McMillan e signora

Re the comment: "I was surprised that posters mentioned Hudson's homosexuality as somehow influencing perception of this show in hindsight. Hudson was gay; Mac wasn't. If straight men can play gay characters, why can't the reverse be true? Why must someone's private life interfere with a role?" I was merely responding to the one reviewer citing Hudson being gay and then characterizing Mac & Sally's relationship as "sexless." After seeing the pilot again on the recently released DVD, I can say it was anything but! The two characters seem to be hugging, kissing, making out, etc., almost all the time (there's even a rather risqué - for 1971 TV - scene that has a clearly naked Susan St. James taking a shower behind a fogged stall window).

Though its co-rotators, Columbo and McCloud (while others came and went), seem like better shows, I have a soft spot in my heart for McMillan and Wife. Susan St. James and Rock Hudson made a wonderful couple, and the show did sport one of my all-time favorite episodes, "The Easy Sunday Murder Case," in which June Havoc's dog is kidnapped. Havoc describes her precious purebred Pekinese - Mac doesn't think there's anything distinguishing about the dog, so Havoc offers a photo of her husband. "Why would I want that?" he asks her. "Oh," Havoc says, "they took him too." A great episode with a stellar cameo by Wally Cox.

Hudson himself was surprised when the show was expanded to two hours, commenting at the time, "It doesn't hold up for 90 minutes." But for its many fans, it really did, in part because of the great cast. Nancy Walker as Mildred nearly stole the show every time she was on, and John Shuck was the lovable Charlie. Mildred Natwick made several appearances as Mac's mother, and Martha Scott played Susan St. James' mom.

I agree that the disappearing baby was very confusing - Mac and Sally were very involved with one another and the producers didn't want to spoil that, but on the other hand, when were they going to have kids, and if not, why not? They should have been left childless, since the baby was only mentioned in passing.

When Susan St. James and Nancy Walker left, the show was never the same and it was a downer to have Sally and that mysterious baby killed in a plane crash.

I was surprised that posters mentioned Hudson's homosexuality as somehow influencing perception of this show in hindsight. Hudson was gay; Mac wasn't. If straight men can play gay characters, why can't the reverse be true? Why must someone's private life interfere with a role?

Ahh, memories of watching this series aged about 11 and having a crush on Susan St James, her pushing Judy Carne to one side in the process. Of course the early 70's was a great time for classic US 'tec series, Kojak, Columbo (to quote Harry Nilsson) and many others, but this show doesn't appear to have gone into the permanent re-run rotation like so many of its contemporaries. There could be any number of reasons for this, some clear (it has dated quite a lot) and some perhaps not so clear, although its template has been reused since, most notably in "Hart To Hart".

Naturally it's not as good as the child in me remembers, the story, at least of this early episode being somewhat formulaic and the direction very flat and reactionary.

That said, I liked Hudson in the part and he doesn't appear to be coasting as much as his history might have entitled him to, while St James still has that quirky charm going for her, even if she does scream a lot. There's a nice frisson between them, loved-up as we say here in the UK, whch added some spice to proceedings. Nancy Walker, later Rhoda's mum, is watchable as ever as their feisty house-maid and moon-faced John Schuck is Hudson's runabout foot-soldier.

The Frisco locations are fine, the humour is gentle and while I guess there's not a lot of dramatic tension on show, it still reminds me fondly of Sunday afternoons as a kid in from the rain, with nothing better to do.

The NBC Mystery Movie was a perfect fit for a film star like Rock Hudson who wanted to get into the grind of a regular television series and its 30 or so episodes that were expected back in 1971. Alternating with McCloud, Columbo, and others Hudson did about 8 McMillan&Wife shows a year and still did a film or two.

Reportedly the co-stars Rock Hudson and Susan Saint James did not get along all that well, but you'd never know it from this 70s version of Nick and Nora Charles. In real life even in San Francisco the police commissioner is an administrator of a large agency. But in San Francisco Stuart McMillan took a hand in an occasional murder that came in some roundabout way to his attention.

Like Myrna Loy, Sally McMillan tried to help as did their maid Mildred played by Nancy Walker. Many times they helped the way Lucy and Ethel helped Ricky. But Mac was always around to save Sally from whatever harm she got in the way of.

The stories were always witty and literate. The one weakness of the show was that whoever the big name guest star was you could pretty much guess that that individual would be the murderer. Maybe one or two times it didn't work out that way, but that was a tease.

It was an enjoyable show and Sundays were always something to look forward to on NBC with McMillan&Wife, McCloud, and Columbo. You could never go wrong.

The plots are a little slow, but they are funny in about five different ways and so cleverly written that it really is a shocker what happened. I like that sally wears a football jersey to bed. Everybody in the show plays off each other really well and adds their best to make you not want to change the channel even though it is on really late at night.It's at it's best when Mildred dances the tango or mac and sally have double entendre' conversations while laying in bed. But don't watch the last season,everyone pretty much left and it's just a run down looking Rock Hudson and Mildred's VERY ANNOYING sister solving mysteries together.