Mifune, who of course has all kinds of surprises Bronson's character has never seen. They are forced by circumstance to collaborate and travel together. Bronson the epitome of western tough and smart guy, in this case whose ethics are not always ivory soap; Mifune plays the epitome of determined, skilled, smart, ethical samurai knight type. Very funny watching them struggle with each other, surprise each other, and learn from each other... and deal with bordello, desert, etc. They have to retrieve the treasured sword and in the process chase down and fight a truly nasty slick cold fish. You'll end up liking Bronson and loving Mifune. Both actors did a wonderful classic job with this one!

Red Sun is the type of film they mean when they talk about international production. American Charles Bronson, Japanese Toshiro Mifune, German Ursula Andress, French Alain Delon, Italian Capucine and for good measure this film was shot on the plains of Spain which did not look like they'd seen much rain by Englishman Terrence Young.

The film concerns the train robbery of a gang in which Alain Delon is in charge. The money isn't enough for Delon, the train is carrying some Japanese passengers with a ceremonial samurai sword, a gift from their Emperor to our president. Two of three Japanese are killed, the mistake Delon makes when he decides the sword would make a nice souvenir is that he lives a real live Samurai in Toshiro Mifune alive with a vengeance quest. Delon makes a second mistake in double crossing Charles Bronson and not killing him as well. Bronson is a member of his gang who cuts all ties, but forms an uneasy alliance with Mifune.

Mifune wants Delon dead, but Bronson just wants him alive long enough to say where he's hidden the money. Bronson and Mifune go to a bordello run by Capucine to get Ursula Andress, a hooker favored by Delon as a hostage.

Red Sun works nicely as a film because of the interesting if antagonistic chemistry between Bronson and Mifune. From an uneasy alliance they develop a genuine regard for each other. As for Delon he has a gentlemanly demeanor that's a very thin veneer for one of the meanest mean streaks ever on the big screen.

Fans who are younger will recognize the plot of Red Sun being later used in a modern day feature Renegades with Kiefer Sutherland and Lou Diamond Phillips as the uneasy allies with Rob Knepper as the gang leader with a mean streak.

I'm not really big on foreign made westerns, but I make an exception in the case of Red Sun.

Almost 30 years preceding the very popular Shanghai Noon's release came its direct ancestor, Terence Young's Red Sun, an only slightly, more serious in tone relation and for me, a more entertaining watch. Featuring an international talent-laden cast with a British director helming a spaghetti western in Spain, it's a heady mixture and by no means a great film (though John Huston apparently thought so), but in my opinion, a memorable one.

In a narrative very similar to the above-mentioned later Jackie Chan vehicle, Japanese Ambassador bodyguard Toshiro Mifune, enlists double-crossed desperado Charles Bronson's assistance, in retrieving an intended ambassadorial gift sword to the American President, that was stolen by Bronson's duplicitous partner (Alain Delon) during a train robbery.

There is no doubting the plot is rather elongated and somewhat contrived, but it allows plenty of opportunity for the Bronson and Mifune characters to amusingly interact with a surprising amount of comic side-play. It's really their movie and they both make the most of it, bonding of course in a diverting east meets west fashion. Delon has his moments too as an enjoyable bad guy and Ursula Andress who only makes her appearance when the movie is well into its second half, is only there for eye candy. (I'm trying to think, but hard - pressed to come up with one of her movies where she is not dubbed). Let it be said though, she always makes captivating eye candy.

There's laughs, action (both sword and gun play), a good set-piece climax at an abandoned mission and in its nearby corn-field, with a surprisingly touching and effective final couple of scenes. Really is there anyone who isn't really interested in seeing a Charles Bronson / Toshiro Mifune western/road movie? I'm sure Jackie Chan and Owen Wilson gave it plenty of attention.

On the surface Red Sun appears to be a fairly standard shoot-em-up with the attendant 'who's the real nasty?' sub-plot thrown in for a bit of mystery. But the careful observer will discover many more layers of this particular onion pitting cultures (and genders) against each other with a few surprising results and plenty of thought-provoking situations designed to keep this one on the shelf as a 'keeper'.

Bronson fans (like me) will note this is the second of his 'samurai connection'westerns...Magnificent Seven being the first...though the debate will probably never be resolved as to which was the better performance. True, some of the dialogue in this movie borders on juvenile, but overall I rate the movie very high.