Anand

Excellent performances by Rajesh Khanna and Amitabh Bachchan. Both showed maturity and depth in their role. This movie is about a person (rajesh Khanna) who is dying of a dreaded disease but lives every moment of his life to fullest. He entertains others and brings happiness to their life. On the contrary, Amitabh Bachchan is young doctor who is frustrated and angry. Rajesh khanna befriends him and both go well with each other. Amitabh tries hard to cure Rajesh Khanna but in vain. Ultimately Rajesh khanna leaves not before leaving a message of love and happiness. Amitabh Bachchan was at his best. This was the first movie when he was seriously noticed by Bollywood. He exceed expectations. A versatile actor this is one of his many movies where he plays a role of serious, angry young man who hardly smiles. Though it was primarily Rajesh Khanna's movie but it catapulted Amitabh Bachchan into fame ultimately replacing Rajesh Khanna as numero uno. A must watchable for Rajesh Khanna and Amitabh fans.

What an outstanding movie!! I have heard all the prior generation people rave about this movie, so, I decided to check this movie out myself. I only have faint memories of having watched parts of this movie from my mom's lap when she and dad were watching this in the theater. The other reason why I decided to check this out was a Super-bowl half-time debate on whether Amitabh was better than Rajesh Khanna. I could not participate in this debate for two reasons: first, I was eagerly awaiting another "wardrobe malfunction" for one of the cheerleaders and secondly, I only had memories of one Rajesh Khanna movie, Haathi Mere Saathi. I remember having enjoyed it very much as a child. But that alone was not enough to quantify anything. The more recent performances of AB were fresh in my mind, but after having seen this movie, I decided that Rajesh had a class of his own. His chirpy performance in this movie is really unparalleled! What an amazing performance! Amitabh, being more junior, has not equaled Rajesh, but has done his share very well. Thus, even after watching this movie, the debate will continue.

What's New? What can possibly be new in an old movie? Guess what? there is plenty for the younger generation to take away! There is no education in the movies these days, whatsoever, except perhaps bedroom or bar sequences. The inadequacies in the field of medicine are so nicely brought forward by this movie, which is certainly over 30 years old! Now, I can understand why Munnabhai MBBS was such a hit. It had so beautifully adapted from this movie to match the present generation. Kudos to Vidhu Vinod Chopra and Sanjay Dutt (& Kamal Hassan too) for carrying this forward.

Noticeable: "BaaabuMushaai", the nick name for Amitabh, as heard from Rajesh throughout the movie, will ring in your ears even hours after you have seen the six letters "The End" on the screen. There really is no end to such people! Some sequences were simply amazing. Those that stood apart in my mind were the last scene, with a tape that had a significant pause in between; the moun-vrath guru, who so symbolically said that there is so much more than the decaying body to Anand's soul; then of course the Munirbhai sequences and the eventual backfiring of this strategy and so many more! The songs were so gentle and heart warming! The comic timing of Rajesh Khanna was simply amazing! Verdict Present day filmmakers really need to rework their brains and start thinking much much better! There is much more to Hindi cinema than just skin-show and catchy item number songs. This is a MUST-WATCH movie! I did not think so when others told me, but having experienced it myself, I believe them! I am gonna check out the other MUST-WATCH movies prescribed by the previous generation.

In 1970, Rajesh Khanna was the biggest star and was shooting for multiple movies along with Anand. But it seems he would take some time out from his other schedules would come to Hrishi da and ask him if he could shoot the next scene from Anand. That's how eager and dedicated he was to Anand. Probably he knew that this was the movie that he would be remembered for.

The movie narrates like the pages of a diary of one Dr. Bhaskar Bannerjee and his relationship with Anand Sehgal who he treated for cancer. Despite of such a heavy theme the movie is high spirited just like Anand Sehgal who likes to laugh in the face of death. Special mention should be made for attention given to each character in the movie. All the characters are well etched and everyone has given a truly inspired performance.

The last sequence must be the most dramatic sequence that I have seen in any movie. Music by Salil Chaudhary and lyrics by Yogesh and Gulzar are apt and wonderful. Definitely one of the best movies made in India.

Sure enough, there is no vacant person under the prestigious name. Anan is full of passion and joy in life, life and death, and the attitude of life is full of enthusiasm and joy. Such Anan will not die, because happiness will never die. "Leave sorrow to yourself, give happiness to others" is a very simple sentence, but it has the power to change people's hearts, and even change the attitude towards people and things around them. It is a chicken soup, but I am willing to drink it.

Rajesh Khanna had always won acclaim and registered his credits in the box office hits, whenever he portrayed a sentimental, morally strong and emotionally focused role. He also did a great job in SAFAR, wherein he portrayed a similar role of a cancer stricken patient.

Nevertheless, he is not well at portraying the roles of "an angry man", "a fighting sequence", "an overly volatile role" and "clownish comedy roles" that can all be performed in a masterly manner by his arch rival, Amitabh Bachan.

However, Rajesh Khanna's personification of a lively, vivacious, death defying and winsome portrayal of a cancer stricken man was stupendously performed. His person consummately excels in mimicking soft, romantic, sad, morose and boisterously exuberant roles.

Many people contend that Amitabh would had done a better characterization if he had been offered an author backed role instead of Rajesh Khanna in ANAND. Here it may be kept in mind that Amitabh could not match a stunning performance in MILLI, where his real life spouse Jaya Bahaduri outperformed him.

The bullock cart scene immediately followed by the song "Kaheen door jab din dhal Jaye" in ANAND speaks volumes of the excellently crafted direction of Hirsihkish Mukherjee and has enlisted his name among all time great directors. This song and the one "Zindagi Kaisi he Paheli" touch the latent strings of sublime imagination with poignant originality, which cannot even remotely be identified anywhere, among the fast, untamed, crazy and meaningless songs of this age of Indian Cinema ......which seems to be overly swamped by the temporal, vulgar and money minting mentality of the producers, directors and actors.

That is to say, there is nothing worthwhile in contemporary cinema, which happens to be laden with tawdry vulgarity and incompetent intellectual standing, vis-a-vis the cerebral and in-depth creativity of movie makers of erstwhile days.