Aggrappato ad un albero, in bilico su un precipizio a strapiombo sul mare

Consider this: Three people in a car, driving of a cliff that goes a thousand feet

into the ocean. Halfway down the precipice there is a pine. That car

lands in this tree - mid ways between the world and ocean. No

one has seen the accident. No one know they are there. How can they survive? This is a sit-com of incredible humorous value.

Perched on a Tree (L'Arbre, le Maire et la Médiathèque) is a 1971 French comedy starring the legendary Louis de Funès. While de Funès is typically known for his energetic and hilarious performances, this film unfortunately doesn't quite hit the mark for me.

One of the main issues with the film is its pacing. The story, which revolves around a man who finds himself stuck in a tree after a car accident, drags on and feels overly long. The plot lacks the dynamic energy and quick wit that usually characterize de Funès' films, making it feel somewhat tedious and drawn-out.

Despite these flaws, Louis de Funès still manages to deliver a commendable performance. His unique brand of physical comedy and expressive facial expressions provide some genuinely funny moments, which is a testament to his talent. However, even his performance can't fully compensate for the film's lackluster storyline and slow progression.

In conclusion, Perched on a Tree has its moments of humor thanks to Louis de Funès, but the overall experience is marred by its slow and drawn-out plot. It's a film that might appeal to die-hard fans of de Funès, but it's not one that I would watch again. I give it a 6/10 for the occasional laughs and de Funès' performance, though it falls short of his more memorable works.

Imagine George Clooney and Jim Carrey alone in the car between sky and sea with Cathrin Zitta on the backseat doing with her ... sex? No ... not sex, COMEDY! You can't? This is simply because Jim Carrey cannot even compare with the mighty comic genius of the great De Funes. Please don't even think to remake (in other words, steal) his genial films EVER! Please, Hollywood. PLEASE, do your usual blockbusters about slapstick comedy situations involving petting, flirting, masturbating, copulating, ejaculating and please PLEASE leave monsters in comedy like monsieur De Funes rest in peace. What more is to be said. You cannot understand this movie unless you were born European. Sure it will be boring to the Americans excluding few brief nudity scenes with young Geraldine Chaplin wearing really funny trousers.

Louis de Funes. Geraldine Chaplin. and Olivier de Funes. a car. an accident. and a lot of adventures. a film who remains great for the gift to be almost perfect. politic and business system, mass media and marriage, religion and public image, youth and exotic refuge each is discovered by viewer in brutal light. a film about honesty. and a spectacular comedy. Perched on a Tree is one of film who reminds more than present. entertainment of high class, it is, in essence, painful honest reflection about society and its different masks. and , more important, one of Louis de Funes's comedy, with the same smart use of clichés and the great man who becomes detail for the others. and, sure, the wise end, who is memorable. a film who remains inspired option for understand contemporary events in the right light.

Louis de Funès is by far the best French comedian, one every French or Belgian would be able to name a handful of his movies, so rewatching one of his movies brings back memories from my youth, when back in the days you didn't have much choice. You would watch what was on the telly on the few channels you had, a de Funès movie was always popular. Sur Un Arbre Perché isn't one of the better ones, mostly because of the rather annoying Géraldine Chaplin, daughter of the famous Charlie, and Olivier de Funès, son of Louis, who mostly plays in his father's movies and who never had the same charisma or acting talent as his father. This movie is worth a watch if you're a fan of Louis, otherwise there are much better ones like La Grande Vadrouille for instance.