Uomini e cobra

Kirk douglas, henry fonda. After a robbery, pitman is sent off to prison. And he can't stop thinking about escape. The usual prison gags and shenanigans. The wardens come and go, and each time, pitman thinks he has the upper hand. Keep an eye out for alan hale junior (skipperrr !) and burgess meredith (the penguin!) can pitman keep his plan together, make the break, and find the money he hid? It's pretty good. Directed by joseph mankiewicz. Only directed one more after this. He won four oscars!

Kirk Douglas plays a very amoral and scheming bandit. For a while, this lifestyle pays off until he is ultimately captured and placed in an awful prison in the middle of the desert. At first, this is a real tough stay for Kirk as the warden is a greedy cuss and he tries to abuse Kirk into revealing where he hid $500,000 in stolen loot. But, after the warden is killed, a new guy takes over (Henry Fonda) and he and Douglas develop a certain level of respect for each other--all the while Kirk is planning his escape. As for Fonda and his motivation for befriending Kirk goes, this is all very vague until very late in the film--and I think this made for a better film.

In addition to these two terrific actors, there are some wonderful supporting performances--especially by Hume Cronin and John Randolph who seemed an awful lot like a married couple! About the only negatives were a few places where the script seemed ridiculous (such as the escape from the prison--they took their time and it sure looked too easy).

I enjoyed this Kirk Douglas film quite a bit and I was torn between giving it a 7 and an 8. My final decision to give it a 7 was because some of the nudity and language seemed rather gratuitous and was inserted less for artistic reasons than to satisfy the new 1960s and 70s morality. There are just a few too many butts and breasts to make it a good bet for most kids--and it's a shame, because otherwise it's a dandy film.

For his next to last film Joseph Mankiewicz did his only western and it ain't the west of John Ford or Howard Hawks. There Was A Crooked Man starts with the proposition that every man if given sufficient reason will turn dishonest.

Kirk Douglas has never been afraid to appear as evil, but next to his performance in The List of Adrian Messenger, the screen's never seen him as diabolically evil as Paris Pittman, Jr. in There Was A Crooked Man. And it's clear from the start just how bad he is when he shoots the only other gang member after robbing miserly Arthur O'Connell of his half a million dollar fortune that he keeps in the house because of distrust of banks.

So nothing that he does after this should surprise us. But Kirk Douglas is a player of incredible charm, never more so when used for evil intentions. Eventually he's caught and sent to Territorial prison from where he collects a gang of sorts and plots an escape.

A year after the Stonewall Riots homosexuality finally comes to the west and its depicted in two ways. First John Randolph and Hume Cronyn are a pair of aging gay con men who've pulled one con too many and are in the prison with Douglas in the same cell. Randolph's the flighty one, but Cronyn as it turns out has more talent and more common sense than just about everyone else in the film. That fact saves their lives.

And that's quite a look of lust that repressed prison guard Bert Freed has for young Michael Blodgett who admittedly is quite something to lust after. Blodgett is scheduled to hang at an undetermined date, but Freed's willing to give him some special consideration for special favors. Which Blodgett is unwilling to give him.

Blodgett's story is the most tragic one of the lot. He's a 17 year old kid who's caught by a most flirtatious girl's father who cries rape. As the father aims his shotgun, Blodgett throws a billiard ball and the blow is a fatal one. I've always thought if the kid had a good lawyer he could have gotten off, it was self defense. He's really the only innocent in this film.

The great moral figure in this is Henry Fonda, who's a lawman shot in the performance of his duty and now given the job of prison warden. He's another repressed individual, doesn't smoke or drink, and looks with particular disdain on sexual promiscuity.

Without giving away exactly what Fonda does in the end, it seems he has no other choice. Douglas in pulling off the jail break has made a total fool of him. They'll be all kinds of inquiries so for Fonda the self righteous his duty is clear unless he wants to kill himself. Which in some cultures would have been the answer.

But There Was A Crooked Man should be seen for what happens to Kirk Douglas. It is one of the most priceless comeuppances ever delivered on screen.

Besides Douglas, Fonda, and others I've mentioned look also for good performances from Warren Oates and Burgess Meredith as another two convicts that Douglas takes into his confidence.

Just as man can rise to noble heights on some occasions, with a little temptation he can fall. That's the unvarnished message of There Was A Crooked Man.

I found this to be a fine western comedy. Kirk Douglas plays an incorrigible, but likable bank robber in the 1800's. Henry Fonda is a straight-laced Sheriff turn prison Warden trying to reform the cunning thief in the territorial pokey. Douglas of course intends to escape and go back to the hidden money, but he must enlist help from the likes of Warren Oates, Burgess Meredith and Hume Cronyn. This is a very enjoyable and funny film that reveals Douglas' bare butt. In supporting roles are Arthur O'Connell and Martin Gabel. Unload your six shooter and prop up your spurs; this one is worth your time.

This is One of Director Mankiewicz's most Divisive Films.

The 4-Time Oscar Winner seemed to Discover the Absence of the "Motion Picture Code" and Embraced the Freedom with this Multi-Toned, Star-Studded Western.

His First Western Ever is a Romping, Head-Snapping, Cynical to the End Look at the "Lighter" Side of Rape, Murder, Robbery, the Penal System, and More.

The Movie is so Odd it is Jaw-Dropping at Times.

The Cast from Top to Bottom all Join in on the "Fun".

The Film Appealed, and still does, to the Post-Modern Audience and Film-School Generation where "Revisionist" is Not a Bad Thing.

Because Nothing On-Screen is Traditional, Especially the Tone, that the Studio-System, where the Director, Henry Fonda, and Kirk Douglas Earned Their Bona-Fides.

This Probably Paved the Way for Great Films Like Mel Brooks""Blazing Saddles" (1974).

The Strange Goings-On in this Love it or Hate it Film, was Probably Shocking to Western Fans and Stalwart Studio-Film Fans.

But that Unfortunate Ride of Full-Control was Over. This was the Dawning of the Age of the Independent Film and Independent Authorship.

For those Willing to "Walk on the Wild Side" of Westerns...

Worth a Watch

Not for Everyone.