Una vampata di vergogna

Yes, I have to toss my two thumbs up into the heavens for this film as well. Seen a few times at a very young age. Bit of a slow start as Harold returns home and all. But soon as the cake is introduced with 'Happy Birthday Wanda June' on the counter, the surreal begins! A brilliantly funny, but I'm sure 'unpolitically correct' view of 'heaven' - even at my young virgin age, I was kinda shocked. Wanda June, cute as a bugs ear - but tragically hit by a truck before her birthday. Assistited by a fatherly Nazi to help explain the utopia of their afterlife. Like Nazis and Jesus playing shuffleboard all day in heaven? And you know Jesus is like really good, because he has the satin jacket and all that. Then back down to New York, where Harold and his buddy try desperately to reintegrate themselves into a world that now seems so foreign. I wouldn't say it was a 'feminist' movie, nor was it glorifying or lambasting the idea of brutality and war. I'd say it was simply about 'time' itself. As in 'time is fleeting', 'time heals all wounds', 'remember the good times and forget the bad'. As irrational and surreal as it was - long before Updike treatments. It's probably the one that comes off the most sane and human out of the lot. Kings, Heros, Madmen, and the wakes of their plunder and destruction. Queens, Innocent beauty, and youth. All but ripples on the shore that cannot stand up to natural currents and waves - only help contribute to them until the tides change. And that you can set your watch to. Brilliant film!

"Happy Birthday Wanda June" is out there...somewhere, because a print has just surfaced in San Francisco for a small festival showing in August of 2007. I first read about this film way back in Cinefantastique and of course it hasn't surfaced since, not on VHS or DVD.

Written probably as Vonnegut was really hitting his stride, around the time of "Slaughterhouse 5" it explores the meaning of humanity on this planet, the madness of men (the gender) and the blindness of following what we thing is valuable but isn't.

Smaller in scale than "S5" or "Sirens of Titans" this originally was a play and the film shows this provenance. It's practically one-set, and the acting is rather broad. Mark Robson seems to be making sure everyone pitches it out to the back rows. The child and the 2 male friends of Susannah York's character are particularly grating. But Rod Steiger, whose role is a bombastic man's man (somehow reminiscent of Ernest Hemingway or John Huston), manages to play his loud and obnoxious role with a graceful (if unhumble) bravado. He is perhaps more in on the joke - that he is a fool and a dinosaur embracing out-of-date ideas - than he initially proclaims.

The flashes to Heaven, mentioned in previous posts, makes this vintage absurdist Vonnegut, with the underlying message that everyone goes to Heaven, so murdering someone is actually not a bad thing - you're doing them a favor. It makes the complains down in the Manhattan apartment about whether they should kill animals, be "savage" or civilized, rather moot in retrospect.

An important work that deserves reviving. It's dated and a bit obvious in its symbolism (the violin hanging like a corpse above the fireplace) but beats "Visit to a Small Planet" anytime. And William Hickey is great as Steiger's sidekick who also returns after 8 years.

Interesting side note when Steiger reveals he was drugged on "blue soup" for 7 1/2 of the 8 years. Did he actually see what life without the "action, the killing" might be like...and recoil in horror? And the last shot - not what you would expect, also raises an ironic eyebrow that will keep this film in your mind for days.

What happened to this movie? I've recommended it for 3 decades as one of the finest of the surreal comedies and it seems to have vanished. Who owns the rights? Please reissue this farcical drama. Like "Where's Poppa?" Central Park represents the evils of the world. The heaven-related references are hilarious. Ms. York was never prettier. Rod Steiger delivers a (not unexpectedly) bravura performance. It's based on a Kurt Vonnegut story. What more need I say? If you enjoyed "A Boy and His Dog", you certainly will savor the sophisticated and sly humor to be found in "Happy Birthday, Wanda June."

This is one of my favourites, so I admit to being terrible biased about its merit. As a movie it's a bit clunky in places, but the cast is wonderful. For me the best of these is William Hickey. He often has the best lines in the fashion of the fool in Shakepeare. A drunken broken man whose one defining moment (in his friend's eyes anyway) he regrets totally. The movie is worth a look just for him. If you don't understand or enjoy Kurt Vonnegut's cynicism you won't enjoy this film. All of the "living" characters leave something to be desired, and there is little to inspire here. But it is funny in an ironic kind of way, and so indicative of humanity. The deceased characters (who all play shuffleboard in heaven on Jesus' team) are a hoot as well.

Based on Kurt Vonnegut's off-Broadway play, HAPPY BIRTHDAY, WANDA JUNE,

is essentially about Susannah York's character Penelope Ryan and the

men that dominate her life, including a phenomenal Rod Steiger as ultra-

macho big game hunter Harold. The story also occasionally jumps to

heaven (yes, really), where Wanda June, the victim of a drunk driving

incident, plays shuffleboard for all eternity. This excellent film has

sadly never been available on video or DVD. I've only seen it on a

bootleg DVD made from a TBS broadcast in the late 80's (with some of

the language censored).