Paese del silenzio e dell'oscurità
Aggiungi una trama nella tua linguaThrough examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind ... Leggi tuttoThrough examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind struggle to understand and accept a world from which they are almost wholly isolated.Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind struggle to understand and accept a world from which they are almost wholly isolated.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
- Narrator
- (voce)
- Self
- (non citato nei titoli originali)
Recensioni in evidenza
While Herzog lays on the orchestral strings over scenes that could be silent themselves, the people speak volumes about how the spirit of humanity and the goodness of human beings can live on in the right circumstances. There's a subtext that Herzog reaches at well of the neglect the people have been served, of some people like the woman who used to use braille but forgot and are put wrongfully in sanitariums, when they could be in the right care functional up to a point in society. So there is that part that is a running theme in most of Herzog's work that's striking, the society at large with the stragglers, those that are just trying to keep up. And out of this he makes at least a few moments, without much interference, into little moments of documentary poetry, like the boy who is ambivalent but finally does go around in the pool and feels ecstatic about being under a shower. Or the simple composition of the young man who can barely eat a banana, but merely the slightest bit of work from Fini gets him reacting.
Wedging on the line between unsentimental and sentimental is a hard thing to do with a group like this, and on a first feature-length documentary Herzog tries and for the most part makes it a brave turn on a subject neglected and bright and moving. It makes sense he would say that this is the one film he's made in decades that he wants to be available most; ironically it is overshadowed by the more astounding (if more crowd-pleasing) work with Grizzly Man and Little Dieter. Even if it isn't a great film, it is a must-see, which is rare in documentary film.
I saw it many years ago and it holds up on a re-watch. What makes this different from other documentarians making a film on this subject is that Werner does not pity and patronize these people. Instead he is fascinated by them, he reveres and admires them and the unique perspective they have on life.
Their experience of consciousness itself is completely different from ours and in this wonderful humane film the great man shows the utmost respect for his subjects.
My only complaint is that Herzog doesn't narrate the film himself.
Only the great Werner Herzog could've made this film.
The above quote closes the documentary Land of Silence and Darkness and in many ways sums it up perfectly. Film-maker Werner Herzog has over the years made many films – fiction and fact alike – that focus on outsiders on the extreme fringes of society. With this film, I think it could be argued that his subjects are the most remote and in some ways unknowable of all. The people in this film are all deaf-blind. The loss of these two most key senses puts them in a strange mysterious world where they are cut off from our reality. The principal character is a late middle-aged woman called Fini Straubinger who suffered a fall when she was nine, that went unreported and untreated. As a consequence of this, she gradually lost her sight and hearing so that by her teens she was deaf and blind. She subsequently spent thirty years in bed but later re-emerged and went on to focus on helping others in a similar situation. This involved teaching them to communicate and organising field visits.
Like is mostly the way with documentaries focusing on people with severe disabilities, at first the participants seem quite alien to us but as we observe them for a time they emerge as identifiably human. Fini is in a more unique position than her more famous counterpart Helen Keller, in that she lost her senses at an age old enough to remember more about them and the world around her. This has allowed her to learn to communicate via an extraordinary touch-based system. It still seems incredible for us to imagine what it must be like to be in a void without sound or vision only to intermittently feel this physical communication and moreover, to be able to actually function under these circumstances. Fini is frankly an extraordinary person and her achievements are quite astonishing. The documentary introduces us to several other deaf-blind who are in even more difficult and frankly heart-breaking situations. One middle-aged woman lives in an asylum after the only person who communicated with her, her mother, died. We also encounter some who have borne this affliction from birth. This makes it especially difficult teaching them anything, some concepts becoming completely impossible. One of the most memorable of these scenes involves a 22 year old man who has never been taught how to walk, chew or communicate. We first see him sitting on the floor buzzing strangely while violently throwing a ball about. He seems to all intents and purposes like an infant. Incredibly, once Fini interacts with him she immediately makes a communication breakthrough. There are many unbelievable scenes such as this sprinkled through this documentary and it is a film that makes you pause and not only remember how lucky you are but also to ponder what being human is actually all about.
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- ConnessioniFeatured in Was ich bin, sind meine Filme (1978)
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- Tempo di esecuzione1 ora 25 minuti
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