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A lot of people seem to be down on this film for reasons I really can't understand. The film seem to stretch everyone's creative levels especially one performer I'll single out later.

Henry Fonda plays the head of the Stamper clan who own a lot of acreage in Oregon timber country and the family business is cutting logs. Enough to survive, but they do it on their own. But a strike by timber union loggers causes enmity between them and the Stampers who are seen as scabs.

There are some similarities between Fonda's character and the family patriarch he played in Spencer's Mountain. But whereas Spencer had a noble dignity to him, Ben Stamper is a dissolute old cuss who has enjoyed all the vices known and imparted a love for them unto his children. They would be half brothers Paul Newman and Michael Sarrazin who've also got issues between themselves that may prevent the Stampers from forming a united front.

Newman directed the film and he had a good eye for the scenery of the Oregon logging country. And he got some good performances from the rest of the cast. One of them Richard Jaeckel got his career role as a Stamper cousin. Newman reached his creative heights in Jaeckel's death scene which was played between him and Jaeckel. It's a long drawn out affair for reasons you'll know if you see the film. It will stay with you forever as it has me since I saw the film when it first came out. Richard Jaeckel got a nomination for Best Supporting Actor and the pity is that he was up against another popular character actor in Ben Johnson who won for The Last Picture Show.

Sometimes A Great Notion also got a second Oscar nomination for Best Song with We're All His Children by Henry Mancini and Alan and Marilyn Bergman. Bing Crosby recorded a fine version of it on one of his albums. It lost however to theme from Shaft.

Paul Newman deserved a lot more credit for this film than he got. I think if you see Sometimes A Great Notion you'll agree.

Definitely an old school movie where the drama is tied up in day to day living. No great examinations just a family trying to go about their own business and the impacts that their choices have on themselves and their community.

Fonda is great and Newman just looks like he has been logging his entire life, super convincing.

The conflicts within the family are frequent but they never allow them to go too far, family is family.

It won't knock your socks off but its a nice film :)

I saw this seventies movie for the first time last night. It must be one of the greats. The story line from Kesey's book, and the direction by Paul Newman are so closely woven and with such impact that there are times when one is left emotionally bare. There's not a fault in the casting,and the background of logging is nicely interwoven into the action bringing up surprise after surprise. The only flaw might be the glamorization of Lee Remick - I doubt that her character would show such a degree of grooming and cosmetic sophistication, but, as ever, Ms. Remick gives a performance that is impeccable. If awards were ever to come PaulNewman's way for direction and/or acting surely they should for this masterpiece.

A terrific view of life in the late 60s early 70s northwest, before tech moved in. An early Alaska- if you wanted to survive you logged, farmed, fished or worked for Boeing or Kenworth. I had to watch this as a school assignment and was never sorry for it. There are some clumsy moments which I think a movie fan is able to overlook. Sarrazin was kind of an odd addition but wasn't that much of a distraction. I especially liked Jaeckel's role as the comedian. Newman was, well Newman. Pretty much good regardless, as was Fonda. Anyone in the northwest that hasn't seen this should give it look, though it may be hard to find.

Unfortunately, as much as I love Paul Newman as an actor, the movie version of Ken Kesey's incredible book could have used a more seasoned director for its translation to the big screen. The perfect cast (the book even mentions Hank Stamper as looking like a muscular Paul Newman!), and some great performances (Fonda, Jaeckel, Remick), but the story just doesn't come across on film the way it should. I remember the first time I saw this movie was in the late 70's on TV (Portland's KPTV-12). It was so chopped-up for television that the story, character motivations, and ending made no sense at all to me. I loved Kesey's book "Cookoo's Nest" so read the novel of "Sometimes" to try to make some sense of what the story was all about. The book was an amazingly nuanced work of fiction with a great deal of depth and under-story (reading between the lines); none of which I saw on the TV screening. I later rented the video but even with the unedited version of the film, I found the story very lacking and barely comprehensive. I've recently watched the rental again (2005) and found more in the film than I had remembered, but I still feel that unless you've read the book, you can't truly understand what this movie and the character motivations are all about. They're just barely eluded to in the film version. In spite of all that, it's still a worthwhile movie to watch. If nothing else, it chronicles some great, authentic-looking logging footage. If you can, however, read the novel first and then catch the film. Also, if you ever make it to Newport, Oregon, visit the harbor bar "Bay Haven" where the scenes for the "Snag" were filmed. Tell them the old bartender from the "Embarcadero" sent you. ;-)