L'uomo che fuggì dal futuro

Set in the futuristic 25th century in the ¨1984¨ moody vein , it describes the automatism and slavery of a robotic future whose terrifying vision comes to life . Mankind lives under the surface of Earth where lifelike androids carry out survey and control of slaved people with drugs used to limit their will and they confess at confessional booths . The story centers around a man and a woman who rebel against their rigidly controlled society under command of robotlike where sex is prohibited and love is the ultimate crime . There in a totalitarian future society in which everything looks the same , a man whose daily work is a mechanical routine attempts to rebel by falling in love . As a valiant who handles radioactive materials in a factory begins to have thoughts of rebellion and love for a fellow member . Who controls the present controls the past .

Dystopian as well as imaginative story which a futuristic , state-run society controlled by a superior robotized intelligence and it packs a polemic denounce to totalitarianism . "THX 1138" is a workmanlike rendition based on an interesting screenplay from George Lucas and Walter Murch that captures the desolation and misery within a terrible future world . This thought-provoking as well as visually breathtaking film boasts vicious robots , intelligent but submitted humans who attempt to flee and a trick ending that is intriguing and unique . George Lucas has worked the title of this film , or parts of it, in some of his other film ; in American Graffiti (1973), the license plate of one car is "THX 138". In Star Wars (1977), a reference is made to "prison cell 1138" ; the cinema sound certification his company developed is called "THX". Impressive as well as evocatively atmospheric production design has been rendered with meticulous attention to period detail , the underground chase near the end was shot in a not-yet-completed segment of the subway system in San Francisco ; in addition , numerous scenes were inspired by Japanese theater, design and graphics . Very good acting by Robert Duvall as a human slave who finds himself stuck in a rebellion of the Earth of the future , he is a tragic figure who dares to fall in love within a totalitarian society where emotions are outlawed . Supported by Donald Pleasence who is perfect , as usual . Furthermore , brief appearances from Sid Haig , Ian Wolfe , Don Pedro Colley , Johnny Wissmuller Jr and David Ogden Stiers's film debut . The picture is rated : ¨PG¨, Parents Guide , for violence , nudism and some strong scenes .

George Lucas's original plan was to shoot the film in Japan , but Francis Ford Coppola did not give Lucas enough money in the film's budget to take the entire production to Japan , the feature was shot in San Francisco and Los Angeles . Adequate as well as strange musical score by Lalo Schifrin , usual composer of the seventies , and the music playing during the end credits is the first movement from Johann Sebastian Bach's St. Matthew Passion, BWV 244 . And many of the electronic sound effects heard throughout the film are derived from telephone dial tones, pitch-shifted and electronically modified . The motion picture was well produced by Francis Ford Coppola , his first film for American Zoetrope , and compellingly directed by George Lucas , pre-Star Wars , and he considers to be one of the greatest achievements of his career . This film was made as a result of George Lucas's student film short project at USC, being an expanded of a prize-winning featurette . George Lucas , subsequently , would go on with big successes such as American Graffiti and many others . This is a superior science-fiction movie that will appeal to cinema buffs and interested in to watch an example of the kind of work filmmaker Lucas was doing at the beginning .

Before "Star Wars," George Lucas had another vision of the future, particularly in a long time from now in a galaxy that happens to be our own. "THX 1138" is his Distopia film, his "1984" or "Brave New World." It's directly inspired from those works, borrowing the ideas of drugs to sedate human emotion (Brave New World) and sex being illegal (1984). It's a visionary work, not a revolutionary one, but for the early 70s, it impresses. Lucas manages to bring his concept to life, even if it's not exactly as thrilling or interesting as what the Star Wars saga would be.

THX 1139 (Robert Duvall) is an ideal member of this "utopian" community where religion means stay calm and do as you're told. When his roommate, LUH, begins to change out his sedatives with other pills, he begins to fall in love with her. Consequently, the "big brother" equivalent finds out, and THX is taken captive.

"THX" can be boring at times. Though you can tell Lucas has put a lot of thought into this world, he doesn't care to offer any help to those struggling to make sense of it. There is no clarification dialogue -- you have to pay close attention to the images and surroundings to understand it. This is admirable, but makes things difficult for most viewers. The film therefore drags at points not necessarily because what's going on isn't interesting, but the viewer is missing contextual help to illuminate the action on screen.

Fans of the genre will appreciate Lucas' contribution and his imagination, but probably not love it. The themes are light and the drama low. There's no sense of danger or incredibly sympathy for the main characters. One thing to note is not to watch the Special Edition. As Lucas loves to do, the SE goes back and adds CGI to the film, which is a travesty. Part of what makes these movies so great is that they offer a vision of the future from the perspective of 30 years ago and today's technology doesn't interfere. Do your best to get a non-remastered copy.

The first big screen commercial film of George Lucas 'THX 1138' is now back in a re-made production. I did not yet form a clear opinion about directors re-visiting their films decades after the original production. It's certainly their right to do it, but I cannot refrain from suspecting that this shows some sort of dilution of their creative force. In other words, I would rather prefer George Lucas doing something completely new, rather then re-doing old films of his.

However, 'THX 1138' is a visionary movie, almost a masterpiece. I liked it. It is one of the first Orwellian films in describing a world of the future controlled by an omni-present mind-control machine. These theme means a lot of me, and for many people who have spent part of their lives in a system that tried to create 'a new man' by using a system of control and repression that was targeting towards suppression of individual freedom and personality. What is however very strong in 'THX 1138' is the visual quality of the world created by Lucas. This is what cinema is for, this is what real art is about - creating a new world from existing materials, transporting the viewers in an alternate world of the future using the cinema art means. Although realized about 20 years before computer graphics in films, the vision is fresh and impressing.

An ageless Robert Duvall does here one of the best roles of his career. Donald Pleasance is a very good counter-part. I liked very much Maggie McOmie, how does it come that this film did not launch her in a star career? It actually looks like this is the only film she did, according to IMDb.

The extra features on the DVD are interesting and bring a lot of new information for fans of science fiction, of the 70s films and of Lucas. The film itself gets 9 out of 10 on my personal scale.

Nameless man lives in an oppressive future society where behavior is controlled by mandatory drugs. Minimal budget, acting, dialog and special effects more than compensated by astute direction and soundtrack integration. Superior to "ZPG" (1972) and "Logan's Run" (1976). Viewers may also enjoy "Gattaca" (1997). (Rating: A-minus)

===EDIT: The following review was written before I knew the extent of the cgi doctoring that Lucas added recently. These are the "cheap action scenes" I'm talking about below. If you can find a copy of the original undoctored THX-1138, that's the one to watch.===

Aw man. This film had so much promise. It starts out abstract, minimalist, challenging and poetic. It gets deeper, more bizarre and artistic. But then it suddenly degenerates into a cheap action flick with hi-tech car chases, and it ends with the most simplistic, meaningless resolution. Total letdown.

It's as if Hamlet's famous soliloquy went:

"To be, or not to be: that is the question. Whether 'tis nobler in the mind to suffer the slings and arrows... and CARS! and MOTORCYCLES! and fast whizzy things BAM!! The End!!!!"

I suspect that Lucas began this film with a fantastic premise & with artistic intent, but then he suddenly realized "hey wait, I don't know what I'm doing. How do I end this damn thing?" True, it's an interesting dystopian drama. George must've been reading a lot of Kurt Vonnegut when he filmed this. Yes, it's very much in the style of 2001: A Space Odyssey. George must've been watching a lot of Kubrick. But that's where it ends. George fails to present anything original. And as it unravels into a simplistic action flick in the last 20 minutes, you realize that George has been fooling you for the last hour and a half. Literally, it ended, and I said out loud, "Uh... is this where Lucas got bored and stopped filming?"

Still, I have to give him an "A" for effort. Like most of the other reviewers, I was blown away by the fact that George Lucas was capable of this type of abstract poetry. With the exception of those cheezy action scenes (which I'm sure Lucas added ex post facto, like he did with Star Wars + CGI) it is reminiscent of the old Michael Crichton films (Andromeda Strain, Westworld) with maybe a dash of Rollerball.

The early 70s was a wonderful time for scifi, because all the directors were scrambling to emulate Kubrick's masterpiece. But like this film, the effort ran out of gas and eventually slumped into plot-driven cheese. What is so frustrating is that Lucas could have made something truly great if he had just followed up on Donald Pleasence's cryptic ramblings midway. Unfortunately, he chose to go in the other direction, and the film ends with no dialogue for the last 20 minutes. Instead we get a lot of (ex post facto CGI) special effects and chase scenes. What a shame. We literally see before our eyes the unfortunate turning point of Lucas' career.

In space, sometimes a nebula--for all its swirling promise--never quite consolidates itself into a star. This movie, like Lucas, like the failed nebula, is the big one that got away.

P.S. George, if you're listening, please stop adding "new" special effects to the old films! You're not impressing anyone. You & Ted Turner both...