Shaft il detective

It is an innovative effort, and serves as a snapshot of the times. Shaft, written by Ernest Tidyman, stands as one of the best modern detective dramas. Written and filmed at a time of extreme social unrest throughout the U.S.; the movie shows how Jon Shaft uses his private detective status and ethnicity to retrieve the kidnapped daughter of a notorious Harlem kingpin. While the plot pieces of black militants, and a potential race war in New York City, may not be as relevant in 2001 as they were in 1971, the cast and crew do a good job to convey the importance of Shaft's mission. Shaft, indeed, is one cool cat. Not only is he a ladies' man, but he's also a man about town. He knows every iota of New York City, and uses his detective skills to the fullest. Ducking the city police, and handling his business with the crooks, Shaft plays it cool to the very end. Many people like to bundle the blaxploitation pictures into a neat little package; one to laugh at and check out the music score. Shaft proves there was more meaning to these films, and ends up as a classic display of substance with style.

Highlights:

• Street scenes in New York.
• A strong African-American in the lead role, an intelligent, hardboiled, and masculine character.
• Shaft standing up to racism out of the mouths of others in the film.
• Moses Gunn as Bumpy Jonas, who turns in the best performance.

Lowlights:

• Really poor audio quality, tinny at times and with obvious dubbing at others.
• Script is not great; plot is simple and dialogue is often wooden.
• Pace is slow, especially towards an end which is a little mechanical.
• The much-loved theme song has lyrics that are so over-the-top it gets the film off on a cartoonish note ("Who's the black private dick that's a sex machine to all the chicks? (Shaft)")

Great idea, just not all that well made.

I can. Because this is not only the greatest black-exploitation film ever, but also one of the best films of the 70's era. Richard Roundtree brings out Ernest Tidyman's John Shaft like no one else can (not even Samuel L. Jackson in the new shaft can compete) as the ultimate bad-a** who must investigate a kidnapping. One of the most memorable films ever made, especially by the Oscar winning song (and nominated score) by Isaac Hayes, which made his breakthrough as his funk thing grew. A+

I can understand why modern viewers aren't too impressed with „Shaft". Compared to modern action movies there isn't really much action here and it isn't anything spectacular – no huge shootouts , kung fu fights , big explosions , car chases and so on. There is lot of dialogue and the pacing is rather slow.

You know what ? Those are the reasons why I really like "Shaft" . It feels like a REAL LIFE story . Not every movie has to be an over the top spectacle for simple minded audience. For me less is more . I can hardly care for action hero when he's doing impossible stuff like jumping over the missile with a truck. Here the danger feels real . There is no villain . A simple bad guy with a gun can end your life and you have to be very careful . Shaft uses his muscles only when necessary . He prefers to outsmart his enemy , because violence can lead you as far. When he's fighting for life , you FEEL that he's fighting for life.

The movie captures the gritty atmosphere of 70's New York City . In this world everybody is walking a thin line between law and law of street . I also like that Shaft is a detective and the investigation actually plays important part through whole movie . Not to mention that characters here feel like they could exist in real life.

Richard Roundtree is great as the charming bad ass Shaft who is one foot in the world of black people and the other foot in the world of white people. He easily dominates the whole movie with his tough , confident and wise cracking personality. Women , both black and white are attracted to him (We get to see naked women – something you can't see in action movies anymore). The other actors give him solid support. I liked Charles Cioffi as Vic Androzzi and Moses Gunn as Bumpy.

The movie is worth watching for the delightful dialogue. Believe me – there is more tension in a scene when Shaft talks to Bumpy than in many car chases. The movie is very dialogue heavy , yet it's a true pleasure to listen how characters talk with each other . Most of the dialogue is quite humorous . You should prepare pen and paper to note .

The action scenes are nicely photographed . There is a great title song by Isaac Hayes (it won Oscar) and during the movie you can hear few other nice songs. "Shaft " is mostly entertainment , but it was also an important movie for black people. It's one of those rare movies where the black guy is a hero . The situation now changed , but long time ago it was a breakthrough movie . "Shaft" also captures really good the tension between white and black people back in the 70's.

I give it 7/10.

John Shaft is a private detective in Harlem. He is hired by pimp and drug dealer Bumpy Jonas to find Bumpy's daughter who has been kidnapped by an unknown party. Shaft investigates the local Panther organisation but ultimately finds that an Italian mob is trying to move in on Bumpy's territory. With all parties at conflict Shaft must keep his cool to get the girl back.

Ay the start of a decade filled with cheap movies aimed at getting the black audience a product aimed at them in particular. Many of these were poor but Shaft stood out because it could have been a film in it's own right. The story is a normal detective movie with a black twist and that helps – because it's not forced at all. The story is gritty and tough as befits the setting and the hero.

Shaft is tough but hadn't yet turned into 007 (as he did in Shaft's Big Score), this makes him tough but also keeps him down to earth. Roundtree handles himself sexily and looks great – the film very much revolves around his performance and he holds the attention easily.

The film eventually gets into gun fights and an exciting conclusion but really this is all about mood and funk. And it delivers both.