VALUTAZIONE IMDb
5,7/10
2939
LA TUA VALUTAZIONE
Il personaggio televisivo Robert Danvers, un uomo vanitoso, seduce quotidianamente giovani donne, senza mai restare a lungo con una. Le cose diventano difficili quando incontra Marion che ri... Leggi tuttoIl personaggio televisivo Robert Danvers, un uomo vanitoso, seduce quotidianamente giovani donne, senza mai restare a lungo con una. Le cose diventano difficili quando incontra Marion che rifiuta qualsiasi illusione romantica.Il personaggio televisivo Robert Danvers, un uomo vanitoso, seduce quotidianamente giovani donne, senza mai restare a lungo con una. Le cose diventano difficili quando incontra Marion che rifiuta qualsiasi illusione romantica.
- Nominato ai 1 BAFTA Award
- 1 vittoria e 2 candidature totali
Françoise Pascal
- Paola, the au pair
- (as Francoise Pascal)
Constantine Gregory
- Michel Le Guestier
- (as Constantin De Goguel)
Recensioni in evidenza
Dork that he was in real life, Peter Sellers plays the dork's idea of a English ladies man, a swinging bachelor just over 40 but using his money and notoriety as a TV food critic(!) to make time with beautiful girls. Against Goldi Hawn's 19-year-old, free-loving, introspective mod girl, he's just enough of a square to make him believable as well as pathetic.
After establishing his charm with a couple of lovelies, Sellers meets his match in Hawn, who turns out to like him for who he is (being American, she has no idea who he is). He rescues her from a juvenile relationship with a mod drummer, and they're off.
There are some great scenes between them as they work out their attraction with uncomfortable analysis. After some missteps over the attempted initial seduction and a wine-tasting trip to France, they settle into a charming relationship. But the news media misinterprets their getaway as a honeymoon, causing a bit of friction when they return to England, but it seems flat. The movie falls apart when Hawn's character makes an improbable decision (she seems to be kidding), but Sellers nearly saves it with a sympathetic performance.
The nonsensical ending and occasional out-of-place moments thruout make this one good but not great, provided you're interested in the late 60s-early 70s era.
After establishing his charm with a couple of lovelies, Sellers meets his match in Hawn, who turns out to like him for who he is (being American, she has no idea who he is). He rescues her from a juvenile relationship with a mod drummer, and they're off.
There are some great scenes between them as they work out their attraction with uncomfortable analysis. After some missteps over the attempted initial seduction and a wine-tasting trip to France, they settle into a charming relationship. But the news media misinterprets their getaway as a honeymoon, causing a bit of friction when they return to England, but it seems flat. The movie falls apart when Hawn's character makes an improbable decision (she seems to be kidding), but Sellers nearly saves it with a sympathetic performance.
The nonsensical ending and occasional out-of-place moments thruout make this one good but not great, provided you're interested in the late 60s-early 70s era.
I love the message in this film; that we don't need to conform to the norms of society to be happy. We don't need to search for life's purpose because there isn't one, we can just be ourselves.
This is a charming, beautifully made drama about an upper class man who thinks he might be envious of the lifestyle of those whom society hasn't moulded into what's expected. It's about a free-spirited girl who thinks she might be envious of being part of a world she finds stuffy and rather ridiculous. Both Peter Sellers and Goldie Hawn are perfect as the aging Lothario from a bygone age and the wild child of the sixties.
The story of mismatched lovers from different sides of the tracks is as old as Shakespeare and was used in what seemed to be about half of all the pre-code pictures of the early thirties. The society of the 1970s, when remnants of 1930s mindsets still ran through what is virtually 'modern times' with modern attitudes created two distinct societies happily existing side by side. Sellers' and Hawn's characters get together and embark as tourists in each other's lives. They're both cynical enough to know that this is just a holiday romance but they want to believe that their relationship can really work. Deep down however they're both too selfish to completely jettison their own ways of living and means of finding personal happiness.
Were this a 1930s film it would have either had a cheesy happy ending or a melodramatic tragic tear-jerking shocking denouement. Without giving anything away, the conclusion of this is much more like real life - it just goes on. That's not unsatisfying in fact it has quite a surprisingly optimistic feel.
Maybe because Peter Sellers is known for comedy this is wrongly assumed to be a comedy. Clearly it's not a comedy but despite its cynicism, it is uplifting. It's an intelligent and thoughtful study of an impossible relationship. Peter Sellers was a surprisingly good actor (with a surprisingly hairy back) but most impressive is Goldie Hawn who seems like she'd been acting for decades (with a reassuringly non-hairy back)
This is a charming, beautifully made drama about an upper class man who thinks he might be envious of the lifestyle of those whom society hasn't moulded into what's expected. It's about a free-spirited girl who thinks she might be envious of being part of a world she finds stuffy and rather ridiculous. Both Peter Sellers and Goldie Hawn are perfect as the aging Lothario from a bygone age and the wild child of the sixties.
The story of mismatched lovers from different sides of the tracks is as old as Shakespeare and was used in what seemed to be about half of all the pre-code pictures of the early thirties. The society of the 1970s, when remnants of 1930s mindsets still ran through what is virtually 'modern times' with modern attitudes created two distinct societies happily existing side by side. Sellers' and Hawn's characters get together and embark as tourists in each other's lives. They're both cynical enough to know that this is just a holiday romance but they want to believe that their relationship can really work. Deep down however they're both too selfish to completely jettison their own ways of living and means of finding personal happiness.
Were this a 1930s film it would have either had a cheesy happy ending or a melodramatic tragic tear-jerking shocking denouement. Without giving anything away, the conclusion of this is much more like real life - it just goes on. That's not unsatisfying in fact it has quite a surprisingly optimistic feel.
Maybe because Peter Sellers is known for comedy this is wrongly assumed to be a comedy. Clearly it's not a comedy but despite its cynicism, it is uplifting. It's an intelligent and thoughtful study of an impossible relationship. Peter Sellers was a surprisingly good actor (with a surprisingly hairy back) but most impressive is Goldie Hawn who seems like she'd been acting for decades (with a reassuringly non-hairy back)
I enjoyed this film and am surprised at the low rating (at time of writing).
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
It's really a Rom-Com of two people totally unsuited to each other, and the rest of the story people have already commented about.
Peter Sellers in this film, oozes smarminess, as the philanderer and gives a very strong performance. There are some excellent scenes here including a pure Inspector Clouseau moment, where Peter Sellers picks up the cases to take them out of the flat/house - hilarious, and worth the watch alone.
I liked the very late 1960's vibe to the picture, but the music/soundtrack missed the mark I thought (who was listening to this type of music in 1970?). Poor Mike d'Abo sings well enough but he can't turn an average tune into Handbags and Gladrags sadly.
Goldie Hawn turns in a decent performance as the young blond air head. This also looks like this was her first major role in a film, and she does get to do her trademark giggle, which fortunately, was limited to just a couple of times. She did go on subsequently, to make many other films. Perhaps her most funniest moment on screen here, was in the lift.
The support cast were adequate, and the boyfriend (Nicky Henson) puts in a decent turn. An actor who I was impressed with, was Peter Sellers's friend Andrew, played by Tony Britton, who with a small part, played it so well.
Whilst here, another very good moment to look out for is when Sellers's character is on television giving his cooking instructions, which is full of double entendre's, not unlike the TV cooks I see nowadays.
Overall a good entertaining movie, and I'll certainly watch it again.
Not sure why it doesn't play in Peoria, apparently, but this is a very funny, clever British comedy. It's set at the end of the "swinging sixties". Peter Sellars is fantastic as the rich, forty-something serial womaniser. The perfectly delectable Goldie Hawn, playing a 19 year American girl in London, is, initially, Sellars' "catch of the day". But the urbane TV food critic can't stop himself from falling for the dizzy American blond.
Humour, pathos, great script, strong performances from the leads and supporting caste.
It's a great film, and the best gag is the very last line.
Try it, you'll like it.
Humour, pathos, great script, strong performances from the leads and supporting caste.
It's a great film, and the best gag is the very last line.
Try it, you'll like it.
Goldie Hawn (The First Wives Club) plays Marion, and was for nominated by the British Academy Awards for best Actress. She is adorable in the part as usual. Marion is a very young American girl in Europe whose boy's friend is an idiot. Because of that she takes off with Robert Danvers, Peter Sellers (Pink Panther). Robert Danvers is a very famous and very rich television gourmet cook - a celebrity. She does not know about his fame. He is really smooth with women but she does not buy it at first. But with all that money she stays with him for awhile, but then goes back to the young boy friend. Nothing great about the plot. If you like Goldie, you can see her at a very young age. Just a silly comedy. It is just okay entertainment. Watch it on television. It does not justify the rental nor is it worth buying it
Lo sapevi?
- QuizAdapted by Terence Frisby from his own play. The Broadway production of "There's a Girl in My Soup" opened on Oct. 18, 1967 at the Music Box Theatre and ran for 322 performances. Gig Young and Barbara Ferris were in the original cast.
- BlooperAs Robert is getting on the elevator, he is carrying flowers wrapped in cellphone and white tissue paper. The flowers are visible and are pink, yellow, & white flowers. But when Robert hands Marion the bouquet in the apartment, they are unwrapped and the cellophane is gone, and they only contain red flowers.
- Citazioni
Marion: Are you trying to get me tight?
Robert Danvers: You're frightening enough sober.
- Curiosità sui creditiChampagne (of course) by Bollinger.
- Versioni alternativeTHERE'S A GIRL IN MY SOUP (1970) when shown in Australian cinemas on its first theatrical release from 24th June 1971, at the request of the Australian Film Censorship Board, the movie had all nudity eliminated. To obtain the classification rating of (SOA) SUITABLE ONLY FOR ADULTS - the Australian Film Censorship Board ordered the elimination of "all shots of female nudity of Goldie Hawn (Marion) 37:19 to 37:55 and Geraldine Sherman (Caroline) 43:08 to 44:31" i.e. Australia Film Censorship Board insisted that the brief female nudity is never seen by Australians.
- - - Of course all the legislative rules about not showing female nudity were applied when THERE'S A GIRL IN MY SOUP (1970) was rated by the Australian Film Censorship Board as (SOA) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED, however since 15th November 1971 the movie became classified as 'M' for Mature Audiences.
- - - To comply with legislation, the following two lines of dialogue from 25:15 to 25:24 were also eliminated:- Peter Sellers: "What was it? Drink or drugs?" Goldie Hawn: "Who cares."
- - - The bedroom the morning after, Goldie Hawn (Marion) gets out of bed naked 37:19 to 37:55 with brief views of her bare bum, and walks to obtain a dressing gown, which she puts on.
- - - Later when Goldie Hawn (Marion) walks into the bedroom and throws a bucket of water over Nicky Henson (Jimmy) and Geraldine Sherman (Caroline), Geraldine Sherman (Caroline) from 43:08 to 44:31 shows her breasts and her bare bum.
- ConnessioniFeatured in Hollywood: The Gift of Laughter (1982)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- There's a Girl in My Soup
- Luoghi delle riprese
- St Michael's Church, Bray, Berkshire, Inghilterra, Regno Unito(church in opening scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.204.399 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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