Il barone rosso

John Philipp Law and Don Stroud respectively play the two men named in this film's original title, Von Richtofen And Brown, and presents a fairly balanced and interesting set of parallels and divergences between the two men. As World War One rages to its conclusion, Von Richtofen and Brown head on a collision course towards their fateful encounter in the air.

Corman's production is a bit dated, and purists will point out many technical and historical errors in the film. Flight and combat sequences, however, are exciting, extremely well-conceived and filmed, and surpass most efforts before or since to show film-goers aerial combat of the First World War.

I saw this film at a drive-in when it was first released, and it still fascinates me to this day. While other more-expensive productions, with their sumptuous sets and A-list actors, continue to command the attention of film viewers and film collectors alike, I find the simple, sparing lines of this production far more effective as the vehicle for one of history's most famous duels. True, by now most historians have abandoned the notion that the fatal bullets came from Brown; however, this is the tale of popular culture as it was told for generations, not as nuclear scientists have most lately emended it.

Given the very negative comments by others on IMDB about this film, I wasn't really expecting much, especially given that it was directed by Roger Corman, who, whilst he certainly has his talents, would not really be expected to helm a period piece with high production values. Actually I found this film not at all bad. Certainly its narrative plays fast and loose with historical details. But it is quite authentic in many respects - the planes themselves, and the nature of air combat depicted, are reasonably accurate (better, for example, than the planes in The Blue Max, which often look like very thinly disguised Tiger Moths). And fair chunks of the dialogue seem to be taken almost directly from the writings of actual WW1 flyers. Even the rather melodramatic plot does have roots in historical truths, and functions well enough to engage the viewer's attention throughout. I'd say it's definitely worth a look, and compares surprisingly well with the generally much better regarded The Blue Max.

The ( fictional ) life of WW1's greatest flying ace. This film receives a lot of negative attention due to the fact that it differs from historical truth quite a lot. However that aside the film is quite decent since the acting is quite good and it features great flying sequences and really nice planes that are all accurate for the time . It's not going to be fun to watch for anyone who knows about Von Richtofen , but it is just a film after all and does provide excitement and enjoyable drama so it definitely is worth giving a watch. It is quite similar to the battle of the bulge film in the sense it tramples all over historical events in order to create a better and more exciting story. Unorthodox but still a good film.

The flying sequences alone make this a film well worth seeing. They are much like those in The Battle Of Britain except, of course, the aircraft are of World War I vintage. It's also encouraging that Roy Brown was portrayed as a Canadian (which he was) rather than an American. The man had some very rough edges and these are portrayed in the film. (In one unrelated incident, he almost got court martialed for buzzing Picadilly Circus.) In other words Brown was not shown as some sort of handsome Hollywood knight of the sky but a very rough, arrogant, unsophisticated and even unpleasant individual. Good! Thats how it was. Better by half than most war films of its era.

Von Richthofen and Brown (1971)

** (out of 4)

John Phillip Law plays Baron Manfred von Richthofen and Don Stroud plays Roy Brown, the famous dog fighters of WW1 who would eventually meet in the air. This Corman production takes a look at the two men's lives leading up to that day in the air. This is a rather strange film because on one hand it's easy to recommend to people because the stuff in the air is downright brilliant yet on the other hand, everything on the ground is a complete bore. This would turn out to be Corman's final film as director for nearly two decades so it's an interesting film to go out on. For the most part he handles the material quite well but I can't help but wish he had spent a few more dollars on the screenplay and delivered a more interesting story. I must admit that my mind kept wondering around and losing focus because everything that happens on the group is just downright boring and at times it's hard to figure out what's going on. History buffs say the film isn't that true to reality but I can live with that. I do wish that Corman had done something more because what we get just isn't enough to work as a bio flick or as any type of human drama. What does work are the amazing aerial shots that are quite thrilling. Apparently all of the aerial things were filmed over a two week period and they are so well made that they certainly make you feel as if you're up there in the air fighting yourself. The cinematography that captures all of this is exceptional as well. The violence is quite bloody throughout but it's realistic. Both actors turn in decent performances but they can only work with what they got. In the end, action fans might want to check this one out for the amazing battle scenes but history buffs will probably be upset with the film.