On the Buses

Admittedly, the humour in On The Buses is far from sophisticated, relying on 'nudge nudge wink wink' suggestiveness and crazy slapstick. In today's woke, politically correct, #MeToo climate, the innuendo and bawdiness in particular will be viewed by many as an embarrassment best swept under the cinematic carpet. However, those (like me) raised on a diet of Carry On films and ribald TV comedy (Dick Emery, Benny Hill, Are You Being Served?) and with a general appreciation of all things saucy from the '70s (the Confessions movies and the Adventures of... series) should find enough to enjoy about this big-screen outing for the On The Buses team to make it worth a ride.

Reg Varney plays bus driver Stan and Bob Grant is Jack his conductor, the pair spending every spare minute trying to chat up any tasty totty that crosses their paths. Quite how the pair ever score is beyond me - neither bloke is Brad Pitt - but both get lucky with a variety of skirt, from a married woman on their bus route, to the sexy Irish lass working in the canteen, to their 'clippie crumpet' female colleagues. The shenanigans that ensue are fairly predictable, and, if truth be told, not all that funny, but I cannot help but enjoy the film regardless, partly thanks to the likeability of its cheeky chappies, partly thanks to the feeling of nostalgia it gives me, and just a little bit because I know it upsets the easily morally offended (who I believe are now termed 'snowflakes').

6.5/10, rounded up to 7 for IMDb.

N.B. This was a major hit for Hammer Studios (best known for their horror films) and spawned two sequels, Mutiny on the Buses (1972) and Holiday on the Buses (1973). Also, look out for the Lamb's Navy advert outside the bus depot, which features future Hammer glamour star and Bond babe Caroline Munro.

Watching this for the first time since I saw it and its mother series as a kid, I was struck not by its supposed naffness, nor by its vulgar humour but by its sheer authenticity. Surely the true face of the British Working class has never been so accurately portrayed. Here are people in all their sweaty, ugly, sexed-up un-glory. Everything has to be a vulgar laugh, sensitivity is outlawed, sex is a constant obsession and everyone is potentially the butt of a joke. Authority is mocked but never really challenged and money is continuously short. If, in years to come, people want to understand what it was like to be working class in Britain in the early 1970s, they could do no worse than catch this film!

Dated, but wonderful. "On The Buses" was part of my childhood and ab-so-lutely a product of its time, so i understand (and respect) why many non-Brits or young Brits hate it. Filmed between 1969 and 1973 as a 70 episode tv series and three movies it chronicles the lives of bus driver Stan (Reg Varney), his family, his best mate Jack (Bob Grant) and their constant battles with Inspector Blake (Stephen lewis). It doesn't sound much on paper but the reality for millions around my own age (40) and older was hilarious comedy and I wouldn't hesitate to call it a classic. I used to long for Sunday evenings to see the latest episode. Of course it's sexist and vulgar and anti PC. That's the way comedy (and life) was back then, and in my opinion we were better for it! It's also a stunningly accurate portrayal of British working class life in the early 70s. Here's a little 'aside' for those of you who slag off the crudity and sexism of On The Buses. My Granny hated it (for those reasons) and used to watch the sober / religious tv show presented by Jess Yates instead. We later discovered he was "shagging" everything he could get his hands on! At least On The Buses was never hypocritical. It was always well written and the cast were excellent. The talent and depth they brought to the characters puts it right up there with Dads Army and Only Fools & Horses. Michael Robbins had a deadpan style and razor sharp timing that few actors could equal. There's always a hilarious sense of the famous British 'repression' in his character. Some people may remember his guest appearance as a Flea Exterminator in an episode of "The Good Life". He can never bring himself to say the word "flea" and always refers to them as "the little offendors". There's a great chemistry between Stan and Jack and I really felt that Reg Varney and Bob Grant were mates. Of course, the highlight of On The Buses was always the priceless Inspector, "Blakey". Stephen lewis is a genius and the character he created is second to none, anywhere in British tv. With his Hitler moustache, pained expressions and classic catch-phrases he's a comedy icon. Like all fans I was very saddened by the recent death of Bob Grant. If only the poor man could've realised how much laughter he brought to the world. RIP Bob.

When Inspector Blake's (Stephen Lewis) decision to hire women bus drivers threatens Stan (Reg Varney) and Jack's (Bob Grant) over-time windfalls and lay-about ways, the boys take time off from seducing clippies, afternoon delights, and dealing with Stan's dysfunctional family (including an enormously pregnant Olive) to ensure that the ladies don't last. As I always liked the characters in the original show, I decided to give the film version a butchers. Not surprisingly, the plot is thin, the gags painfully predictable (has there ever been a sidecar in a comedy that stays attached to the motorcycle?) and there's lots of cleavage and frilly knickers on display. Stan has a certain short charm but seeing his mate Jack as a highly accomplished lothario is a bit of a challenge (in the TV series, even Blakey got in a few wisecracks about Jack's prominent choppers). Stan's hapless sister Olive (Anna Karen) and her miserable husband Arthur (Michael Robbins) are hilarious (to this day I can't hear the name 'Arthur' without hearing Olive's plaintive voice), as is the much put-upon Inspector Blake, whose mustache-muffled snickering whenever he thinks he has Stan and Jack on the ropes still cracks me up. Needless to say, as a tamely raunchy British 'sex comedy' from the early 70s, the show has something to offend everyone in our more righteous (judgemental?) era, so if you're adverse to displays of toxic (but silly) masculinity, stereotypical (but silly) femininity, and sexist (but silly) 'woman-driver' jokes, I'd suggest that you skip this relic.

This is a disgracefully, unfunny and dire film in every respect. To call it backward and sexist is an understatement. It really is quite sad that it was only 34 years ago that tripe like this was considered acceptable let alone amusing. We would never know if the actors and director involved had any talent considering the crassness of the subject matter. All the men are irresistible, womanising cheeky chappies and all the women are either pathetic doormats or big-busted nymphomaniacs who enjoy being groped at every opportunity. This, by the way, sums up the complexity of the plot. For those who say that it is an accurate and genuine representation of working class life in the 70's, WHAT UTTER RUBBISH! And what an insult to working class people. If you enjoy this type of "classic" British sex comedy then good luck to you but its portrayal of both men and women is insulting and its not just "politically incorrect" its bloody wrong! Thank God they "don't make them like this any more".