VALUTAZIONE IMDb
6,2/10
1418
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDrama depicting rural life in contemporary Afghanistan and the Afghani people's love for an ancient traditional sport similar to horseback polo.Drama depicting rural life in contemporary Afghanistan and the Afghani people's love for an ancient traditional sport similar to horseback polo.Drama depicting rural life in contemporary Afghanistan and the Afghani people's love for an ancient traditional sport similar to horseback polo.
- Regia
- Sceneggiatura
- Star
Salmaan Peerzada
- Salih
- (as Salmaan Peer)
Aziz Resham
- Bacha to Ghulam
- (as Aziz Resh)
Vida St. Romaine
- Gypsy Woman
- (as Vida St Romaine)
Florencio Amarilla
- Arabian Man
- (non citato nei titoli originali)
Ishaq Bux
- Amjad Kahn
- (non citato nei titoli originali)
Carlos Casaravilla
- Messenger
- (non citato nei titoli originali)
Recensioni in evidenza
Not having seen this film since its initial release, I have vague moments of recollection (I was eleven at the time) but, after all these years, I still remember this film, a few scenes-even the theater where I saw it-so that has to count for something. We, my parents, and myself went to many, many movies so it was not unusual for me to come along, even at decidedly adult fair such as this. My mother had a crush on Omar-notwithstanding that they share the same passion for bridge. Frankenheimer had a good reputation for producing and directing interesting, offbeat films that hit as often as they miss-The Manchurian Candidate, Grand Prix, and Black Sunday come to mind. So, we gave this film a shot.
While I do not remember the plotline to any great extent, what I do remember quite vividly was that this film took place in Afghanistan, and features quite prominently the national sport of Buzkashi-a sport whereby riders on horses attempt to deposit the carcass of a lamb in a circle. Also, this has what is quite honestly the best performance in a film by Omar Sharif you will ever find. He plays a great rider who is injured early in the film. He broads about a lot but finally finds redemption by returning to the sport that nearly killed him for that one last ride. I do not remember if he makes it through alive.
Buzkashi is an old, old brutal sport/ritual full of tradition and ceremony. The film took great pains to present this dying spectacle as realistically as possible and is the great set piece to the film. A true Man's man sport, it is not for the fainthearted. For me, at eleven, I was not used to cinematic `realism' even though by then I had seen hundreds of films. Perhaps it is why I remember it so for it made quite an impression.
The film was transferred to video but is long out of print and only available through collectors. It has not made it to DVD, unfortunately. I have not seen it since it initial release.
Still, in a long career for Frankenheimer, this is a film that should not be forgotten and is probably one of his best.
While I do not remember the plotline to any great extent, what I do remember quite vividly was that this film took place in Afghanistan, and features quite prominently the national sport of Buzkashi-a sport whereby riders on horses attempt to deposit the carcass of a lamb in a circle. Also, this has what is quite honestly the best performance in a film by Omar Sharif you will ever find. He plays a great rider who is injured early in the film. He broads about a lot but finally finds redemption by returning to the sport that nearly killed him for that one last ride. I do not remember if he makes it through alive.
Buzkashi is an old, old brutal sport/ritual full of tradition and ceremony. The film took great pains to present this dying spectacle as realistically as possible and is the great set piece to the film. A true Man's man sport, it is not for the fainthearted. For me, at eleven, I was not used to cinematic `realism' even though by then I had seen hundreds of films. Perhaps it is why I remember it so for it made quite an impression.
The film was transferred to video but is long out of print and only available through collectors. It has not made it to DVD, unfortunately. I have not seen it since it initial release.
Still, in a long career for Frankenheimer, this is a film that should not be forgotten and is probably one of his best.
An excellent adaptation of the Book by Joseph Kessel; centered on the running of the first Buskashi in Kabul by the King of Afghanistan circa the 1950s. I have read the book in its English translation(1968) and seen the Movie on VHS.(1671) The movie is very fresh and not dated; and all the more compelling due to recent liberation from Arab control of that country. Footage of the Buskashi just has to be from a real game. The games were played at Bagram (Bagrimi) the plain above Kabul which was made an airport in recent years.
The author, Kessel can be compared to Joseph Conrad and Hemmingway as he apparently lived what he wrote. The book has themes just as penetrating as "Heart of Darkness" or "the Old man and the Sea" and much has translated well to this Movie. The acting is well done and convincingly. Local color shots were done in the late sixties giving this film a truly timeless feeling with little motor traffic evident.
One inspired scene has Jack Palance as Chief breeder and legendary Horseman, interrupted in his instructions to his team by the noise of a Jet; and looking up to see contrails above.
This is a real treasure just begging to be on DVD.
The author, Kessel can be compared to Joseph Conrad and Hemmingway as he apparently lived what he wrote. The book has themes just as penetrating as "Heart of Darkness" or "the Old man and the Sea" and much has translated well to this Movie. The acting is well done and convincingly. Local color shots were done in the late sixties giving this film a truly timeless feeling with little motor traffic evident.
One inspired scene has Jack Palance as Chief breeder and legendary Horseman, interrupted in his instructions to his team by the noise of a Jet; and looking up to see contrails above.
This is a real treasure just begging to be on DVD.
This is an example of taking a book and adapting it to the large screen and realising with hindsight that it works better as a book . I'm not familiar with Joseph Kessel's original novel but the comments on this page state that the film is very faithful to the book and that might be the problem . It's a story that concentrates on obsession at winning at all costs and Uraz the protagonist is a universal metaphor for all mankind that when you want to win something it can cost you very dearly
You can perhaps see why the producers thought this would make a great film with its exotic locations and the fact it was st in Afghanistan before the land reforms the mid 1970s that led to civil war and the subsequent Soviet intervention is what made me seek out the film if only to understand Afghan culture better and the film does contain an intelligent opening when the audience are led to believe they're watching a scene from the 17th Century only to the Afghan rug pulled from under their feet as a jet plane screams over head . Likewise there's some spectacular scenes involving the sport of buzkashi where horsemen literally fight over the carcass of a dead goat and there's some impressive cinematography featuring the Afghan landscape but the inherent problem with the film is the character driven narrative which doesn't kindly lend itself to the medium of cinema
You can perhaps see why the producers thought this would make a great film with its exotic locations and the fact it was st in Afghanistan before the land reforms the mid 1970s that led to civil war and the subsequent Soviet intervention is what made me seek out the film if only to understand Afghan culture better and the film does contain an intelligent opening when the audience are led to believe they're watching a scene from the 17th Century only to the Afghan rug pulled from under their feet as a jet plane screams over head . Likewise there's some spectacular scenes involving the sport of buzkashi where horsemen literally fight over the carcass of a dead goat and there's some impressive cinematography featuring the Afghan landscape but the inherent problem with the film is the character driven narrative which doesn't kindly lend itself to the medium of cinema
The Horsemen could have been better, and I was expecting to be bowled over considering the talent there is. It's still however a very decent and interesting film, with its best assets being excellent.
When it comes to how The Horsemen looks, it's in this area where the film excels the most. The magnificent Afghanistan scenery, with its breath-taking sunsets and serene mountain views for examples, are done justice by the colourfully sweeping but also gritty photography, with its frequent use of beautiful aerial shots. The lushly romantic and (at other points) also appropriately brassy music score compliments the mood perfectly and the buzkashi scenes are relentlessly brutal(a warning this is not for the faint-hearted) as well as very compelling.
John Frankenheimer's direction, while not the best he has ever done is restrained while not undermining any tension when it's needed. The characters are interesting and the interplay between them often is quite real, these are not 'likeable' characters by all means(never were they meant to be) but the development and interplay was well done it was easy to care for them. The acting is well above average on the most, with a more restrained than usual but very commanding, eerie and actually also very moving performance of Jack Palance faring best. His make-up is believable too. Leigh Taylor-Young plays her role very sympathetically.
For all these good qualities however, The Horsemen has a few failings. One problem being the script, which has some naturally contemplative and poetic moments but also too many moments of silliness and awkwardness. A good atmosphere is maintained throughout and much of the film is very passionate and emotionally affecting, but the story for my tastes did drag sometimes and felt a little choppy structurally. Omar Sharif(from personal opinion) has also given better performances, it's certainly better than his stiff performance is the badly miscalculated Che Guevara biopic Che(which coincidentally also had Palance in one of his worst performances), but the performance here is a bit one-note and of one expression, Sharif spends most of the time looking very grim and not much of anything else.
All in all, a decent film with some truly excellent things, but also could have been great if other important components were done stronger. 6.5/10 Bethany Cox
When it comes to how The Horsemen looks, it's in this area where the film excels the most. The magnificent Afghanistan scenery, with its breath-taking sunsets and serene mountain views for examples, are done justice by the colourfully sweeping but also gritty photography, with its frequent use of beautiful aerial shots. The lushly romantic and (at other points) also appropriately brassy music score compliments the mood perfectly and the buzkashi scenes are relentlessly brutal(a warning this is not for the faint-hearted) as well as very compelling.
John Frankenheimer's direction, while not the best he has ever done is restrained while not undermining any tension when it's needed. The characters are interesting and the interplay between them often is quite real, these are not 'likeable' characters by all means(never were they meant to be) but the development and interplay was well done it was easy to care for them. The acting is well above average on the most, with a more restrained than usual but very commanding, eerie and actually also very moving performance of Jack Palance faring best. His make-up is believable too. Leigh Taylor-Young plays her role very sympathetically.
For all these good qualities however, The Horsemen has a few failings. One problem being the script, which has some naturally contemplative and poetic moments but also too many moments of silliness and awkwardness. A good atmosphere is maintained throughout and much of the film is very passionate and emotionally affecting, but the story for my tastes did drag sometimes and felt a little choppy structurally. Omar Sharif(from personal opinion) has also given better performances, it's certainly better than his stiff performance is the badly miscalculated Che Guevara biopic Che(which coincidentally also had Palance in one of his worst performances), but the performance here is a bit one-note and of one expression, Sharif spends most of the time looking very grim and not much of anything else.
All in all, a decent film with some truly excellent things, but also could have been great if other important components were done stronger. 6.5/10 Bethany Cox
Spectacular movie with exciting adventures , horse-riding and marvelous Oriental landscapes in the desolate , poor northern provinces of the mountainous feudal Sunni kingdom of Afghanistan . The story is suitably emblematic and talks upon a champion Afghan horseman named Uraz (Omar Sharif) who participates with his horse in an extraordinary national game of "buzkashi" dating back to the time of Genghis Khan . It is a fierce competition, played on the steppes of the northern Afghanistan , before the Soviet-engineered republican revolutions . His father named Tursen (Jack Palance) is too old and has got a crooked leg , while Uraz is even prouder and with a morbidly self-destructive , he needs to prove himself against deadly dangers . Later on , he undertakes a risked journey to regain the honor he has lost after his defeat in the ceremonial game . On the journeys he loses a leg , is confronted by his servant (David Keyser) and an untouchable girl (Leigh Taylor Young) who want murder him , besides a nomad (Peter Jeffrey) who struggles his scraggy one-horned sheep . Each meeting has within the seeds of his own meaning and predicament . The final spectacle , including Omar Sharif's double , of the horseman along with his stallion is breathtaking and overwhelming.
This stirring motion picture blends adventures , thrills , spectacular horse-game , emotions and is pretty entertaining . From the beginning to the end , the adventure and drama is continuous ; for that reason packs a lot of entertainment , though it balances ups and downs . With a cast of thousands and genuine Afghan extras , being shot on actual locations . Sets and production design are spellbound and the Oriental landscapes are mesmerizing . It is based on Joseph Kessel's 1967 novel, "Les Cavaliers" ("The Horsemen"), Kessel spent almost fifty years of his life roaming the world and being adapted by the black-listed Dalton Trumbo . The film began shooting using 65mm negative (Super Panavision), but during production, Columbia went through a change in management. The budgets for this and another 65mm production, "MacKenna's Gold," were cut, and both films were forced to switch over to 35mm anamorphic Panavisión ; however, both were released in 70mm, with the later-shot sections blown up. Colorful cinematography by Claude Renoir filmed on location in Afghanistan and Almeria , Spain , where in the 60s and early 70s were filmed a lot of Westerns .Two/three weeks into shooting, cinematographer James Wong Howe left the Project , due to disagreement with director John Frankenheimer over use of lens. Sensitive and fascinating musical score by George Delerue .
The motion picture is compellingly directed by John Frankenheimer . At the beginning he worked for TV and turned to the cinema industry with The Young Stranger (1957) . Disappointed his with first feature film experience he came back to his successful television career directing a total of 152 live television shows in the 50s. He took another opportunity to change to the big screen , collaborating with Burt Lancaster in The Young Savages (1961) and Birdman of Alcatraz(62) ending up becoming a successful director well-known by his skills with actors and expressing on movies his views on important social deeds and philosophical events and film-making some classics as ¨The Manchurian candidate¨, ¨Seven days of May¨ and ¨The Train¨ . The flick will appeal to Oriental adventure enthusiasts and Omar Sharif fans . Rating: Good , well worth watching
This stirring motion picture blends adventures , thrills , spectacular horse-game , emotions and is pretty entertaining . From the beginning to the end , the adventure and drama is continuous ; for that reason packs a lot of entertainment , though it balances ups and downs . With a cast of thousands and genuine Afghan extras , being shot on actual locations . Sets and production design are spellbound and the Oriental landscapes are mesmerizing . It is based on Joseph Kessel's 1967 novel, "Les Cavaliers" ("The Horsemen"), Kessel spent almost fifty years of his life roaming the world and being adapted by the black-listed Dalton Trumbo . The film began shooting using 65mm negative (Super Panavision), but during production, Columbia went through a change in management. The budgets for this and another 65mm production, "MacKenna's Gold," were cut, and both films were forced to switch over to 35mm anamorphic Panavisión ; however, both were released in 70mm, with the later-shot sections blown up. Colorful cinematography by Claude Renoir filmed on location in Afghanistan and Almeria , Spain , where in the 60s and early 70s were filmed a lot of Westerns .Two/three weeks into shooting, cinematographer James Wong Howe left the Project , due to disagreement with director John Frankenheimer over use of lens. Sensitive and fascinating musical score by George Delerue .
The motion picture is compellingly directed by John Frankenheimer . At the beginning he worked for TV and turned to the cinema industry with The Young Stranger (1957) . Disappointed his with first feature film experience he came back to his successful television career directing a total of 152 live television shows in the 50s. He took another opportunity to change to the big screen , collaborating with Burt Lancaster in The Young Savages (1961) and Birdman of Alcatraz(62) ending up becoming a successful director well-known by his skills with actors and expressing on movies his views on important social deeds and philosophical events and film-making some classics as ¨The Manchurian candidate¨, ¨Seven days of May¨ and ¨The Train¨ . The flick will appeal to Oriental adventure enthusiasts and Omar Sharif fans . Rating: Good , well worth watching
Lo sapevi?
- QuizThe film began shooting using 65mm negative (Super Panavision), but during production Columbia Pictures went through a change in management. The budgets for this and another 65mm production, L'oro di Mackenna (1969), were cut and both films were forced to switch over to 35mm anamorphic Panavision. However, both were released in 70mm, with the later-shot sections blown up. In later years, the mix-and-match formats made restoration of the films more time consuming and expensive than if they'd been shot entirely in 65mm, and they were preserved in 35mm only.
- BlooperWhen Tursen (Jack Palance) has a flashback to one of his past victories, one can tell that he is swinging a phony, lightweight, stuffed goat carcass around when his horse jumps up on the mud hut.
- Citazioni
District Chief: What demon has possessed you to mock these good people with that piece of dog-bait?
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Horsemen
- Luoghi delle riprese
- Afganistan(Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 49min(109 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
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