Equinox

Come on, people! This was a zero-budget student film, for God's sake! You can't assess this movie like you would the latest big-budget studio blockbuster. This was an earnest effort of some FX-crazed kids, who did their damnedest to get some cool stop-motion monster sequences on film as a showcase of their talents. Dennis Muren went on to STAR WARS fame and many Oscars, and the late lamented David Allen enlivened many a crappy Charles Band flick (that's actually a redundancy) with superb effects that always belied the pitiful budget he was given to work with. All I know is, my younger brother and I, both stop-motion fans, saw the trailer for EQUINOX at some long-ago Saturday matinée and KNEW we had to see this film. And when we finally did we thought it was COOL! I'd rather see a continuity-challenged, amateur FX effort like this than any multimillion-dollar CG crapfest like VAN HELSING any day of the week!

It's a fun spooky movie with a different look and without the usual nighttime menace. It's also an independent production that managed some notoriety, mainly for surprisingly impressive special effects. Actually, Equinox was sort of the Blair Witch Project of its day—a bunch of unknowns hitting it lucky with a shoestring effort. If memory serves, the film even had a run at one of the prestige theatres along Hollywood Blvd. The effects are not so impressive by today's digital standards; however, by 1970's norms, they were the unexpected equal of any A-production.

The story itself is pretty well structured in flashback with an effective "hook" to get viewers interested. The plot doesn't make a whole lot of sense, but then it doesn't have to, since we've got King Kong's albino brother, a castle that comes and goes, a lost book of the occult, and a shape-shifting forest ranger who's definitely not Smoky the Bear. Most of the scenes are well staged, except when the ranger gets in the girl's face, contorts his lips, and slobbers, in what I suppose was a wacky metaphor for supernatural sex. Sharp-eyed viewers may recognize Frank Bonner (Boers) from TV's WKRP in Cincinnati as Jim. He's easily the most accomplished of an uneven cast.

In fact there's an appearance of a time warp between the clothing fashions worn in the movie and the 1970 release date. In short, the hair styles and skinny pants of the movie are a long pre-Vietnam way from the bell-bottoms and long hair of counter-cultural 1970. I don't know what accounts for this apparent disparity unless release was held up for several years. Anyway, except for the rather hollow sound of the dialogue dubbing, this accomplished little indie remains an underground original.

I first saw this film a little while ago under the title of The Beast. The first viewing of it I wasn't sure what to make of it. I love the stop motion and all of the special effects but something about the movie didn't catch my interest. When Criterion decided to release this on DVD with both versions of the movie and a whole lot of extras I thought I would give it another chance. I am happy I did because this was a truly fun film that paved the way for movies like Evil Dead or Phantasm.

The storyline might sound familiar. A group of four friends (2 guys, 2 girls) plan a trip to a log cabin out in the middle of nowhere. When they get there they discover the log cabin has been destroyed. After then exploring around they find a few very odd things. A random castle on a hill and a strange old man that gives them this very old book. After this they discover an invisible barrier leading to another world. Soon there are creatures that want to kill them and take the book.

A second viewing was in order. I am glad I did. I believe the version I saw, entitled The Beast, was the 1970's version. Watching the original 1967 version seemed a bit better.

The special effects in this movie are excellent. For me, I am right at home with a movie like this. The stop motion was true eye candy to watch and after you see the first monster you are pretty much in for a fun ride.

A can tell that Sam Raimi probably liked this movie when he was younger and wrote a similar story for his cult phenomenon The Evil Dead. The whole storyline with the book and a group of friends going out to a log cabin was obviously inspiration for Raimi. Even at the beginning of Evil Dead when they are showing images of the book floating in what appears to be fog was very similar to that of a scene in The Equinox when they are explaining what the purpose of the book was. A little bit of similarity with this movie and Phantasm with the portal to another world and how that other world looked upon entering it.

This movie is really a movie for fans of the stop motion genre. If you like Ray Harryhausen this is a must see. 9/10

I love bad movies. This is a bad movie. I was channel flipping and saw one of the monsters cavorting about until gored by a sharp stick. I had to watch after that. Truly bad acting, unintelligible plot and a swarthy demon with the classic "Bru haa haa haa" laugh that only is done in the worst of movies. Very entertaining. I recommend you watch it with friends. Not a first date movie unless you know them well. Rather good special effects for a low budget film.

I love this movie, could watch it over and over...

The reason I like it so much is just the whole idea behind it. Plus the claymation is pretty cool! The way they act is hilarious (to me anyway), almost like an old Leave it to Beaver, the way they talked in those episodes. Combine that with what they are up against, and the contrast between the 2 is great!!

It shows how good a film can be without spending $100 million. Evil Dead is another one that comes to mind when I think of this movie.

I won't spoil anything, but sometimes they use a fisheye lens when things are getting insane/over the top, and Dennis Muren has done some great work in famous films since this was made.