Una storia allucinante

Las Vegas is a town where the unusual is considered normal.However when former top reporter Carl Kolchak played by Darren McGavin meets with police reluctance while covering the murder of a showgirl his curiosity is aroused.Suddenly there is a series of murders apparently committed by the vampire killer.The closer Kolchak gets to the truth the less he is able to reveal and the more frightened he becomes."The Night Stalker" is a taut and suspenseful mix of vampire horror and comedy.The cast is superb with McGavin playing Kolchak like a 1940s' reporter who has emerged from a time capsule into the 1970s.The portrayal of vampire Skorzeny is positively bone-chilling.I'm not deeply into made for TV horror,but "The Night Stalker" is very good.

The 1970s produced a large volume of made-for-TV movies, and, unlike today, they did not have to be about relevant social topics or preach political correctness. Back then, TV movies could actually be made with no intent other than to entertain--what a decade!

The Night Stalker is one of the very best of these made-for-TV films. Be warned, the production values are not as good as a feature film, but the story, the writing, the acting, and the director's mastery of creepiness make up for any other faults. From McGavin on down the line, the acting is terrific! In fact, Carl Kolchak may be McGavin's finest role. Richard Matheson's writing is up to his usual standards of excellence. Barry Atwater is a great bit of casting as the vampire. If there is one fault, and it has to be laid at the feet of the director, it is the inept use of a stunt man as a substitute for Atwater during the action scenes. In some scenes it is painfully obvious that it is not Atwater; it's a wonder the scenes weren't clipped. But this is the price that is paid for a TV movie with a short shooting schedule. As a whole, The Night Stalker is one of the very best vampire movies ever made. Don't let a few faults deter you from an otherwise classic bit of horror film-making. Remember, this is a TV movie; if you want lots of gore, don't waste your time.

At one point in the 1970's ABC movie of the week was the king of television movies. The Night Stalker was one of those reason why movie of the week reigned supreme. This along with movies like Duel and Don't Be Afraid of the Dark and others I can't think of off hand were the reason. The Night Stalker is probably the best of these movies. It was a good story, with a very good and experienced cast of actors. While many were character actors and second bananas, they played their roles well.All of the actors were believable in their roles.The movie was believable and the vampire element was kept simple with little or no special effects.It was not needed. I will grant some of the criticisms about how a middle-aged reporter like Kolchak was able to battle the vampire whereas the police had trouble have merit.However, this doesn't take away from the story. Remember, Kolchak was the only one armed to fight a vampire in the first place.Also, remember it was a made for t.v. movie and plus do you really think Peter Cushing could match Christopher Lee evenly in all of the Hammer Dracula movies, I mean there was a size and strength difference there too. Suspend your belief just a little.The movie was perfect for the times, towards the end of Vietnam and right before Watergate when we were skeptical of everything. This is one of the very few movies from the 70's that I remember fondly.The ending was perfect for the times as well. The Night Stalker as both a story and a movie has to rank in the top ten vampire movies bar none. This is a vampire classic that you can sink your teeth into with great satisfaction!

THE NIGHT STALKER, the telefilm adapted from the then unpublished novel THE KOLCHAK TAPES by Jeff Rice, presents viewers with a most frightening and utterly BELIEVABLE vampire, Janos Skorzeny (Barry Atwater), a creature who resembles a tormented heroin addict more so than the glamorized, two-dimensional vampire fare of Anne Rice and Buffyland. Darren McGavin's gritty portrayal of Carl Kolchak, the intrepid newshound on the vampire's trail, is certainly the most inspired role of his career. Of all the horror films in existence, THE NIGHT STALKER is certainly at the top of this genre's list for its surrealistic, cinema verite photography, first-rate acting, top-notch directing (John Llewelyn Moxey) and for its "The Front Page Meets Dracula" screenplay by fantasy veteran Richard Matheson. This is a telefilm that chills as well as offers a parable about political corruption and deceit. Now how timely is that?

Good stuff here as modern-day vampirism gets a respectable TV-movie treatment that managed to bring something original to the mixture by having the story told from the point of view of a weary reporter.

Darren McGavin is unforgettable in a telefilm that set the record for ratings shares in its day. His reporter, Carl Kolchak, becomes a believer in the supernatual when he investigates a series of murders where the (female) victims are drained of blood. Kolchak uncovers the truth--the murders are the work of a "real live vampire"--and the truth is quickly covered up again by the Las Vegas police department, who don't want the news of a vampire to interfere with business (one is forced to consider that the ultimate proof of bonafide supernatural goings-on would ultimately be of more importance, but that would spoil the fun).

The film is delightfully dated in its fashions and styling, but otherwise the treatment of the material is surprisingly contemporary, which goes to show just how far ahead of its time "The Night Stalker" really was. 70s genre buffs will be thrilled to see plenty of familiar faces among the cast, including Carol Lynley and Elisha Cook, Jr. The finale, where Kolchak makes the classic spooky-movie mistake of confronting the monster in his own lair, manages to be both tongue-in-cheek and hair raising at the same time. A real example of how storytelling and creativity can render a big budget unnecessary.