Aggiungi una trama nella tua linguaA brainy sex flick with a sense of humor, the film begins with a narrator/mummy who guides us through a number of vignettes promising to show what some of us go through in the pursuit of sex... Leggi tuttoA brainy sex flick with a sense of humor, the film begins with a narrator/mummy who guides us through a number of vignettes promising to show what some of us go through in the pursuit of sexual pleasure. There's a fabulous ten minute opening, where the half naked go go dancers ha... Leggi tuttoA brainy sex flick with a sense of humor, the film begins with a narrator/mummy who guides us through a number of vignettes promising to show what some of us go through in the pursuit of sexual pleasure. There's a fabulous ten minute opening, where the half naked go go dancers have vegetables thrown at them. One of the tales features a female photographer who tortures... Leggi tutto
- Regia
- Sceneggiatura
- Star
- The Burgled Man
- (as Mike Briton)
- Philpott
- (as Steve Preston)
Recensioni in evidenza
In the last two vignettes it is the males who prevail. One of them called "Lindy Leigh" is a comical spy parody apparently based on a comic strip in Mayfair magazine (the British version of Playboy). The title character, Lindy Leigh, is a female spy who is so stupid that she makes Playboy's "Little Annie Fannie" look like James Bond. She crawls around in her panties a lot and ends up locked in a safe with a bunch of other topless bimbos. The last vignette completely beggars description, so I'm not even going to try. Then the movie ends back where it started with dancing, some tame sexual groping, and a lot of naked people handling automatic weapons and, very literally, rolling around in the hay (by the way, I don't know Balch's personal sexual orientation, but I think this movie would probably appeal to bisexuals a lot as the men are just as naked and often almost as attractive as the women). During the scant running time of this movie I was occasionally aroused, even more occasionally amused, pretty frequently horrified, but mostly just perplexed. Really though this thing has to be experienced first-hand to be believed.
This movie has a lurid title that you might feel slightly embarrassed about renting from the video store (or maybe not eh?). It's called Secrets of Sex, but it also goes under the less provocative and more mysterious title "Bizarre", which describes the movie's style and character really well without saying a thing about it.
So, this is basically an anthology depicting stories revolving around the theme of "The battle of the Sexes". This was a really popular theme in the 60s and 70s, given that feminism was on the rise and a lot of men especially were left scratching their heads and wondering what the hell was going on. The results were a lot of movies and TV shows and books based on this concept, most of which seem pretty outdated today. But I can say without a shadow of the doubt that I've never seen anything quite like this. Nothing I can really say is going to prepare you for it and I'm not going to sit here trying to describe the stories, because jeez...
Essentially, Valentine Dyall (The haunted, City of the Dead, the famous Man in Black on radio, and the Black Guardian in Doctor Who!) plays an ancient mummy, an egyptian king who once trapped his lady and her lover and sent them to the bottom of the ocean, or something. He has been resurrected because he has spent thousands of years observing the interaction of human beings, and is delighted to find that in all this time, not much has really changed. Lovers are still trapping each other in all the devious and twisted ways that they can. So, this is the framing device. Before the stories begin there are parades of all kinds of weird stuff of the type you might see in an italian mondo movie, but a lot funnier. There is some repetitive stuff in here but it's not bad and actually lulls you into a nice little trance. I should say that taking drugs with this movie is almost mandatory.
once the stories proper begin, we are treated to a crazy, unbelievable mix of horror and comedy vignettes. There's everything here from body horror to spy spoof to unbelievable fake rubber dinosaurs. it's both arty and trashy at the same time, and yes, I can probably say without my usual hesitation that this is, in some respects, a really bad movie, but it's also incredibly entertaining on almost every level. My jaw was on the floor almost throughout and I could not stop laughing. I feel, too, that most of the laughs are absolutely intentional. Rather surprisingly, some of this comes out seeming a lot cleverer than you might think at first glance. it's also even-handed, with some of the stories featuring the women coming out "on top", while others depict a solid victory for the men-folk. I thought the last story showed the film running out of steam a bit as it ends pretty abruptly, almost like the film crew were on the clock. I don't recognise any of these performers other than valentine Dyall, by the way, and I don't think any of the cast really stand out. Some of the stories do, however. The horror tale about a woman giving birth to a genetically stunted son just to get revenge on the husband she hates is genuinely disconcerting.
This is something for the real freaks, for people who revel in the tasteless and have a weird love of things they can't quite explain. It's simultaneously uproariously funny and awkward as hell and I think the guy who created it was actually really smart to do it in this way. Watch late at night, preferrably with some amenable company and the addition of your psychotropic substances of choice.
This is a distinctly British cult item, and a unique concoction from Antony Balch(one of the more unduly ignored outsider personalities of sixties underground cinema). He is, perhaps, better known for his short film collaborations with iconic writer/poet William S. Burroughs.
Though it clearly has limited appeal, it's worth investigating...I personally found it highly enjoyable and refreshingly original nonsense.
5.5/10
Some of the more experimental, or at least odd touches include: a voice-over saying "Imagine yourself having sex with this girl. Imagine yourself having sex with this boy. Imagine yourself having sex with this girl." etc. for some time, with images of mod young people in various states of undress. It then repeats with slight variation, "Imagine this girl having sex with you" etc. In another segment, there are shots of planes taking off and landing intercut throughout. It's unclear if they're meant to represent sex, or the threat of the man's wife coming home, or that the man's house is under a flight path, or if they're simply filmic non-sequiturs.
The movie has a mummy narrating, telling about the battle of the sexes. The segments all have to do with men and women at odds with each other in various ways, sometimes fatal. The opening segment has an Arabian judge who believes his wife may have a lover hidden in a trunk. He has the trunk buried without opening it. This is perhaps the origin of the mummy (though how he comes to be mummified would be a mystery, but the producer on the commentary track indicates we should not give it that much thought).
There are women photographing a male model in various states of torture. There's a sexy spy who's supposed to find secrets in a foreign embassy. There's a young man with a strange fetish rooted in a childhood incident.
Offbeat, and definitely for those that like that. It was quite well-received at the time! Now, it does seem awfully 1960s, but that lends it a new sort of charm.
Also known as Secrets of Sex, the film starts with the story of a king who found his wife's lover and trapped him in a chest. This theme of trapping lovers carries on throughout the film.
But never mind all that. Let's meet our narrator — a mummy voiced by Valentine Dyall (The Haunting, Bedazzled and the voice of Count Karnstein in Lust for a Vampire). He's here to tell us all about the battle of the sexes. Just listen to his words, as half-naked women and men fill the screen, one at a time: "Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine the consequences."
We're then on the front row of this battle, with women in underwear facing off with me grasping machine guns. The women have vegetables thrown at them as the men advance. One of the women, a blonde, stares down the men, who fall to her beauty before she removes a straight razor from between her legs.
Alright — let me be perfectly honest. Your ability to enjoy this film totally depends on the amount of drugs in your system, how late you're watching it and your tolerance for 1970's experimental filmmaking. If you're been reading this site for any length of time, you know that this movie was pretty much made for me and sent forward 47 years into the future.
Lo sapevi?
- QuizNine minutes were cut from the British theatrical version when this film was first released.
- BlooperIn the lizard segment the animal is called a pangolin. A pangolin is a species of mammal, not a reptile. The animal in the segment is a monitor lizard. In the interview included on the Synapse DVD, actor Elliott Stein states that the original intention had been to use a pangolin but it would have been too big. Nevertheless the name was kept as in the original script.
- Citazioni
The Mummy: Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine you were making love to this girl. Imagine you were making love to this boy. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine this boy was making love to you. Imagine this girl was making love to you. Imagine the consequences.
- Versioni alternativeA lifelong enemy of censorship Antony Balch was even less endeared to them when the British censors removed around 9 minutes from his first feature Secrets of Sex. It was shown in America initially intact as Bizarre (approx 90 minutes) then in a cut down R rated version called Tales of the Bizarre (approx 72 minutes).
- ConnessioniFeatured in Naked Came the Stranger (1975)
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Dettagli
Botteghino
- Budget
- 40.000 £ (previsto)
- Tempo di esecuzione1 ora 32 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1