Un trafficante d'armi svedese e un peone messicano si uniscono per salvare il leader intellettuale della causa rivoluzionaria, partecipando a numerose disavventure lungo la strada.Un trafficante d'armi svedese e un peone messicano si uniscono per salvare il leader intellettuale della causa rivoluzionaria, partecipando a numerose disavventure lungo la strada.Un trafficante d'armi svedese e un peone messicano si uniscono per salvare il leader intellettuale della causa rivoluzionaria, partecipando a numerose disavventure lungo la strada.
- Regia
- Sceneggiatura
- Star
- Gen. Mongo Álvarez
- (as Francisco Bódalo)
- Mexican Colonel
- (as Edoardo Fajardo)
- Casino Croupier
- (as Luigi Pernice)
- John's Henchman
- (as Giovanni Pulone)
- Mongo Henchman
- (non citato nei titoli originali)
- Mongo Henchman
- (non citato nei titoli originali)
Recensioni in evidenza
The cinematography is beautifully filmed by cinematographer Alejandro Ulloa who also filmed other excellent Spaghetti Westerns. The music in the film is by the maestro of Spaghetti Western music and film music in general, Italian composer Ennio Morricone. Companeros includes a theme song and the beautiful classic acoustic and twangy electric guitar riffs invented by Morricone.
Where was I? Oh yeah, "Companeros" is bad-ass fun with one of the greatest shootouts of all time (Nero + Machine Gun = Bad-assery at its best). Wow, what a terrible review.
Companeros is a brilliantly made film, with gorgeously evocative scenery and costumes and stylish cinematography that give off a dream-like quality and harsh realism. Sergio Corbucci's direction as to be expected is exemplary, it's technically faultless while never getting in the way of the storytelling. Ennio Morricone's music score will not disappoint any fans of his and is one of the film's best assets, it's not quite one of his all-time greats but it's haunting and stirring and the theme song is one of the catchiest theme songs for any film. Like almost all his work, it really gives the film soul. Companeros is smartly scripted filled with subtle witty humour, it has blistering action especially one of the most suspenseful and entertaining shoot-out scenes I've ever seen for a film and the story is exciting, tense and fun-filled with a truly sensational and quite emotional ending.
The cast is a talented one and Companeros in no way wastes the actors. Particularly good is Jack Palance, here he has one of his most loathsome characters and Palance's performance is devilishly enjoyable, clearly looking like he was having a ball. While he is a scene-stealer, Franco Nero and Tomas Milian do wonderfully in the lead roles too, in performances filled with charisma and likability, and work like dynamite together in a film where their chemistry ties it together. Overall, a great film and a huge lot of fun to watch. 9/10 Bethany Cox
Sergio Leone will always be the name everyone associates with spaghetti westerns but Sergio Corbucci's contribution to the genre deserves great recognition. People usually always mention Django and The Great Silence when talking about Corbucci's westerns but Companeros is perhaps his best work.
Companeros is a much lighter film than the aforementioned. Like most Corbucci westerns there is a political undertone to the film and the plot revolves around the Mexican revolution (similar to A Professional Gun which Corbucci directed 2 years earlier). Che Guevara look-a-like Thomas Milian is superb as the comical revolutionary Vasco and Corbucci regular Franco Nero is excellent as his ultra-cool Swedish mercenary partner. Add to the mix a marijuana-smoking psychopath played by Jack Palance and you have one explosive concoction of a western. Pulling all this together is another masterful score by the legendary Ennio Morricone. I guarantee you will still be singing the theme tune a week later!
I rate this as one of the best Westerns of all time. It's a really fun film and an absolute must for fans of the Spaghetti genre.
Lo sapevi?
- QuizAt one point, Tomas Milian is seen dragging a coffin out of a graveyard. This is a reference to Sergio Corbucci and Franco Nero's previous collaboration Django (1966) in which the title character drags a coffin behind him.
- BlooperWhen El Vasco (Tomas Milian) grabs the glass-covered oil lamp to light up a covered wagon, you can see in the short closeup, that the lamp has no glass around the open fire.
- Citazioni
Yolof Peterson: Excuse me, but your mother is a prostitute, your father is a crook, and your grandfather is a man with a very broad buttocks.
Pepito Tigrero: What?
Yolof Peterson: Allow me to explain. Your mother is a whore, your father is a damn thief, and your grandfather is a notorious fag.
[Yolof punches Pepito out]
Yolof Peterson: I generously spared your sister...
- ConnessioniEdited into Colpiti al cuore (2019)
- Colonne sonoreVamos A Matar Compañeros (Titoli)
Music composed by Ennio Morricone
Lyrics by Sergio Corbucci & Bruno Corbucci
Performed by Cantori Moderni Di Alessandroni
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Compañeros
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 20.000 USD
- Tempo di esecuzione1 ora 55 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1