L'assassino arriva sempre alle 10

We actually saw this on original release in 1971 in the old downtown Tucson theater. We walked a few blocks home to the delightfully serene ex-mortuary we rented during our college years and were compelled to discuss it for hours. Such was the emotional pull. After seeing Max in a few more intriguing films as this, he became my favorite actor for many years. He really knew how to pick clever roles. Like Jack Nicholson! Or, Michael Caine for a British actor. Along with the compelling interplay between him and old pro Trevor Howard, it makes this movie a must see for fans of the off-beat. His character, as the dark plot evolved, begged the question: "Is he crazy-or genius?" Definitely, an underrated and under-viewed film for many years.

Max von Sydow plays Salem, wrongly convicted of a murder and sent to stay in an asylum for the criminally insane. As the movie opens, he has successfully pulled off an escape, and he wreaks vengeance upon his hapless family. However, because he is able to actually return to his cell in time, suspicion falls upon his brother in law, Anton (Per Oscarsson), instead. An inspector played by the always solid Trevor Howard must solve these baffling crimes.

Slasher fans might hear of this one and get their hopes up, due to the violence suggested in certain scenes, but we never see any actual killings. This is more of a straightforward thriller. It overcomes a rather trite story set up to deliver an incredibly engaging yarn; it's what director Laslo Benedek ("The Wild One") and company do with the material that matters. It's filmed on location in Denmark and Sweden, in some mightily forbidding looking country; you can practically feel the cold while you watch. The atmosphere is stark and impressive, helped all the more by an unusual but amazing Henry Mancini score. It's deliberately paced but fascinating, especially when Benedek and screenwriter Guy Elmes (who works from Samuel Roecas' original story) lay out for us the tons of preparations that Salem has to go through in order to pull off each escape from and return to the asylum.

Von Sydow is typically excellent, as is Liv Ullmann as his sister, Oscarsson as the volatile, panicky Anton, Rupert Davies as a savvy but sickly lawyer, Andrew Keir as the asylums' head doctor, and Arthur Hewlett as the genial old Pop. Watching this, it's easy to root for Von Sydow, especially during the finale where he must "beat the clock", and the tension is undeniable. This intoxicating film sure does keep you on your toes at times. And "The Night Visitor" does end on an irresistible, rather humorous note.

It could definitely stand to be better known.

Eight out of 10.

It has been thirty years since I first saw this title, at a drive-in movie theater, with my girlfriend. She and I both had eyes glued to the screen. The "feeling" of the setting still lingers and we could almost experience the cold. But what I remember the most is that The Night Visitor gave new meaning to the old line,

"a little birdy told me...".

Superb direction and wonderfully twisting ending!

This film opens up with Max von Sydow running across snowy fields in his underpants. Good lord, we wonder, what's he doing out there? Isn't he freezing? Soon he cleverly figures out a way to get into a house via an upstairs window, and it becomes apparent that he knows the three people who are engaged in a disagreement in the kitchen below. We're not sure what he's up to, and as it's best you don't know a lot about the plot before watching this one, I won't say more.

The story is taut and well-told by director László Benedek, who wisely avoids extraneous detail, and there are moments of real tension. It's dark, but Benedek exercises restraint, which I liked, but which may turn off viewers seeking more explicit thrills. Trevor Howard, who you may recognize from Brief Encounter (1945) and The Third Man (1949), is strong as a detective, and the rest of the cast are all good as well. I liked the way we eventually see how von Sydow is able to do what he does, though you'll have to suspend disbelief a bit. Clever ending too.

I remember catching 'The Night Visitor' on UK late night TV in the late 70's. At that time I'd not heard of it but was hooked from the outset. Many of the haunting images stayed with me and recently I got all nostalgic and started searching for either video or DVD releases of several lost gems from the early 70's, amongst them 'And Soon The Darkness', 'I Start Counting' and of course 'The Night Visitor'. Success!!! as all titles were available on DVD (some are deleted from obscure labels but all frequently pop up on Ebay for reasonable amounts). Strangely, having caught up with several long forgotten film or TV shows from my childhood, most have been disappointing, however 'The Night Visitor' retains it's menacing, almost surreal air and Max Von Sydow carries the film with great support from Trevor Howard (who seems to be setting the tone for his later appearance in 1973's 'The Offence') and I even recalled Arthur Hewlett as the prison guard with the gnome-like features. All in all a MUST for any Von Sydow fan and any lover of quirky psychological thrillers, low on budget but high on plot and intrigue.