Un reportage sui tre giorni vissuti al festival di Woodstock, con filmati delle esibizioni di vari artisti.Un reportage sui tre giorni vissuti al festival di Woodstock, con filmati delle esibizioni di vari artisti.Un reportage sui tre giorni vissuti al festival di Woodstock, con filmati delle esibizioni di vari artisti.
- Vincitore di 1 Oscar
- 2 vittorie e 2 candidature totali
- Self - The Who
- (non citato nei titoli originali)
- Themselves
- (as Sha Na Na)
- Themselves
- (as Crosby Stills and Nash)
- Themselves
- (as Sly & the Family Stone)
Recensioni in evidenza
I had a chance to see the director's cut in a theater this year. It was such a gift to go back in time and recapture the feeling of that time. While four hours is a long time, the extra footage of Jimi Hendrix and the dreamy scenes of Janis Joplin near the end are worth it.
Yes, Woodstock is ESSENTIAL viewing for any rock fan and for anyone who wants to capture the real sense of what it was like to feel part of a generational "love' movement. It seems so unreal in retrospect, but those of us who lived it - remember it. See Woodstock and enjoy.
There is a lot to enjoy, including the stuff between the music if you have never seen this before. It certainly captures the wildness of the late 1960s, the good and the bad. It really brings you back to a unique time in American history. For someone who was part of that time, things that were "cool" back then now look and sound a little stupid and naive, but it's still fun to watch. Not only do you get a ton of music, but you see a half million people weathering storms, the mess, drugs, port-o-johns, drugs, dancing, skinny-dipping, drugs, eating. You get the idea.
Music-wise, everyone has their favorites so I'll put a plug or two in for the artists I've always enjoying watching-seeing the most in this movie: Ten Years After; Sly And The Family Stone; Canned Heat, The Who, Richie Havens, Santana, Sha Na Na, Country Joe And The Fish, The Jefferson Airplane and Crosby, Stills and Nash.
At almost four hours, you can choose from a variety of music acts, enough to give you at least an enjoyable couple of hours of that alone, if you wish. This is a must- have for music fans of that era.
Several of the musical performances are memorable and deserve mention: Richie Havens' awesome concert opener is a classic--you could watch it a hundred times and still get goose bumps--pure magic. Jimi Hendrix comes pretty close to magic also with the final musical number. His frenzied rendition of the "Star Spangled Banner" is incredible, and a fitting closer. Country Joe and the Fish and Joe Cocker are also memorable. A few of the musical acts don't seem to fit: Sha-Na-Na comes across as a weird oddity--(a throwback to the fifties), and Alvin Lee's "Ten Years After" is just too long and boring. Most of the other performances are so-so, but worth watching.
Overall, the film captures the mood, spirit, and music of the times better than any other. I would also venture to say that this may be one of the very best documentaries ever filmed on any subject. The depth of coverage is spectacular -- fitting for such a historical event. A great movie!
Lo sapevi?
- QuizThe two- and three-panel screen presentations seen through much of the movie were innovations born of necessity on the part of its creators and film editor Martin Scorsese. With so much footage shot and the studio's unwillingness to expand the length of the released movie's running time, it was decided that a way must be found to maximize the amount of footage that could be used. Because of the wide-screen aspect of the release, it was realized that the multi-panel format could be used most effectively to not only include as much film footage as possible, but to also have concert footage and crowd reaction shots together on the same screen. The filmmakers believed it was important to show the viewing public just what a monumental event the Woodstock festival had unintentionally become. This method also allowed them to show many behind-the-scene activities that reflected all the hard work put in by the production staff and crew, another important detail that the concert's producers thought was very important for the public to see as they always had contended that without the efforts of the entire production staff, this event easily could have degenerated into a disaster.
- Citazioni
Interviewer: What do you think about the kids?
Police Officer: From what I've heard from the outside sources for many years I was very, very much surprised and I'm very happy to say we think the people of this country should be proud of these kids, not withstanding the way they dress or the way they wear their hair, that's their own personal business; but their, their inner workings, their inner selves, their, their self-demeanour cannot be questioned; they can't be questioned as good American citizens.
Interviewer: That's kind of surprising coming from a cop.
Police Officer: [smiling] I'm not a cop, I'm the Chief of Police.
- Curiosità sui creditiAfter the closing credits of the Director's Cut, Crosby Stills & Nash are heard singing "Cost of Freedom". The visuals are of a still shot of the crowd at Woodstock, fading into a long list of names of various people, including performers who were at Woodstock, who since have passed away. The list of names ends with the following: Peace Music Ecology, Liberty Community Democracy, Alternatives Knowledge Altruism.
This is then followed by: Woodstock Generation 19**-20**. R.I.P. it up, tear it up, have a Ball.
- Versioni alternativeNBC edited 88 minutes from this film for its 1981 network television premiere.
- ConnessioniEdited into Uragano Who (1979)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Woodstock
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 600.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 126.562 USD
- Lordo in tutto il mondo
- 321.295 USD
- Tempo di esecuzione3 ore 4 minuti
- Colore
- Mix di suoni
- 4-Track Stereo(original release)