VALUTAZIONE IMDb
6,0/10
2010
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA ruthless pirate captures the keeper of a lighthouse, in the most southern city in Argentina. His goal is obvious and horrific. He plans to control the lighthouses signals in a way that the... Leggi tuttoA ruthless pirate captures the keeper of a lighthouse, in the most southern city in Argentina. His goal is obvious and horrific. He plans to control the lighthouses signals in a way that the passing ships will be crushed on the rocks.A ruthless pirate captures the keeper of a lighthouse, in the most southern city in Argentina. His goal is obvious and horrific. He plans to control the lighthouses signals in a way that the passing ships will be crushed on the rocks.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Jean-Claude Drouot
- Virgilio
- (as Jean Claude Drouot)
Aldo Sambrell
- Tarcante
- (as Aldo Sanbrell)
Tito García
- Emilio
- (as Tito Garcia)
Víctor Israel
- Das Mortes
- (as Victor Israel)
Luis Barboo
- Calsa Larga
- (as Luis Bar Boo)
Martin Uviente
- Balduino
- (as Martin Uvience)
Recensioni in evidenza
10qormi
One of my favorite films of all-time. Unusual because the pirates depicted in this movie are all too real. None of the romanticizing Errol Flynn or Jack Sparrow stuff. These pirates were shockingly ruthless and a real sense of danger permeates the film. Yul Brynner and Kirk Douglas bring intensity to their roles. Brynner as the egotistic sociopath who is the leader of the cutthroats and Douglas as a man who must deal with a desperate situation in a fight for survival. Samantha Eggar as a woman with flawed instincts for her own preservation evokes frustration and pity. From the brutal opening scenes, the message is clear that these pirates don't play. A sense of urgency then takes over until the final outcome. A great movie!
Surprising that Jules Verne would write such a story. Even more surprising that Hollywood would produce it. Yul Brynner is unbelievably good as a man freed of all bounds of convention, free to indulge his taste for cruelty and domination. Douglass is an excellent counterpoint, a courageous individual who's chosen simple solitude as a way to deal with the complications and turmoil society had imposed on him. And Samantha Egger's character is the capper, a woman willing to sacrifice far too much for comfort and safety. Inotherwords, everyman. The movie does show its age and is limited by the conventions of time and place and technology of the time. If you're looking for special effects and action as substitutes for thought, look elsewhere.
This is an adventure film based on a Jules Verne's novel about a pirate captain and his crew that take over a small island with a lighthouse on it; the idea is to turn out the light at night when ships are at sight so that they crash against the rocks and the pirates can easily steal everything from the passengers and the wrecked vessel. The point is that one of the lighthouse servers -the only survivor- manages to escape into the island and will try to ruin the pirates sinister plans.
Though not a great film at all and a bit slow, "The Light at the End of the World" doesn't lack some sort of charm and interest perhaps because of the lone man's fight against the whole bunch of criminals all by himself and perhaps also because of the hostile and lonely atmosphere in which the action takes place.
Kirk Douglas is the lonely fighter and Yul Brynner plays the flamboyant and deadly captain Kongre, leader of the pirates. The feminine touch is brought by Samantha Eggar as a survivor of a ship wreck that is captured by Kongre's men.
Not a great adventure film, but sort of original and worth a look in my opinion for fans of the genre.
The film was shot in the coast of Spain, but Verne's novel settles the action in the "Isla de los Estados", a small Argentine island a few miles east of its most southern province called "Tierra del Fuego" (Land of Fire) where you can still visit the lighthouse that inspired Verne.
Though not a great film at all and a bit slow, "The Light at the End of the World" doesn't lack some sort of charm and interest perhaps because of the lone man's fight against the whole bunch of criminals all by himself and perhaps also because of the hostile and lonely atmosphere in which the action takes place.
Kirk Douglas is the lonely fighter and Yul Brynner plays the flamboyant and deadly captain Kongre, leader of the pirates. The feminine touch is brought by Samantha Eggar as a survivor of a ship wreck that is captured by Kongre's men.
Not a great adventure film, but sort of original and worth a look in my opinion for fans of the genre.
The film was shot in the coast of Spain, but Verne's novel settles the action in the "Isla de los Estados", a small Argentine island a few miles east of its most southern province called "Tierra del Fuego" (Land of Fire) where you can still visit the lighthouse that inspired Verne.
After seeing "The Light at the Edge of the World," over 40 years after its release, I understand why it was a dismal flop in 1971. I remember the billboard advertising highlighting Kirk Douglas and Jules Verne, with small pictures of Yul Brynner and Samantha Eggar. I am certain many a parent dragged her kids screaming from a "Jules Verne/Kirk Douglas pirate movie" featuring mutilations, gang rape and the skinning of one especially beloved character. Those few adult couples likely attracted to the movie were likely put off by the weak pacing, inept direction and abysmal music.
However those of us who can look beyond the cheap jack trappings will be rewarded with strong lead performances by Kirk Douglas and, especially, Yul Brynner. Samantha Eggar, who has much less screen time, also impresses, even though most of her scenes are undercut by the weak direction.
At 2 hours and 7 minutes, "The Light at the Edge of the World" is at least 20 minutes too long. The flashback exposition regarding Douglas' character is not only unnecessary, it undercuts what little suspense the ineffectual direction could muster. One of these days, I would love to have video editing software to deconstruct and reconstruct this movie, removing unnecessary scenes, tightening camera fields and replacing the awful music. Barring that, "The Light at the Edge of the Word" is worth seeing, if only for Yul Brynner's chilling performance.
I give "The Light at the Edge of the World" a "6".
However those of us who can look beyond the cheap jack trappings will be rewarded with strong lead performances by Kirk Douglas and, especially, Yul Brynner. Samantha Eggar, who has much less screen time, also impresses, even though most of her scenes are undercut by the weak direction.
At 2 hours and 7 minutes, "The Light at the Edge of the World" is at least 20 minutes too long. The flashback exposition regarding Douglas' character is not only unnecessary, it undercuts what little suspense the ineffectual direction could muster. One of these days, I would love to have video editing software to deconstruct and reconstruct this movie, removing unnecessary scenes, tightening camera fields and replacing the awful music. Barring that, "The Light at the Edge of the Word" is worth seeing, if only for Yul Brynner's chilling performance.
I give "The Light at the Edge of the World" a "6".
3 stars for the cinematography by Henri Decaë--a beautiful, windswept, remote, rocky coastline in Spain, standing in for the story's location. This is an odd kind of adventure film, with sudden and numerous violent deaths of innocent victims. Those scenes create a downbeat, even depressing atmosphere that never leaves the mind. Acting powerhouses Kirk Douglas and Yul Brynner are not really used to advantage. They're just there to keep the plot going with a relentless, mutual antagonism. Some special effects are impressive, others not so much. An oddly romantic score by Piero Piccioni seems meant for a different movie. See it for the locations.
Lo sapevi?
- QuizThe lighthouse in the film and its source novel was inspired by the real lighthouse at the island of Isla de los Estados in the Argentinian territory of the Tierra del Fuego Archipelago situated near Cape Horn.
- BlooperWhen Kirk Douglas jumps, the dummy's legs flail around, the knees bending in unnatural angles, revealing it to be an obvious prop.
- Versioni alternativeUK DVD version not quite uncut. Compulsory cuts of 35s for an illegal horse tripping scene, in line with anti-animal cruelty laws.
- ConnessioniFeatured in The Dick Cavett Show: Kirk Douglas (1971)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- The Lighthouse at the End of the World
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 11.000.000 USD (previsto)
- Tempo di esecuzione2 ore 8 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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