Quando il sole scotta

Road to Salina is a sadly over looked film that has allot of what people can enjoy in a movie. Of course you have to be into the whole open idea about the film's theme of a suggestive incest. From the start there is a tension set in the film (thanks to Barbet Schroeder)that will hold your attention. Many people wish to see Rita Hayworth's last film. If you get a chance to watch it be sure you are in the mood (70's....) to give it time to build to the climax... you might be amused with the ending.

One of my favorite films of all time, maybe even my very fave. A drifter lands in a situation in the middle of nowhere, pretending to be a long-lost son in order to shack up for a while. But what seems simple gets really complicated for him, as he's faced with situations that make him get deeper involved than he ever intended. This film never bores and has many great twists and turns, as the viewer tries to determine just who knows what, and what everyone's motives may be. The cast is just great, and the final moments of the film where it all comes together are incredible. I always felt the photography, direction, and music gave this film a certain 'feel" that's hard to match. It shows the remoteness and desperation of the characters, to whom loneliness is the most dreaded disease. A DVD release would be a godsend.

After seeing the IMDb rating and reading a few reviews I had high hopes for ROAD TO SALINA but unfortunately the Road To Salina heads south pretty fast. The story and dialog are the weakest link. The plot itself sounds interesting : A young drifter appears and is taken in by a strange family as a long lost son.. throw in some incest, a mystery, a very hot and often nude Mimsy Farmer, and Rita Hayworth.. How bad could it be?

Pretty Bad..The nudity is not erotic. The execution of the story is dull and there is no real drama. The acting & cinema photography is mediocre. Perhaps, it was artsy & cool back in the early 1970's but now it's only function is as a sleep aid. The best thing about this movie is the music soundtrack and for that reason alone I give it 2 stars but otherwise I'm Out.

Robert Walker, Jr. Is travelling the titular road when he comes across a small gas station/café in the middle of nowhere. Desperate to seek shelter from the desert sun, he encounters Rita Hayworth, the owner, who declares that he's her son "Rocky".

Walker plays along mostly because he needs a place to stay, but becomes increasingly confused when family friend Ed Begley, and then his "sister" Mimsy Farmer don't question his identity. Investigation reveals that he looks nothing like Rocky, and when he confronts Farmer she initiates a sexual relationship.

Where is Rocky and why is everyone so committed to him being Rocky?

This Italian/French co-production was Georges Lautner's only English-language film. He was a very successful director of crime films that never really made sizeable inroads to North America, and this was clearly designed to address that. It feels nothing like any of his other films. It's a lightly existential, sun drenched noir that feels very much of a piece a certain kind of vaguely countercultural films coming out of Europe at the time. The presence of Farmer and the (really quite good) Pink Floyd-influenced score reminds me Barbet Schroeder's "More", even though the plot couldn't be less similar.

It's shot off the coast of Spain and has the Sunny, desolate look of most of the European films shot there in this period. It's an intriguing little film with good performances all around and prodigious nudity from both Walker and Farmer. My only real complaint is that the whole thing has a flashback structure that leads to an utterly pointless narration by Walker popping up periodically.

Robert Walker Jr (Jonas) drifts his way to an isolated petrol station in the middle of nowhere run by Rita Hayworth (Mara). She's nuts and thinks he's her son. She also has a daughter Mimsy Farmer (Billie) who lives with her. Weirdo hanger-on Ed Begley (Warren) also acknowledges Walker Jr. as Hayworth's son. Just what is going on in this crazy place?

First of all, who is who in this film? Is Hayworth telling the truth? Is Farmer really her daughter? Why is everyone seemingly playing along with a lie? And what about the whole brother/sister love angle? Too weird.

The film is, unfortunately, very slow moving and Farmer is very unconvincing in her role. Her smile is just too plastic for words. I fell asleep during this film but so what. I bet nothing happened. Walker Jr. got a few clues as to who is telling the truth. Nobody cares. It's a boring film with a sick premise and is totally unrealistic and pretty confusing, especially at the beginning. Anyone normal would have just left, especially when an old friend turns up. That's it, leave. End of stupid film.