Pufnstuf

Why would you want to see this movie? Cos it'll scare the pants off of you, Thats why. It has all the Hallmarks of a good Horror flick; witches, dragons, spiders and diamond encrusted flutes. But perhaps the scariest part is the little English boy Jimmy, who sings and dances and comes up with the stupidest plans, that actually work.

A great retro movie!

This is a movie from a wonderful children's TV series and everyone in the TV show is here and a few surprises are thrown in as well. One generation's hit is another's camp classic, but this is fun. They sure don't make them like this anymore!

There is something here for everyone, visually it would appeal to the very young due to it's eye-catching colours and gentle plots, older children might get more into the storyline and even adults might catch themselves enjoying the borderline Freudian plot which is at the center of this movie as well as each episode of the TV series, a witch and her obssession with a little boy's "magic flute".... ahem.

The non-human characters will remind many of the old ad campaigns of McDonald's with Mayor McCheese, The Hamburgler, etc. Did the Crofts have anything to do with the McDonald's advertising or was it just a rip-off?

It was a nice surprise to see "Mama" Cass Elliot in this one, she seems to be having a ball in her role as a crony of Witchpoo. Seeing this makes me wonder at what potential died with her.

Recommended highly...and yes, I'd have to strongly agree with other reviewers here who have said that if children's fantasy movies from the period interest you, definately give this one a try, switch off your inner critic, and just enjoy!

Pufnstuf is the story of the rivalry between an insecure witch and a lonely Dickensian teen pin up model over a talking flute in a land of goofy puppet people. If that sounds crazy it's because it kind of is.

Jimmy is an English transplant in America having difficulty adjusting. One day, after getting kicked out of band practice, his flute magically comes to life and promises to be his new best friend. They sing a song about it and, surprisingly, the song is pretty good. Jimmy then comes across an odd boat which he decides to jump into. Unfortunately, the boat is cursed or something and he is beset upon by a witch on a gigantic broom who wants the flute in order to impress her witch friends because she's kind of unpopular.

Jimmy escapes only to find himself on a magic island where all sorts of strange puppet things live in a world of brightly colored hand-drawn sets. This includes a silly looking dragon lizard character who also happens to be the mayor and sounds like Gomer Pyle. In fact, most of the puppet characters act like bland impressions of vaudeville comedians. Witchiepoo and Jimmy are the only two humans despite the fact that they are themselves modeled on famous fictional characters.

It turns into a literal popularity contest when the witches convention comes to town. Jimmy tries to rescue his friend using his usual strategy from the television series, dressing up in silly costumes and trying to trick witchiepoo, which seems to work less than half the time.

The goofy, children's show plot hides a fundamental message about friendship and the two human characters are misfits who really only want to be accepted. Jack Wilde is charming as Jimmy. He has an off-beat charm and seems disarmingly earnest but he's rarely given much to do.

The character of Witchiepoo, played by Billie Hayes, is such a lively and fully realized character that she stand apart from her surroundings. In a world that's bland and boring she parades around screeching and cackling. It's such a bravura performance from Hayes that she fills the screen with her presence. She combines a larger-than-life musical theater style character with expressive mime and slapstick. There's really no moment she's on screen she's not full of energy.

The counterpoint is the citizens of Living Island are silly animals with voices of old comedians doing terrible, corny jokes all day is so striking. You really feel her frustration being trapped in a land of dum dums without anybody to really connect with. In contrast, Jimmy is good-natured and has a positive attitude. He's willing to look past how boring the relentless cheerfulness of Pufnstuf and his neighbors are so he can enjoy himself in a world where everyone likes him. It's like there's a sort of sibling rivalry between the two as they fight over friends. Jimmy is sincere and easygoing while Witchiepoo is manipulative and bossy. Really Witchiepoo is trying to make friends but she feels different from other people and she rejects them before they can reject her. She does steal and hit people and call them names so that doesn't help either.

The sets are fantastic and give the film a distinct psychedelic tone. The songs are hummable and the score is surprisingly memorable. During the witch convention there are some really great visuals, costumes and bits of humor that show them really making the best of a lower budget.

It's amazing this was made within the same year as the show aired. I was never really familiar with the series before seeing this movie and was genuinely surprised by how good it was. You certainly don't need to have watched the show though and I'd recommend the movie first anyway.This movie is the show's victory lap and and captures the spirit of the show nicely.

Pufnstuf is what it is. I saw this in the cinema at age 4 and I have very fond, and vivid, memories of it. Seeing this as as adult allows one to catch the references that are way over the heads of the target audience - like the bit where Jimmy's grey witch wig is ripped off and Witch Hazel (Cass) sneers "I KNEW she had brown roots!". It is of course heavily influenced by the flower power culture of the time, and in some ways quite progressive. The track Different, for example sends a clear message to the young viewers about being yourself, not running with the pack, and cherishing what is is about yourself that is different. This could be an anthem to the gay community, it should be, great track.

Martha Raye, Cass Elliot and Billie Hayes are all great as witches, and the Living Island cast give it their all in the confines of their character suits (includes Billy Barty, Felix Silla and other famous names). There is a LOT of over acting in this film - there's really nothing subtle, and when little Jack Wild has to emote his concern for the kidnapped residents of Living Island it's really little more than yelling. This is drama and comedy spread on with a trowel. While I think of it - I never could stand the flute though.

I love the soundtrack, especially the above mentioned Different but also Zap The World, Pufnstuf and even Jack Wild's touching If I Could. What's more, it IS now out on CD from the tasteful people at El Records in London. See here for more: www.cherryred.co.uk/el/artists/pufnstuf.htm

Capitalizing on the popularity of the short-lived Saturday-morning children's series "H.R. Pufnstuf" came a feature-length film based on the same. As there really wasn't anything "new" to say in this film (it was definitely just a retelling of the same plot and premise as the series) it is clear this was simply another vehicle to make money and market the concept to a wider audience (i.e. outside of the US). Still, fans of the original series (at this point geriatric) would have also enjoyed the film (I know I did). And I think the retro aspect of this film will definitely be as enjoyable as any Disney classic set in the "olden days" ("Song of the South" excluded). Meaning, if today's children took the effort to suspend their disbelief and imagine a time with no cellphones, video games or internet, they might actually find themselves singing along to the lyrics and laughing at the silliness of it all. In sum, there isn't anything remotely harmful or negative here (unless you are some radical feminist wiccan); just good wholesome fun which was made specifically to delight children once upon a time.