I cospiratori

Real story about secret society of Irish miners in Pennsylvania , circa 1876 .The Molly Maguires was an Irish 19th century secret society active in Ireland, Liverpool and United States. The "Mollies" were mostly known for their activism amongst Irish American coal miners in Pennsylvania , they fought for better conditions for coal miners , using even terrorist acts . The Molly Maguires" were so-called because they would often disguise themselves by wearing womens' clothing, hence their name . Life is rough in the coal mines of Pennsylvania , suffering a dreadful existence . Wages were low, working conditions were atrocious, and deaths and serious injuries numbered in the hundreds each year. As the film deals with a secret group of Irish immigrant miners, known as the Molly Maguires led by a worker (Scotsman Sean Connery as Jack Kehoe who was not a miner, but the owner of a saloon, The Hibernia House) , there arrives a newcomer (first-rate performance by Irishman Richard Harris) who is working as informer , in fact , he is a Pinkerton detective who infiltrates the group .

Exciting and thought-provoking story of Unions , treason and secret societies plenty of interesting drama , emotion and a strong antagonism between entrepreneurs and mine-workers . This good flick packs nice acting , vivid settings , evocative atmosphere , though is hurt by overlong scenes and depressing finale . Interesting screenplay dealing with brooding themes such as betrayal , fidelity , working fight , terrorism and many other things . As main cast : Connery , Harris , Eggar , as support cast : Frank Finlay , Anthony Zerbe , John Alderson , Bethel Leslie , Art Lund , Anthony Costello give top-notch interpretations . Colorful cinematography in Panavision by the classic cameraman James Wong Howe , filmed on location . According to cinematographer Howe, director Martin Ritt wanted to photograph this film in black and white, but was not allowed to do so by Paramount . Most of this film was shot in Eckley, Pennsylvania ; Paramount Pictures saved the town from being destroyed , it was slated to be demolished for strip mining . Special mention to impressive musical score , including a breathtaking leitmotif .

This understatement as well as downbeat motion picture was compellingly produced and directed by Martin Ritt , though a little long . The film was a notorious flop when it was released in 1970, earning back a little over 10% of its $11-million budget, an enormous sum for the time . Director Ritt blamed the film's massive critical and commercial failure for permanently damaging his career. Ritt was an expert on well-crafted dramas such as ¨Stanley and Iris¨ , ¨Nut¨ , ¨Norma Rae¨ , ¨The front¨, ¨The Sound and the Fury¨ , ¨Black orchid¨ , though also directed films of all kind of genres such as : ¨The Spy Who Came in from the Cold¨ , ¨The Great White Hope¨ , ¨Mafia¨ . And he worked with Paul Newman in three Westerns : ¨Hombre¨ , ¨Hud¨ and ¨Outrage¨. ¨Molly McGuire¨ film will appeal to drama enthusiasts and Sean Connery , Richard Harris fans . Rating : Above average, well worth checking out ; along with ¨Outrage¨ , being one of Ritt's best movie.

The picture was well based on actual events , they are the followings : About 22,000 coal miners worked in Schuylkill County, Pennsylvania. 5,500 of these were children between the ages of seven and sixteen years, who earned between one and three dollars a week separating slate from the coal. Injured miners, or those too old to work at the face, were assigned to picking slate at the "breakers" where the coal was crushed into a manageable size. The miners lived a life of "bitter, terrible struggle". Wages were low, working conditions were atrocious, and deaths and serious injuries numbered in the hundreds each year. The mine owners without one single exception had refused over the years to install emergency exits, ventilating and pumping systems, or to make provision for sound scaffolding and on September 6, 1869, a fire took the lives of 110 coal miners. Franklin B. Gowen, the president of the Philadelphia and Reading Railroad, and of the Philadelphia and Reading Coal and Iron Company and "the wealthiest anthracite coal mine owner in the world", hired Allan Pinkerton's services to deal with the Mollies. Pinkerton selected James McParland to go undercover against the Mollies. Using the alias "James McKenna", he made Shenandoah his headquarters and claimed to have became a trusted member of the organization.McParland's assignment was to collect evidence of murder plots and intrigue, passing this information along to his Pinkerton manager. He also began working secretly with a Pinkerton agent assigned to the Coal and Iron Police for the purpose of coordinating the eventual arrest and prosecution of members of the Molly Maguires. After months of little progress, McParlan reported some plans by the "inner circle". When Gowen first hired the Pinkerton agency, he had claimed the Molly Maguires were so powerful they had made capital and labor "their puppets". When the trials of the alleged puppet-masters opened, Gowen had himself appointed as special prosecutor . On June 21, 1877, six men were hanged in prison .

According to the Films of Sean Connery, the genesis of The Molly Maguires was a visit to the set of Director Martin Ritt;s Hombre in which Connery's then wife Diane Cilento was in the cast. Ritt had the idea for The Molly Maguires back then and asked Connery if he'd give him the commitment. Connery was intrigued and said yes. But it took over four years to get the project rolling.

The Molly Maguires has the ring of authenticity to it because Martin Ritt chose to shoot it in an almost abandoned Pennsylvania coal town of Ecksley. Filming the story in a place where the Molly Maguires were active lends a lot of credibility to the film.

The Mollys were a secret cell within the Catholic fraternal society of the Ancient Order of Hibernians. The Irish immigrants spread all over America and a good deal of them arrived in the Pennsylvania coal country where they became miners. A trade not unknown in Ireland as that country has considerable deposits of the stuff.

The workers were terribly exploited, having to live in the company town, buy at the company store, and pay for damaged equipment. That together with the health problems we know now about in the mining industry.

There was no organized labor movement yet and the Mollys were at times the only protections those miners had. They'd be considered terrorists now, but an important thing to remember is that unlike today's terrorists, their acts of violence were never random.

One thing I did like was the fact that the company policeman were Protestant and Welsh. That was the generation who were the previous people in the mines. The next generation of coal miners were from Eastern Europe, but that's getting ahead of ourselves. The ethnic conflicts are quite explicit in this film.

Richard Harris plays James McParlan another Irish immigrant sent by the Pinkerton Detective Agency to infiltrate and destroy the Mollys. Connery is Jack Kehoe the leader of them and very suspicious of Harris when he first arrives to work at the mines.

The story as told in the film sticks pretty close to the truth of what happened in Pennsylvania in the 1870s. Informers are not a group that's looked up to in any culture, but the Irish traditionally do have a special disdain for them.

The film is a clash between two men, Harris who wants to rise in class and willing to sell anyone out to do it and Connery whose methods maybe wrong, but has the genuine interest of his fellow miners at heart. After the business in Pennsylvania is concluded and after the action of this film, the real McParlan rose high in the Pinkerton agency, but his name was an anathema among his own people.

The Molly Maguires is a well crafted piece of cinema that unfortunately failed to find an audience back in 1970. Today it's considered a masterpiece and deservedly so.

This is one of the great immigrant movies; it speaks in a manner simple and concise about what it means to be the outsider, to be used and abused and your voice never heard, to be at the bottom of the barrel looking up. It speaks about despair violence and moral devastation in the Pennsylvania coal mines of 1876, about right and wrong, law and ethos, and their flipsides, violence and anarchy. The movie's characters have amazingly human needs, some of them to be heard in that shanty town of Pennsylvania and others to get away from it. Richard Harris plays one of the most fascinating complex characters I've seen. I love his type of character so much because he's the villain, the one we must boo, but he doesn't give a damn about our booing, he doesn't look for absolution or forgiveness in the end. I like characters who have what it takes to be the bad guy.

He's paid to infiltrate a radical group of coalworkers, The Molly Maguires, find out who they are and give them up. For a time he sympathizes with their cause, he goes down to the coal mines and comes out with the same paste of coaldust grime and sweat on his face and gets paid 24 cents a week for it, but when he needs to name names he does so without flinching. Like the Irish coal miners he mingles with, he's a man "at the bottom of the barrel", but unlike them, he wants to be at the top of the barrel looking down. He finds love, his boarding lady who's desperate to get out of that coaldusted hellhole, a woman of strict ethics who wants decency and lawfulness. He tells her that "you buy decency and respectability like you buy a loaf of bread", so that he recognizes the futility of the Mollies' struggle and can't help to be drawn to it, to that fleeting sparkle of futile human defiance against injustice. But that's not the movie's meridian, although it feels so at the time. A little later we get a magnificent discussion in a tavern, during a wake, between himself and Sean Connery, brooding leader of the Mollies', where Richard Harris tells him that he'll never die, that he's going to live forever.

It struck me like a brick, like reading Judge Holden speak to his scalphunter comrades in Blood Meridian around a campfire in the middle of the desert, because essentially and metaphorically, that is true; everybody else will pass away, the men who struggle and fight oppression and the men who die "without making a pip", but Richard Harris will live forever. He's deceit everlasting, the cosmic trickster. During their trial, when the prosecutor against the Mollies' calls for the first witness, a door to an adjacent room opens and we see Richard Harris calmly playing cards with the police captain, a man he has nothing but contempt for. In the end, there's neither punishment nor forgiveness for him, he's beyond all that, a little above and beyond everything else, damnation and vengeance, beyond even love or self-pity, human compassion and regret too. In the end he walks by a newly erected scaffold being tested by prison wardens, and he simply walks away never looking back. He's not even going away to Denver, Colorado, to be in charge of a detective agency there, he goes beyond that, [...] he never sleeps, he says that he will never die, he dances in light and in shadow and he is a great favourite, he never sleeps, he says that he will never die. Perfect.

What's not perfect is the bogus score by Henry Mancini, basically upbeat irish folk reworkings. Maybe 16 Horsepower should redo this one.

Good story line. Well played. Excellent cast, with some lesser seen actors. Enjoyed this film throughout. Constantly moving story. Historically accurate as I understand. Good example of Sean Connery's earlier (non-Bond) work.

A must-see for any Irish-American. Harris is superb in his role as an undercover Pinkerton investigator. We see his character grow to admire the maguires even though he knows he will eventually betray them. Connery is also great as the attractive leader of the terrorist group. This movie touches on an area tha is often ignored, working conditions in 19th Century America. I especially like the American Football/Rugby hybrid they play against the Welsh town. A unique movie that let's us see both Harris and Connery shine. Good score, pacing, photography, and supporting characters as well. One of my favs!