VALUTAZIONE IMDb
6,1/10
827
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWitnessing an assassination, a boy claims the assassins are hunting him. With his older sister, the pair escape numerous attacks and are aided by their grandfather and a resourceful young by... Leggi tuttoWitnessing an assassination, a boy claims the assassins are hunting him. With his older sister, the pair escape numerous attacks and are aided by their grandfather and a resourceful young bystander even under the spectre of martial law.Witnessing an assassination, a boy claims the assassins are hunting him. With his older sister, the pair escape numerous attacks and are aided by their grandfather and a resourceful young bystander even under the spectre of martial law.
- Regia
- Sceneggiatura
- Star
Joseph Fürst
- Local Police Sgt
- (as Joseph Furst)
Jonathan Burn
- Waiter
- (as Johnathan Burn/Jonathan Burn)
Tommy Eytle
- Visiting President
- (as Tom Eytle)
Recensioni in evidenza
I very rarely write reviews that are not positive, but once in a while when I see a movie that is particularly painful and I personally find way overrated, well, I feel I should at least leave a brief comment about it, even though it may be against the tide or opinion.
Maybe, it's just that the film itself is a product of its time (1970) but for me, having to wade through the first almost 30 minutes and all the 'Cutesy' little scenes and the scenes that set up the parade that too FOREVER, and then when I got to when Mark Lester is trying to tell them about the shooting, and then having to endure the ever so painful Susan George's HUGE overacting, well... seriously, we are already a 1/3 the way through the movie and, at least for me, has been quite a trial.
I SUPPOSE that if you can put up with all the what I feel are very Cheeeeeeezy directorial flourishes and almost every scene screaming 'Look at me how showy I'm being!', and can just get through the story, maybe you possibly might be able to get something out of it.
It's not that I am a snob by any means and I do love a variety of films, some can be rather silly or over the top, some more clever, some deeply scary and atmospheric, that's fine. But, when the combination of what I feel is very amateurish direction (where I would personally lay the most fault) and grossly overacting and paper thin characters at best, I'm sorry, for me I honestly just find it truly painful to watch.
I hope that this may help those who may feel similar to the way I do, as opposed to the many rather positive reviews that are here. I gave it a fairly rare '4'...
~~~~~~~~~~~~~~~~~~~~~~~~~~ MY PARTICULAR WAY OF RATING:
5 - Flawed, but with some entertainment value.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
Maybe, it's just that the film itself is a product of its time (1970) but for me, having to wade through the first almost 30 minutes and all the 'Cutesy' little scenes and the scenes that set up the parade that too FOREVER, and then when I got to when Mark Lester is trying to tell them about the shooting, and then having to endure the ever so painful Susan George's HUGE overacting, well... seriously, we are already a 1/3 the way through the movie and, at least for me, has been quite a trial.
I SUPPOSE that if you can put up with all the what I feel are very Cheeeeeeezy directorial flourishes and almost every scene screaming 'Look at me how showy I'm being!', and can just get through the story, maybe you possibly might be able to get something out of it.
It's not that I am a snob by any means and I do love a variety of films, some can be rather silly or over the top, some more clever, some deeply scary and atmospheric, that's fine. But, when the combination of what I feel is very amateurish direction (where I would personally lay the most fault) and grossly overacting and paper thin characters at best, I'm sorry, for me I honestly just find it truly painful to watch.
I hope that this may help those who may feel similar to the way I do, as opposed to the many rather positive reviews that are here. I gave it a fairly rare '4'...
~~~~~~~~~~~~~~~~~~~~~~~~~~ MY PARTICULAR WAY OF RATING:
5 - Flawed, but with some entertainment value.
6. A decently passable story maybe worth a watch.
7. A solid film, well made, effective, and entertaining.
And, obviously, you can probably figure out what above and below these would mean... : )
Pros: a beautiful scenery, the plot itself is OK, a few not quite expected events, there's some suspense, a few chases and some of the actors did pretty well. Not an amazing film, but it's pretty good, all things considered.
Cons: the grandfather is way too eccentric and behaves like a retired magician, or a circus ringmaster, not at all like a retired high rank military officer. I get that he likes his grandson and is amused by his free spirited attitude, and while that is cute, there's simply no way to take the grandpop's behaviour seriously. It's just not believable and it did spoil the film for me a fair bit. With that being said, while he acts strangely throughout most of the film, he turns into some sort of action hero towards the end.
Cons: the grandfather is way too eccentric and behaves like a retired magician, or a circus ringmaster, not at all like a retired high rank military officer. I get that he likes his grandson and is amused by his free spirited attitude, and while that is cute, there's simply no way to take the grandpop's behaviour seriously. It's just not believable and it did spoil the film for me a fair bit. With that being said, while he acts strangely throughout most of the film, he turns into some sort of action hero towards the end.
"Pins you to the edge of your seat" is the tagline for this film, and while that could be aptly applied to many thrillers; it certainly doesn't suit this one! John Hough's Eyewitness has the basis for a decent story (even if it's not all that original) but it's never capitalised on properly and, for the first two thirds at least, the film is slow, largely uninteresting and lacks tension and suspense; thus not providing what you want or expect from a film that calls itself thriller (much less, one that proudly proclaims that you will be on the edge of your seat). The plot takes obvious influence from the common thriller idea of having somebody witness a crime and then having the perpetrators go after that person; here, we also have a bit of 'the boy who cried wolf' thrown in too for good measure. The eyewitness of the title is a boy named Ziggy who goes to watch a parade and ends up witnessing an assassination. It's not long before the assassins are on his tail, but naturally considering the boy's track record for lying, his family don't believe him...
The film is rather well produced; it looks nice, is well directed and mostly features good acting from the ensemble cast. Lionel Jeffries is my pick of the performers and he does well as the eccentric grandfather and head of the family. He gets good support from Tony Bonner as a young stranger who ends up with the family due to a care few and the beautiful Susan George as his granddaughter. The film also features a performance from Mark Lester and this is where the film falls down. The child actor will always be famous for his role as Oliver Twist in the 1968 film (I'm not a fan), but here he is completely irritating and doesn't do much than run around looking scared for the ninety minute duration. The first two thirds of the film are very slow and dull and that's a shame because the film really opens in the final half hour and is actually quite good; but by then I was too bored to care as much as I could have done were it not for the disappointing opening. The climax to the film is quite good and on the whole, while I wouldn't say this is a bad film; it's not a particularly good one either.
The film is rather well produced; it looks nice, is well directed and mostly features good acting from the ensemble cast. Lionel Jeffries is my pick of the performers and he does well as the eccentric grandfather and head of the family. He gets good support from Tony Bonner as a young stranger who ends up with the family due to a care few and the beautiful Susan George as his granddaughter. The film also features a performance from Mark Lester and this is where the film falls down. The child actor will always be famous for his role as Oliver Twist in the 1968 film (I'm not a fan), but here he is completely irritating and doesn't do much than run around looking scared for the ninety minute duration. The first two thirds of the film are very slow and dull and that's a shame because the film really opens in the final half hour and is actually quite good; but by then I was too bored to care as much as I could have done were it not for the disappointing opening. The climax to the film is quite good and on the whole, while I wouldn't say this is a bad film; it's not a particularly good one either.
"Eyewitness", a.k.a. "Sudden Terror", is an engrossing adaptation (by Ronald Harwood and an unbilled Bryan Forbes) of a novel by John Harris. While it holds no major surprises, it does deliver at least one twist that the viewer *might* not see coming. It also delivers some fine suspense and action scenes, and benefits a lot from its exotic locale.
It's set on the island of Malta, where an imaginative boy, Ziggy (Mark Lester of "Oliver!" fame) lives with his sexy older sister Pippa (Susan George, "Die Screaming Marianne") and his grandfather (Lionel Jeffries, "Chitty Chitty Bang Bang") in a lighthouse. Ziggy is prone to a rich fantasy life, so naturally his family is inclined *not* to believe him when he tells them the truth: he witnessed a policeman committing the murder of a visiting dignitary. Thus, the perpetrator (top British character actor Peter Vaughan, 'Game of Thrones') and his accomplice (Peter Bowles, "Blowup") spend the remainder of the running time hunting down the unfortunate Ziggy.
"Eyewitness" is quite fun, as it spins a fairly familiar "Boy Who Cried Wolf" type of yarn. It makes time for a little romance, between Pippa and a vacationing nice-guy stranger named "Tom Jones" (Aussie actor Tony Bonner, "The Man from Snowy River"), as well as some entertaining character details & humour. (Tom dislikes brandy, yet it seems to be the only drink that Grandpa will offer him.) It's willing to go to some dark places along the way, and there is also some fairly graphic violence when characters get shot. It all culminates in a well-executed vehicle chase.
The excellent cast features Betty Marsden ("Carry On Camping"), Joseph Furst ("Diamonds Are Forever"), and David Lodge ("The Return of the Pink Panther") as well, although it is Jeffries, as the crusty, witty "old" man (he was in his mid-forties at the time), that tends to steal the show. Knowing the difference between fantasies and outright lies, it is Grandpa that is first to start lending some credence to Ziggy's story.
All in all, a good film that kick-started the filmmaking career of John Hough, whose 70s classics include "Twins of Evil", "Dirty Mary Crazy Larry" (working with George again), "The Legend of Hell House", and the two Disney "Witch Mountain" features. Actor-turned-filmmaker Forbes was also the unbilled executive producer; Jonathan Demme was the music coordinator, and Gary Sherman (director of "Death Line", "Dead & Buried", "Vice Squad", and "Poltergeist III") designed the opening titles.
Seven out of 10.
It's set on the island of Malta, where an imaginative boy, Ziggy (Mark Lester of "Oliver!" fame) lives with his sexy older sister Pippa (Susan George, "Die Screaming Marianne") and his grandfather (Lionel Jeffries, "Chitty Chitty Bang Bang") in a lighthouse. Ziggy is prone to a rich fantasy life, so naturally his family is inclined *not* to believe him when he tells them the truth: he witnessed a policeman committing the murder of a visiting dignitary. Thus, the perpetrator (top British character actor Peter Vaughan, 'Game of Thrones') and his accomplice (Peter Bowles, "Blowup") spend the remainder of the running time hunting down the unfortunate Ziggy.
"Eyewitness" is quite fun, as it spins a fairly familiar "Boy Who Cried Wolf" type of yarn. It makes time for a little romance, between Pippa and a vacationing nice-guy stranger named "Tom Jones" (Aussie actor Tony Bonner, "The Man from Snowy River"), as well as some entertaining character details & humour. (Tom dislikes brandy, yet it seems to be the only drink that Grandpa will offer him.) It's willing to go to some dark places along the way, and there is also some fairly graphic violence when characters get shot. It all culminates in a well-executed vehicle chase.
The excellent cast features Betty Marsden ("Carry On Camping"), Joseph Furst ("Diamonds Are Forever"), and David Lodge ("The Return of the Pink Panther") as well, although it is Jeffries, as the crusty, witty "old" man (he was in his mid-forties at the time), that tends to steal the show. Knowing the difference between fantasies and outright lies, it is Grandpa that is first to start lending some credence to Ziggy's story.
All in all, a good film that kick-started the filmmaking career of John Hough, whose 70s classics include "Twins of Evil", "Dirty Mary Crazy Larry" (working with George again), "The Legend of Hell House", and the two Disney "Witch Mountain" features. Actor-turned-filmmaker Forbes was also the unbilled executive producer; Jonathan Demme was the music coordinator, and Gary Sherman (director of "Death Line", "Dead & Buried", "Vice Squad", and "Poltergeist III") designed the opening titles.
Seven out of 10.
10whpratt1
If you like a good thriller this is the film for you, there are scenes which will keep you glued to your seats. Ziggy, (Mark Lester) plays the role as a little boy who has an older sister named Pippa, (Susan George) and they live with their grandfather who lives in a lighthouse on the Island of Malta. Ziggy has a great imagination and many times tell stories that are not true and no one really believes anything he tells them. One day Ziggy sees an assassination and also knows what he looks like and can identify this person who is in high authority on Malta. Ziggy is hunted down by this person and no one will believe him when he tries to tell his sister Pippa, they all get mad at him except his grandfather. Susan George looked radiant and very charming playing a great role along with a great child star, Mark Lester. Don't miss this film, it is great entertainment.
Lo sapevi?
- QuizBased on the novel Eyewitness (London, 1966) by Mark Hebden (aka John Harris).
- BlooperMuch of the car chase has the action obviously speeded up which is also a pity because it really didn't need to be as the chase is dramatic anyway.
- ConnessioniEdited into Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 9 (2002)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Il testimone da uccidere
- Luoghi delle riprese
- Malta(made entirely on location in)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 31 minuti
- Proporzioni
- 1.66 : 1
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