Un vero sceriffo

I, too, considered "Nichols" to be James Garner's best TV work. It was witty and superbly written. Regarding the reason for the show's short run and surprising ending, I'm sure I remember reading that Garner did it himself; that he was upset with management sticking their noses in and so he wrote himself out of the series by having his character killed off in the opening scene. If you remember, he never carried a gun and always outwitted the bad guys with his quick mind and smooth talk. He was called to the saloon to keep a bad guy from shooting the place up and, as he stepped up to the door, got blown back into the street. Whatever the reason for canceling the show, I miss it and the excellence it represented. But, then again, if all TV was always that good I'd never get anything done.

This show was a really good one in many ways, although certainly an atypical Western with the hero (?) riding around on a motorcycle rather than a horse, due to the 1914 setting, very "late" for a Western, which tend usually to be set between 1866 and 1890. I remember some controversy about its cancellation at the time but didn't really watch it during its time on NBC. When I came to see it and love it was a decade later when I was in the Army stationed in Germany and it was shown every week from the beginning on Armed Forces Television. By then, Margot Kidder was famous as Lois Lane but I'll also always think of her as Nichols' girlfriend. In a lot of ways, Nichols was a lot like Maverick; both were much more attracted to getting rich with little effort than they were fighting. It was in the little TV magazine that they distributed at the PX (not really an authorized edition of "TV Guide" but made to resemble it as closely as possible without getting into copyright trouble) that I first learned the real story behind the cancellation. I really wonder what the next season with the more violent twin would have been like if they had really made it as planned. Of course, by the time this show was made the "Western era" of TV had been in decline for around a decade; someday I hope to be able to write that the "reality era" has been in decline for that long! While "Gunsmoke" and "Bonanza" were still running, they were both nearing their ends and it had been years since a new Western had really caught on; I think that this trend did a lot to hold "Nichols" back, and was the main reason that NBC executives doubted that it would ever find a large audience But to me, a good Western, unlike a show set in contemporary times, is somewhat timeless, as are other "period" shows; changing fashions and the like do nothing to make them look any more "dated" than they were supposed to be, and I think that watching this show, 10 years after it was produced, is really what brought this point home to me. Also, this show is an early pairing of Garner and Stuart Margolin, who is really one of the all-time great sidekicks, and not just in Westerns.

James Garner starred in two of the most celebrated, popular, and delightful Television Shows ever, Maverick and The Rockford Files. However, they were not his only contributions to our TV heritage. One can think of the wonderful, but rapidly canceled God, The Devil, and Bob, in which he was utterly convincing Deity. However, his most shamefully overlooked TV show was this startling comedy western, which my family loved. Set in the dying old West of 1914, and starring , in addition to Garner, Henry Darrow, Margot Kidder and Stuart Margolin, this show poked fun at most of the conventions of the western genre. It was wonderfully written, directed and acted. Perhaps not surprisingly,it was canceled, in an act of network stupidity ranking right up there with the cancellations of East Side / West Side, Slattery's People, Star Trek, My World And Welcome To it, and The Rogues.

NBC was putting out a lot of good product when this series came out, but none of it was getting viewers. At least according to their executives who wisely canceled good shows like Star Trek & My World & Welcome To It because of low ratings. NBC's advertisers were getting a bargain from NBC's ignorance.

This show stands out as the only time James Garner wasn't enough to get viewers. It is ashame as this show had an excellent support cast from Stuart Margolin (later Angel in the Rockford files), to Neva Patterson to Margot Kidder.

It was set in a 1900 western town. Garner was playing a sheriff who did not want to use violence to do his duties. It was small town stuff, but it was excellent. It wasn't long after this that Jim Rockford brought Garner back to success, but for my money, this show was good enough, it just wasn't in the right time, right place, or given the right opportunity.

The show was so good that most of the folks who worked on it also got jobs on Rockford.

I, too, loved this show as a kid, but as other posters have written, no one else seems to remember it. Its setting -- an Arizona town at the twilight of the wild west era, but before the First World War -- was one reason that made it so compelling. Another was the odd horn solo theme music that I could still hum decades after the last time I heard it. A couple of years ago I managed to track down a recording of the tune from an online guy who specializes in old TV show themes. He was not familiar with the show or its music until I asked him to find it. He later told me that a few episodes had recently aired on TV Land or some other nostalgia TV channel. Years after Nichols was canceled, I read or heard somewhere that it was James Garner's favorite show. Go figure.