Il Giappone, alleato della Germania nazista, si prepara ad allargare il conflitto bellico anche negli Usa, Ma gli americani sottovalutano il pericolo e l'aviazione giapponese attacca la base... Leggi tuttoIl Giappone, alleato della Germania nazista, si prepara ad allargare il conflitto bellico anche negli Usa, Ma gli americani sottovalutano il pericolo e l'aviazione giapponese attacca la base di Pearl Harbor distruggendo la flotta statunitense.Il Giappone, alleato della Germania nazista, si prepara ad allargare il conflitto bellico anche negli Usa, Ma gli americani sottovalutano il pericolo e l'aviazione giapponese attacca la base di Pearl Harbor distruggendo la flotta statunitense.
- Vincitore di 1 Oscar
- 2 vittorie e 7 candidature totali
- Admiral Chuici Nagumo
- (as Eijiro Tono)
Recensioni in evidenza
Whether you want to waste time seeing Brucheimer and Bay's self-indulgently long PEARL HARBOR with its totally extraneous fictional romance -- that's up to you. But whether you see it or not, the real history of the human stupidity on both sides of the Pacific that created the attack is clearly portrayed in TORA! TORA! TORA!
The new DVD edition has insightful commentary by the director plus a documentary about the attack. This film is tensely paced and displays and excellent cast. The Jerry Goldsmith score is kept to a minimum but is very effective. The special FX for the attack are all the more impressive considering they were done before the advent of computer generated FX such as those in PEARL HARBOR -- and they equal those of PEARL HARBOR.
If you want to know the real story, see this film and then also check out the companion stories in FROM HERE TO ETERNITY, DESTINATION TOKYO, and THIRTY SECONDS OVER TOKYO.
It continues to be a source of total wonder for me that _Tora! Tora! Tora!_, a movie made nearly thirty-two years ago, is so expertly presented. The reason for this is twofold: usage of lesser-known character actors to keep plot distraction to a minimum, and the usage of vintage working ships and aircraft to keep the realism to a maximum. These two elements merge together to produce what amounts to a cameraman in a time machine filming the actual events on site.
Since this was a collaborative effort between both US and Japanese film studios, the numerous switches between scenes will give you a good look at the differences between directing (and acting) styles. I am constantly amazed at the boldness of the content for a film released in the US during the Vietnam War, and only 25 years after the Pearl Harbor attack itself; compared to the rather wooden Martin Balsam and Jason Robards, Takahiro Tamura's Lt. Commander Fuchida is replete with a charisma I would never have expected from The Enemy. The Japanese side of the tale is laid before you so well that one is sent into the minds of the people involved, a rarity for American war films. (Sometimes it goes a little bit over the edge -- Admiral Yamamoto's comment "I know [the Americans] are a proud and just people" is a mistranslation -- but the general mood is accurately conveyed overall.)
And then there is the beautiful and sometimes chilling scenery. The attack scenes themselves are eye-popping and brazen enough -- an awesome effort given the technology of the period -- but my personal favorite scene is the Japanese lead strike force's departure from their aircraft carrier. Those of you who purchase the DVD version of the movie should crank up the volume at this point. This is a piece of film that most probably can never be shot again: REAL aircraft flooring their REAL engines and taking flight from a REAL ship of war, against the backdrop of the early dawn, one after another, until the sky is alive with what looks like waves and waves of warplanes. Although the aircraft and ships used were modifed American stock, the flags, uniforms, and color schemes are all authentic... resulting in a spine-tingling spectacle of Japanese pilots plunging headlong into what was ultimately a disastrous mistake. They are depicted as human beings, as they should be.
It is an astoundingly accurate presentation of a dark moment in history for both the US and Japan, free of pretense, pandering to the audience, big-bucks megastars, lovey-dovey sappiness, and computer-generated pixels. You don't *need* any of these things to create a fantastic movie; all you need is history, which we all know is stranger -- and scarier, and more engaging -- than fiction. _Tora! Tora! Tora_ should be in every movie fan's library.
"Tora" does not mean "kill" in Japanese. It means "Tiger" (Prange, Gordon W.,"At Dawn We Slept", New York: Putnam, 1981.)
This movie was one of the better dramatizations of the Pearl Harbor debacle, focusing more on the miscommunications and errors in judgment shown by the military leadership in Hawaii. Also covered is the pure luck the Japanese First Air Fleet had. Left out, mostly because it had not yet become publicly available, was the information that the White House, the State Department, and the upper echelons of the military kept from Admiral Kimmel and Lieutenant General Short. Both of these men were made scapegoats for failing to protect their commands from attack, while being deprived of the information they really needed to do so. (Stinnett, Robert B. "Day of Deceit", New York: Simon & Schuster, 2000.)
Still, this is a vastly better movie than the recent farce made by Michael Bay. It was no more an accurate portrayal of Pearl Harbor than Ghostbusters was factual.
Lo sapevi?
- QuizThe previous war epic by Darryl F. Zanuck, Il giorno più lungo (1962) was an extreme success. As stated by his son, producer Richard D. Zanuck, this was because it was about victory. He noted in contrast that Tora! Tora! Tora! is about defeat. Although the film made a great deal of money, it did nowhere near as well as The Longest Day. In Japan, however, the film was a smash. For the Japanese audience, it not only depicted a battle victory (after twenty-five years of films depicting defeat) but it also put the attack on more understandable footing; identifying not only the villains but also the motivation of those who believed that their actions were honorable.
- BlooperShortly before the attack commences, an officer tells Isoroku Yamamoto, "The Emperor wishes to follow the Geneva Convention. A declaration of war will be delivered at 1 pm, 30 minutes before the attack." The Geneva Convention deals solely with the treatment of POW's and non-combatants. Japan ratified but did not sign the Geneva Convention. He likely meant the Hague Convention of 1899, which covers the rules of war, and which Japan signed. Senior Japanese officers would be well aware of that.
- Citazioni
[last lines]
Admiral Isoroku Yamamoto: I had intended to deal a fatal blow to the American fleet by attacking Pearl Harbor immediately after Japan's official declaration of war. But according to the American radio, Pearl Harbor was attacked 55 minutes before our ultimatum was delivered in Washington. I can't imagine anything that would infuriate the Americans more. II fear all we have done is to awaken a sleeping giant and fill him with a terrible resolve.
- Curiosità sui creditiFor the U.S. version of the film, the next to last of the main credits reads "Japanese Sequences Directed by Toshio Masuda Kinji Fukasaku" and the last credit reads, "Directed by Richard Fleischer." For the Japanese version of the film, the next to last credit reads, "American Sequences Directed by Richard Fleischer" and the final credit reads, "Directed by Toshio Masuda Kinji Fukasaku."
- Versioni alternativeThe original release included a line by Admiral Halsey (James Whitmore) saying that after the war, Japanese will only be spoken in Hell. This line is removed from later releases.
- ConnessioniEdited into La battaglia di Midway (1976)
I più visti
- How long is Tora! Tora! Tora!?Powered by Alexa
- What were the names of the 6 Japanese aircraft carriers involved in the attack on Pearl Harbor?
- Is this film historically accurate?
- Who sent the "Air raid Pearl Harbor. This is no drill" message?
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- ¡Tora! ¡Tora! ¡Tora!
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Tempo di esecuzione2 ore 24 minuti
- Colore
- Proporzioni
- 2.35 : 1