L'uomo dalle due ombre

I watch movies for specific reasons. I don't always look for such things as a plot. What did I get out of "Cold Sweat"?

First, a reminder to mix business AND pleasure. The gentlemen who produced this could have filmed in New Jersey. Rather, they chose the south of France. Good choice! Beaulieau-sur-Mer in the south of France, as well as the lovely French countryside way down south.

Charles Bronson pumped up, as usual. It appears that he does a set of push-ups before every scene. He's cut, in a black T-Shirt for the whole film. And he's not in his famous revenge mode. Here, he calculates. And expresses himself, emotionally. See the quote section...

Terrance Young's direction. Yes, the early Bond-film director is at his bond-vivant! best, with rich panoramas and an eye for pretty things. I'll have another, garson.

Nice Airport and a really cool 1970 hair salon. Think Korova milk bar ala Clockwork Orange.

Old French cars from the late 60's. Those Citroens are cool. And that off-roading experience in that red sedan was hilarious. Also, the close-up of the bias-ply tire folding over...priceless.

Finally, attractive leading ladies.

If you can find this movie, watch it! I found my DVD at Fleet Farm coupled with another Bronson movie, "Chino" for the reasonable charge of $4.99.

Charles Bronson takes his drearily and ultra-violent vendetta after his spouse , Liv Ullman and daughter , are kidnapped by a drug boss , James Mason , and his hoodlums: Michael Constantine , Luigi Pistilli , Jean Topart.

This brutal thriller contains noisy action , car chases , intrigue , and lots of violence among crooks . However , filmmaking and writing are average .Typical Bronson flick has Charles in his ordinary role as an avenger taking law on his own hands. Based on the novel by Richard Matheson called "Ride the nightmare" which is butchered to produce the ordinary vengeance movie .It boasts superior cast with prestigious secondaries as Luigi Pistilli, Michael Constantine , the great James Mason and Jill Ireland, Bronson's wife. Special mention for Jean Topart as a moronic henchman and Liv Ulmman who gives a nice acting as anguished and captured wife.

It displays an atmospheric and thrilling score by Michael Magne. Including evocative cinematography shot on location in Francia , Azul Coast. This turgid motion picture was regularly directed by the prolific Terence Young, including some flaws and gaps. Young was an uneven filmmaker with hits and flops. As he made three of the best Bond films :Doctor No , Thunderball, From Russia with love , he also directed other genres , Western : Red Sun , Dramas /intrigue : Klansman, Bloodline , Jigsaw man , The poppy is also flower, wait until dark ; Costumer : Adventures of Moll Flanders , Adventure : The Rover and WWII : Triple Cross .Rating 5,5/10 , acceptable and passable . The movie will appeal to Bronson fans. Charles does all that can be expect of him and he will reward his legions of enthusiasts.

On the action 50 pack classics I'm watching many older movies for the first time,since i enjoy the Charles Bronson films i thought i would enjoy cold sweat,i was right its a good Italian/french/Belgium co production about a Korean war veteran(Charles Bronson)who moves on with his life after being involved with gangsters who were in the military with him,most notably is an army captain (james mason)gone bad, he holds Bronson's wife(Liv Ullman)and stepdaughter(yannick delulle)hostage there's some good car chases,fighting and some pg violence.Bronson's real life wife(Jill Ireland)plays the captains hipper girlfriend.its not as good as deathwish,but its a well made early Charles Bronson actioner. 8 out of 10.

Charles Bronson is as cool as cool gets in this okay action-thriller based on a Richard Matheson novel. Bronson plays "Joe Martin", American expatriate and boat expert living in France with a wife (Liv Ullmann) and stepdaughter (Yannick Delulle). One eventful night, his dark past catches up with him; an old associate, Ross (James Mason) wants him to atone for a past mistake by getting mixed up in the drug trade.

"Cold Sweat" is an okay film of its kind. No more, no less. It's directed with some competence if not an over-abundance of style by Terence Young ("Thunderball"). It mostly derives tension from the pressure put on Joe by such characters as Ross, Whitey (Michel Constantin), and Fausto (Luigi Pistilli). Of course, one is never in much doubt that Bronson will rise up righteous and kick some ass. He handles much of what goes on with some true savvy - and a fair amount of amusing dialogue.

A drawling Mason is great fun to watch, especially as Ross must deal with unexpected difficulties. Some folks might say that Ullmann is slumming here, but she offers an appealing performance as a wife who tries her best to be strong. Bronson's real-life love Jill Ireland is okay as a moll. But it's Jean Topart who tends to steal the show, cast as a tough-talking, trigger-happy goon named Katanga.

The unqualified highlight of the film is an extended car chase that is at least reasonably exciting. Bronson, who's at the wheel, has a pretty imposing (and unlikely) deadline staring him in the face.

Overall, "Cold Sweat" is well worth a look for fans of the star.

Seven out of 10.

Though proudly billed as Terence Young's COLD SWEAT, this turned out to be a below-average international concoction: the plot is formulaic – albeit adapted from a novel by Richard Matheson – one that Bronson often returned to, of a man whose past catches up with him (in fact, I recently watched Sergio Sollima's similar but superior VIOLENT CITY [1970]).

The film is doubly disappointing, however, for wasting the talents of actors of the caliber of James Mason and Liv Ullmann – the latter clearly wishes she was elsewhere, while the former often resorts to hamminess (with a ridiculous American accent to match). As expected, the narrative flanks Bronson with real-life spouse Jill Ireland – here in perhaps her most embarrassing performance as a spoiled hippie brat; needless to say, the star more often than not lets his physique do the acting for him – but his is an undeniable screen presence and, as I've written elsewhere, he just happened to fit the bill for what was required of an action star in the late 60s/70s.

The supporting cast also includes Michel Constantin (who was also in VIOLENT CITY), "Euro-Cult" regular Luigi Pistilli, and Jean Topart – all of them appearing as members of Mason's gang, with the latter being the most villainous of the lot and who gets his just desserts in memorable fashion. The best thing the violent film has going for it are the plentiful and exciting action sequences, particularly a lengthy – if somewhat irrelevant – car chase towards the end (once again, the work of Remy Julienne). Though the budget DVD at least presented it in the correct aspect ratio, the print for COLD SWEAT (which, along with a few other Bronson titles, has fallen into the public domain) was still too soft and murky to do justice to its variety of European locations.