Brivido nella notte

I ended up watching this almost by accident... I'm currently home from college and my mother taped it and told me I would like it, and I just figured "heck, got some free time to spare, why not?". And I am glad that I did. Clint Eastwood (playing Dave Garver) is fantastic and Jessica Walter (playing Evelyn) should get a freaking medal for her performance. The supporting cast is great as well and well worth just as much interest as the main cast. Eastwood is a decent director: for the most part, the atmosphere and scenes are set well and the actors have clear, impactful direction. It's not a scary film, at least not in this day and age, but it kept me on the edge of my seat for the majority of the time. If you like psychological thrillers, check this out for sure, and if you like Clint Eastwood, you won't be disappointed.

Now, that said, there are some problems here. Namely, this movie is overlong. I can think of two scenes that could be and should be cut. Also, there's almost an ever-present musical backdrop , and at times it works as a soundtrack. But at times, it just doesn't belong in the scene it is used in and actually is off-putting.

Overall, however, I would recommend this as an essential to any fan of thriller films, even though it may not be a staple of the genre or one of the more popular films within it.

This is quite an impressive, very 70s looking psycho-thriller that is sure to please.

Clint Eastwood plays Dave Garver, a radio DJ in southern California. One night, a woman calls requesting that he "Play Misty for me." Later, he meets the woman at a bar he goes to often, and they go back to her house together and make love. The next morning, he leaves, figuring it was just a one-night stand, but when he gets home, the woman, Evelyn Draper (Jessica Walter) shows up with groceries and starts to make herself at home. Dave decides to go with it, and later sees that his old girlfriend, Tobie Williams (Donna Mills), is back in town, and the two become close again. But Evelyn won't go away, and continues to follow Dave everywhere, and starts to get viciously jealous of Tobie. And as Dave and Tobie's relationship forms, Evelyn becomes angry and violent, and eventually, murderous, and Dave must find some way to stop her before she ruins his life, and potentially, kills him.

A very creepy movie. Jessica Walter is beyond convincing as the jealous psycho lover, and Clint Eastwood proves that he doesn't just do Dirty Harry movies. Donna Mills is also quite good as the innocent girlfriend. The movie implies and foreshadows a lot, making everything even scarier. But the best scene in the whole movie is the knife attack on the maid, Birdie. That scene competes with the shower scene in "Psycho" as one of the most shocking in film history. The way the camera darts and swings around, and Birdie's screams as she struggles and fights to get away, all add up to one of the scariest scenes I've every seen. The climax is quite good, if not executed a little too quickly, but what led to it was shocking enough to overshadow it.

All in all, a great film that I would definitely recommend.

Too-careful shocker directed and starring Clint Eastwood involves a radio disc-jockey who gets seductive requests by telephone for the song "Misty"--he later meets the overly-friendly female fan and they share a fling, but she 'won't be ignored'. Tense thriller may have been the starting point for Adrian Lyne's "Fatal Attraction", though this one is far less slick. Sometimes an actor is so good in a role that it's impossible to see them as anyone else later in their career; such is the case with Jessica Walter, who nails this part of the psychotic woman--and seems to embody instability itself! Several scenes go on too long, the climax is so dark visually it is nearly incoherent, and there's a jazz festival interlude (and a romantic montage with Eastwood and Donna Mills) that feels like padding, but the central situation is unsettling, well-crafted and well-played. As for Walter, she had a tough time shaking off the affects left behind with this role, which of course is both pro and con. *** from ****

Clint Eastwood certainly learned his lessons well when it came to making his directorial debut, with this now legendary shocker. It may not be all that original, but when it comes to this kind of stalker melodrama, it definitely set a template for others to follow. The pacing wasn't always as tight as this viewer would have liked, but the script (written by Jo Heims and Dean Riesner, based on Heims' story) is often pretty snappy and the film is well cast, and well acted, from top to bottom.

Clint also stars, playing late night jazz D. J. Dave Garver, who learns that he has a devoted admirer in the sexy Evelyn Draper (Jessica Walter). They have a brief fling, but Dave finds that Evelyn will be extremely unwilling to let him go. She will also go over the deep end upon her discovery that Dave is busy making amends with another woman, an ex-girlfriend named Tobie (Donna Mills). The balance of the film shows what happens as Evelyns' actions threaten to completely derail Daves' life.

Clint is good in the lead, and Mills is appealing in her part. John Larch is a delight as a sardonic police detective who gets involved when the deranged Evelyn assaults Daves' housekeeper Birdie (Clarice Taylor). All lending their valuable support are Jack Ging, Irene Hervey, and James McEachin. Clint also casts his directing mentor, and five time collaborator, Don Siegel, in the role of Murphy the bartender, and Siegel does a solid and engaging job. But the main reason that "Play Misty for Me" is so memorable is because Walter is so incredible. She is, by turns, amusing, sexy, clingy, pathetic, and ultimately psychotic.

Well filmed, and situated in Clints' old stamping ground, the town of Carmel. In addition to the score by Dee Barton, there's plenty of great music along the way, with some sequences set at the Monterey Jazz Festival. There are brief, jarring bursts of violence, and a fairly effective and suspenseful finale.

This has to rank as one of the most iconic films in this whole sub genre of thrillers.

Seven out of 10.

Clint Eastwood never fails to amaze me. I have not seen a resume like what he has for an actor, a producer, a composer, a screenplay writer and a director, considering the fact he started off as a mere extra. Made his debut in 1955 as an actor and later turned into a producer and a director and is still going strong and looks fit for his age (Million Dollar Baby).

The beginning of the 1970s found Clint Eastwood either at or near the front ranks of actors who were considered sure box office, right up there with actors as diverse as Paul Newman and John Wayne. What caught a lot of people off guard in 1971, however, was when Eastwood, armed with the expertise he had gained working with Sergio Leone and Don Siegel, got into the business of directing. No one could have predicted that the Man With No Name would soon become the Man With A Big Name behind the camera. But that is indeed what happened; and his first effort both in front of and behind the camera was a winner: PLAY MISTY FOR ME Filmed in Carmel, California, 'Play Misty For Me' features Eastwood as a DJ at a local jazz radio station taking all-night requests.On a particular night he gets a call from a mysterious woman to "Play 'Misty' for me", referring to a classic Errol Garner song "Misty". As it turns out, that woman (Jessica Walter) has something of a fixation on Eastwood. Furthermore, when Eastwood meets back up with an old flame of his (Donna Mills), Walter's fixation takes a turn towards the psychotic.

At this time if you are thinking this sounds like Fatal Attraction starring Michael Douglas, you would be right. The plot is same somewhat but personally I like 'Play Misty For Me' more cause me being a huge fan of Clint Eastwood.

'Play Misty For Me' was not a perfect movie when it was released. There are a couple of awkward sequences that simply don't work at all in the film, but Eastwood recovers from such scenes and makes some very good and mature directorial choices as the film progresses.

Featuring of a cameo role from Eastwood's mentor Don Siegel as his local bartender, 'Play Misty For Me', despite some slightly misogynistic overtones, is an incredibly suspenseful work of film-making and shows the first glimpse of just how good Clint Eastwood would become both in front of and behind the camera.