Il corsaro nero

When I first watched this one in 1987, I of course expected a comedy with both Hill and Spencer as the main characters, getting up to their usual hyjinx. I was to be bitterly disappointed. Instead I got a serious drama/action movie, which was more of a Terence Hill on his own type of movie. Bud had a much smaller role and for large parts was absent. This is probably why many lists do not include Blackie on them when it comes to listing Spencer/Hill movies.

Viewing this for a second time 30 years later, my expectations were nowhere near as high and I actually found out it wasn't as bad as I remembered. It was well filmed and although a little formulaic, had some entertaining stuff.

Hill plays a gentlemanly honourable pirate, while Bud plays a rival one. It seemed Bud's voiceover was his usual, but for Terence it was someone new.

Living on an island situated so close to the Italian peninsula, it is small wonder that celebrities emanating from those parts would be a household word in Malta as well and, during my childhood days, no Italian film stars were as popular as Mario Girotti and Carlo Pedersoli…er…Terence Hill and Bud Spencer. These two actors – who could roughly be described as the "Laurel & Hardy" of Italian genre movies – have made 17 pictures together between 1968 and 1994 and the film under review is one of their earliest and least-known. They had just hit the big time with the Spaghetti Western spoof THEY CALL ME TRINITY (1970) and it was natural that, after three successive Westerns, producers wanted to try out something else so, here, they decided to not only change genre (to the swashbuckler) but also to have them as rivals instead of partners. Ironically, the new recipe failed to nourish the hungry masses and a sequel to TRINITY was hastily cooked up…

Apart from the incongruity of seeing the two stars swapping their by-now familiar cowboy garb for the pirate's feathered-hat and sword, the film itself comes off as a plodding and uninvolving adventure without even the benefit of their usual, protracted cazzotti (fistfights) sequences – save a few tired rehashes of people flying on top of cabinets with a single punch to the jaw! Terence Hill has the title role but is more morose than his usual self here and Bud Spencer is an opposing pirate leader who, true to the seaman's code, goes down with his ship in the end. Also in the cast are a trio of good-looking dames – Silvia Monti (as the vengeful wife of the Viceroy whom Hill abducts and even gets to bed), Monica Randall (as her companion who eventually joins the pirates' cause) and Jess Franco regular Diana Lorys (who is criminally wasted as a sympathetic innkeeper); the film's screenwriter George Martin(!) as Hill's aristocratic partner; Pasquale Basile as the annoying dumb brute typical of such fare; Luciano Pigozzi (hamming it up as another antagonistic pirate leader); and the customary Hollywood has-been generally roped in for such productions for their dubious marquee value: in this case, Edmund Purdom (as the Viceroy). Unfortunately, contrary to all convention, instead of relishing the role of an eye-rolling villain, Purdom underplays the part almost to the point of absentia!

In spite of the film's title, it doesn't seem to have been inspired by the Emilio Salgari (creator of popular heroic figure Sandokan) novel "The Black Pirate" – which, apart from two earlier European film versions, would again be brought to the screen (far more effectively) a mere five years after this one (with TV's Sandokan himself, Kabir Bedi, in the lead).

Now don't get me wrong, I have always been an avid fan of Terence Hill and Bud Spencer, but this is a film that does not fit their talents. What made the two so popular was their chemistry on screen, with either playing the idiot at times but it works. That is not the case here, which is a great pity, this film could have been so much more, so what was wrong? Palli lost his way, he could not make his mind up whether this film was going to be a comedy or a drama, unfortunately because of this the film suffers. I have seen Hill play austere parts before, but always there are moments that have shown his humanity and his humour. This movie lacks this, in fact i felt uncomfortable with the character, who seemed to show no appreciation for his crew or the risks they ran for him and even the 20 second speech at the end of the film did little to change that. Bud Spencer, like Terence Hill is an accomplished comedy actor and I firmly believe that he was not comfortable playing this role. His lines could have just as easily been read from a newspaper and his interaction with Hill during negotiations were lacklustre and dull. The reason I have given this film 5 is that it did have some saving graces, mainly the characters that were the crew. Each had special skills, which did interest me and of course George martin who saved the movie from being a complete dirge. Had Hill's character been more like the swashbuckling Errol Flynn type and had there been more interaction between Hill and Spencer, this could have been a great movie.

To me,this is the paragon for the swashbucklers.This is how to do a swashbuckler."Blackie the Pirate" sets a standard for the genre.It gives a concrete idea on how such a movie ought to be.Very picturesque,and visually pleasing,"Blackie ..." has everything that I request from a movie of this kind:humor,fun,a handsome lead (T. Hill),good cast (George Martin,Bud Spencer) ,fluency,attractive music,sexy women (Silvia Monti,Mónica Randall,Diana Lorys),a film made by men who think and have a powerful sense of epic.These Italians used to had an incredible sens of fun. Horrors,westerns,Peplums,crime movies,SF,swashbucklers,WW 2 movies,comedy,sex drama,etc.,they hit the nail on the head.The French failed lamentably to take over all these "commercial" genres,but the Italians hit it.(It is true that I know a few outstanding French genre movies;but,with the Italians,outstanding is the rule.)And they were able to bring in Gemma,Nero,Hill,etc..To me,the Italian cinema is a source of inexhaustible pleasure.The Italians are for the fun what the French are for the novels,or the Germans for the music.They have the skill for doing EVERYTHING right.So,this Italian swashbuckler,"Blackie ...",IS a swashbuckler.

The two Italian actors have a lot of fun in this movie.(But "Blackie ..." is not a buddy film,as Spencer got only a bit part,though an excellent one.)The cast is very good.The girls were some 25-30 years when they appeared in Corsaro Nero.

A movie made out of love for fun.(A bluff like the Granger "Scaramouche" can not bear comparison with "Blackie ...".That "Scaramouche" can not pretend to be "a different kind" of movie;it is only a banal and stupid movie,lacking any charm.)

Gicca Palli did not make many movies.

There's the makings of something here: a pirate comedy or a swashbuckling drama, but, ultimately it's neither one or the other enough to make it a good movie, which is rather a shame. Had it actually been a "Trinity Boys Do Pirating" sort of movie, it would have worked. It such a case, it needn't have had a compelling plot: just let Terence Hill and Bud Spencer humorously beat up other pirates and corrupt sailors while having their own dumb misfortunes and bad luck. The movie already had the two comedians and plenty of other very capable actors and actresses, including the beautiful Silvia Monti, Monica Randall, and Diana Lorys.

Alas... Bud Spencer is barely even in this movie and Terence Hill ("Blackie the Pirate") is rarely funny cast as a more traditional leading man type. In fact, the sort of stuff you expect of a "Trinity" movie, Bud's impossible strength and toughness, Terence's agile and offbeat fighting style are farmed out more to the supporting actors, which is actually one of the better parts of the film: Blackie's crew al seem to have their own special talents: one, for example, has excellent aim with a canon or pistols, other is very strong, etc. A crew of pirates, each with their own specialties but only in certain situations starts to almost write itself.

Well... whatever. It's not that movie. Watch it if you'll watch anything By Hill or Spencer or watch it if you'll watch any kind of pirate movie, just don't watch it if you're expecting Terence and Bud to be doing a buddy-buddy pirate comedy.