Vampiri amanti

RELEASED IN 1970 and directed by Roy Ward Baker, "The Vampire Lovers" is a Hammer horror based on Irish novelist Sheridan Le Fanu's "Carmilla," which was published in 1872 and predated Bram Stoker's "Dracula" by 25 years. The story concerns a family of vampires, the Karnsteins, who prey on people in Austria by finding an excuse to leave their daughter at a rich manor. She then proceeds to patiently seduce the nubile woman of the abode as she drinks the blood of local peasant lassies and whomever else.

The main antagonist, Carmilla/Marcilla Karnstein, is played by Ingrid Pitt, who's effective, but a little too long-in-the-tooth for the role. While she prefers to prey on wealthy nubile girls and there are overt Sapphic undertones, she's just as willing to suck the blood of dudes when it suits her diabolic purposes. Her pretense of passionate romantic love is just that as she's intrinsically evil and referred to as a "devil" elsewhere in the movie. Make no mistake, she's solely out to find and feed off victims.

While vampires are fantastical, Carmilla is figurative of evil women who purpose to seduce or convert people and destroy them. This IS real life and I've seen it happen several times. The tale isn't for immature audiences because it's too convoluted, dramatic, weighty and mature. I saw it 15 years ago and wasn't impressed but, seeing it again, I now grasp it and it's virtually revelatory.

The female cast is superb, rounded out by: Madeline Smith (Emma), Pippa Steel (Laura), Kate O'Mara (The Governess, aka Mme. Perrodot), Janet Key (Gretchin, the maid), Kirsten Lindholm (the blonde vampire in the opening; also shown later), Olga James (Village Girl), Joanna Shelley (Woodman's Daughter) and Dawn Addams (The Countess/Karnstein matriarch). There's a little bit of tasteful top nudity and Pitt is shown totally nude on two occasions in a classy manner. She's a beautiful woman, for sure, but she doesn't trip my trigger.

As far as the male cast goes, Peter Cushing has a side role and Jon Finch is on hand as the gallant hunk. There are others.

FYI: "The Vampire Lovers" is the first part of the so-called Karnstein Trilogy, which includes the quasi-sequel "Lust for a Vampire" (1971) and the prequel "Twins of Evil" (1971).

THE MOVIE RUNS 1 hour, 31 minutes and was shot in Hertfordshire, England.

GRADE: B+/B

Seeing the upper nudity in a Hammer film came as a small surprise, since all the other Hammer movies I had seen are the edited versions on American TV. Mind you, I'm NOT complaining about getting to view the breasts of Ingrid Pitt.

VAMPIRE LOVERS is pretty typical of Hammer's other erotic horror movies, and as such, is pretty good. It's not real scary despite a few sudden scenes, but generates enough atmosphere to be worthwhile. It was also strange to finally see Peter Cushing playing a vampire killer who's NOT Dr. Van Helsing.

As I understand it, there are other films in this series (all of which were based on the historically evil woman Carmella, rumored to have bathed in the blood of her victims because she thought it would keep her young), which might explain why at least one character (a villainous male vampire) is never destroyed. In fact, he's never really explained.

My only complaint is some of the young actresses, though pretty and willing to show some skin, all look alike. There faces are similar, as are their bodies. Minor complaint though.

As a million other people have noted, this is not only a solid entry in the long-running Hammer vampire cycle, but an interesting piece of film history as well. Just as the original Hammer Dracula pushed the boundaries of censorship and cinema by confronting audiences with the very first color vampire film, The Vampire Lovers brought Hammer into the even looser censorship standards of the 70s with lots of nudity, including nearly full frontal, and unflinching lesbianism. Lesbianism and all, the film is a somewhat faithful adaptation of Le Fanu's novella, Camilla. Surely, that content is the main reason Hammer adapted the story to begin with.

The cast is solid, and we are treated to the incomparable Peter Cushing in a secondary, though pivotal, role of an uncle grieving the loss of his niece from a mysterious illness. The pacing never bogs down, and there are some nifty shots of fog swirling through graveyards and around castle foundations.

In Styria, Austria, General von Spielsdorf (Peter Cushing) gives a party and a countess explains to him that she needs to travel immediately to visit a relative that is ill. She leaves her daughter Marcilla (Ingrid Pitt) under the care of the General. Marcilla befriends his daughter Laura (Pippa Steele) and then the teenager has nightmares, where she is attacked by a dreadful creature. The doctor finds that Laura is anemic and soon she dies.

Marcilla leaves the house and the countess fakes a carriage accident to leave Marcilla, now known as Carmilla, with the wealthy Mr. Roger Morton (George Cole). Camilla befriends Emma Morton (Madeline Smith) and soon she starts having nightmares. Her governess Madame Perrodot (Kate O'Mara) is seduced by Carmilla and helps her to be close to Emma. Mr. Morton travels and the butler Renton (Harvey Hall) and the doctor suspect that Madame Perrodot might be a vampire but they do not suspect of Carmilla. Will Emma be saved from Carmilla?

"The Vampire Lovers" is a bold and sexy vampire movie by Hammer with the right dose of eroticism. In 1970, lesbianism was not a usual theme and a lesbian vampire was a novelty. This is the first time that I see a vampire associated to a shroud. The plot explores the sensuality of Ingrid Pitt and her female victims but is never sexploitation. My vote is seven.

Title (Brazil): "Carmilla, A Vampira de Karnstein" ("Carmilla, The Karnstein's Vampire")

Note: Last time I had seen this movie was on 07 December 2002.

Hammer Studios speeds up to the more sexually explicit times with Vampire Lovers, a sleek, beautifully filmed atmospheric filming of the vampire tale Carmilla by Sheridan Le Fanu. This wonderfully done film combines the traditional vampire legend with the more permissive sexual standards of the 70's resulting in a sensual yet frightening version of this well crafted story. Ingrid Pitt is breathtakingly beautiful & sensual as the main character Carmilla. She is the human embodiment of a sexually charged feline, and Peter Cushing is appropriately sincere as her nemesis The General. This film singlehandedly established Ingrid Pitt as the reigning queen of vampirism in the 70's. Vampire Lovers is well worth the time for a viewing.