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IMDbPro

Fantasie di una tredicenne

Titolo originale: Valerie a týden divu
  • 1970
  • VM18
  • 1h 17min
VALUTAZIONE IMDb
7,0/10
12.445
LA TUA VALUTAZIONE
Jaroslava Schallerová in Fantasie di una tredicenne (1970)
Surreal tale in which love, fear, sex and religion merge into one fantastic world, based on a classical Czech novel of the same title.
Riproduci trailer2: 17
1 video
99+ foto
Coming-of-AgeCostume DramaDark FantasyFairy TaleFolk HorrorPeriod DramaVampire HorrorWitch HorrorAdventureDrama

Un racconto surreale in cui amore, paura, sesso e religione si fondono in un mondo fantastico.Un racconto surreale in cui amore, paura, sesso e religione si fondono in un mondo fantastico.Un racconto surreale in cui amore, paura, sesso e religione si fondono in un mondo fantastico.

  • Regia
    • Jaromil Jires
  • Sceneggiatura
    • Vítezslav Nezval
    • Ester Krumbachová
    • Jaromil Jires
  • Star
    • Jaroslava Schallerová
    • Helena Anýzová
    • Petr Kopriva
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    12.445
    LA TUA VALUTAZIONE
    • Regia
      • Jaromil Jires
    • Sceneggiatura
      • Vítezslav Nezval
      • Ester Krumbachová
      • Jaromil Jires
    • Star
      • Jaroslava Schallerová
      • Helena Anýzová
      • Petr Kopriva
    • 66Recensioni degli utenti
    • 104Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    Teaser Trailer
    Trailer 2:17
    Teaser Trailer

    Foto127

    Visualizza poster
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    + 120
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    Interpreti principali24

    Modifica
    Jaroslava Schallerová
    Jaroslava Schallerová
    • Valerie
    Helena Anýzová
    Helena Anýzová
    • Babicka…
    Petr Kopriva
    • Orlík
    Jirí Prýmek
    Jirí Prýmek
    • Tchor-konstábl
    Jan Klusák
    Jan Klusák
    • Gracián
    Libuse Komancová
    • Sluzka-novicka
    Karel Engel
    • Kocí Ondrej
    Alena Stojáková
    Alena Stojáková
    • Hedvika
    Otto Hradecký
    • Statkár
    Martin Wielgus
    • Tchor-father
    Jirina Machalická
    • Kvetinárka
    Michaela Klocová
    • Sluzka
    Zdenka Kovárová
    • Sluzka
    Bedriska Chalupská
    • Sluzka
    Robert Nezval
    • Muzikant
    Josef Abrhám
    Josef Abrhám
    • Orlík
    • (voce)
    • (non citato nei titoli originali)
    Jana Andresíková
    Jana Andresíková
    • Sluzka z vykriceného domu
    • (non citato nei titoli originali)
    Alice Auspergerová
    • Sluzka
    • (non citato nei titoli originali)
    • Regia
      • Jaromil Jires
    • Sceneggiatura
      • Vítezslav Nezval
      • Ester Krumbachová
      • Jaromil Jires
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti66

    7,012.4K
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    Recensioni in evidenza

    10matheusmarchetti

    Coming of age has never been so terrifying

    Beautiful, disturbing, erotic, dreamlike... These are a few words that can sum up Jaromil Jires' deliriously bizarre fairy tale "Valerie and her Week of Wonders". Just like Richard Blackburn's sinister "Lemora", "Valerie" is a 'coming of age' tale told through a monstrous metaphor: vampires, who prey on the young to drain their innocence. Despite similarities theme-wise, these two films are quite different, and "Valerie" is certainly the most interesting of the two - a film that will definitely haunt you for life, with images so shocking today as they were back in 70's when it was released. It is 'horror' of rare ethereal beauty and poetry, and definitely one of it's kind - perfectly capturing the fear, the curiosity and the pleasure of a little girl's sexual awakening. Jaroslava Schallerová is spellbinding as the title character - a combination of Lewis Caroll's Alice and Vladimir Nabokov's Lolita. Helena Anýzová also gives a harrowing performance in the role of the grandmother, and her gradual transition from repressed Catholic old lady to a seductive, sex-crazed vampire is exquisite. Last but not least, Jires' excellent direction and Jan Curik's lush cinematography that highlights the film's "fever dream" tone help create this brilliant work of art that captures the essence of the ethereal and lyricism on celluloid unlike any other.
    chaos-rampant

    A surreal pageantry of sexual wonders

    Exquisite aesthetic is not enough for me, especially in itself. I want layered stratagems, nested worlds, the built of an oblique carpentry, the stuff that Lynch deals in, Wojciech Has, Ruiz; or a unified space impregnated with those things, as in the films of Antonioni or Resnais. I want magic, the spontaneous and impromptu, to well up from a familiar view of life, poetry from mundane essentials, for example the scenes of Tokyo roads in Solyaris is the most amazing rite of passage I have seen. It's passage from a tangible world.

    With something like this I have no point of entry. There is no double perspective, or one foot in a world that matters. It's one long psychosexual dream stirred up from restless sleep, a young girl's guilt nightmare of a throbbing sexuality.

    Life inside the grandmother's house is sterile, but outside it booms with activity and rigor. Of course once out there, the adult world poses a constant threat; its web of dark, barely comprehensible forces - none too subtly dressed up in monk garbs, there's also a demonic figure in black who addresses from the pulpit a congregation of fearful maidens - out to drink life from youth. The film appropriates suitable imagery from the vampire film.

    So even though the artistry is excellent, the nightmare effective, I am just not at all interested in teasing out symbolic detail from a rural pageant. There is this one layer, and the most pressing question for the film seems to be how much of that is a dream. But again, something hardly worth puzzling over.

    This is a problem in general with the surreal part of the Czech school; while inventive craftsmen, they cannot seem to layer their narratives around a solid, penetrating core. So we get beautiful but scattershot imagination. On the other hand, their comedies are superb for the same reason.
    coffeyaddict

    features the best beehive on film

    This is the best "girl gets her period" film I've ever seen. The week she comes of age, Valerie sees sex through many lenses. It is a very confusing time for her, full of danger and sensuality.

    The film makes great use of color and music. The entire feature has a dreamy quality, not least because of the relentless and uneven symbolic representations. This film should be shown to every teenage girl, who should then go back and watch it again and again as she ages.
    10loff

    A strange, wonderful little film

    This is one of the most astounding films I have ever seen, both visually and in terms of narrative. It consists of at least two stories (a young girl becoming a woman, a vampire story) layered on top of each other with a kind of dream-logic. It looks a dream as well. A cleaned-up DVD edition would be nice, though.

    Some viewers may be offended by its' oedipal imagery, but for me this is perhaps the best fantasy-movie ever. Great actors too. It would be interesting to know if any of the people involved in this made anything as good again. A solid ten.
    tankrzy

    Curious and evocative

    In the 1960s British TV screened a good number of European Fairy tales like 'The Singing Ringing Tree' for children (probably because they were cheap product). They were often strange and grotesque evoking a real sense of the uncanny nature of pre-sanitised fairy tales. Valerie and Her Weeks of Wonders is made in this vein. Redemption may market the film as a 'virgin comes into sexuality' 70s softcore film, but it offers something more than this. There is an enormous amount of care taken in the film's visual composition and the music. Standing on the border between horror and fairy tale it brings out the latent combination of erotic desire, aggression and fantasy that links the two genres. At times the film borders on the sublime with its evocation of dreamlike imagery. Centred around Valerie's quest to discover the identity of her parents they are revealed to be duplicitous shape changers - at one moment a handsome man or woman and the next a hideous vampire beast. Eschewing the rules of Hollywood linearity and character continuity this film re-creates subjective space and affords us a welcome space in which to dream.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Jaroslava Schallerová met the love of her life, Petrem Poradou, during the making of this film. Her mother was present on the set throughout the entire shooting of this movie.
    • Blooper
      Several times throughout the movie people are picking up musical instruments and music is heard as if they are playing them but the fingerings don't match up with the notes, or sometimes no hand manipulation is done at all, just the appearance of playing the instrument. In one case, Eaglet is playing the flute and plays it horizontally when it is the vertical kind.
    • Citazioni

      [subtitled version]

      Grandmother: Hedvika is marrying

      Valerie: Poor Hedvika

    • Connessioni
      Featured in Resurrecting the Avant-Garde (2015)
    • Colonne sonore
      Dobrou noc, má plavovlásko
      Music by Lubos Fiser

      Performed by Josef Abrhám

    I più visti

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    Domande frequenti16

    • How long is Valerie and Her Week of Wonders?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • giugno 1978 (Italia)
    • Paese di origine
      • Cecoslovacchia
    • Lingua
      • Ceco
    • Celebre anche come
      • Valerie en la semana de los horrores
    • Luoghi delle riprese
      • Barrandov Studios, Praga, Repubblica Ceca(Studio)
    • Azienda produttrice
      • Filmové studio Barrandov
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 17 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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