I cospiratori

This is one of the great immigrant movies; it speaks in a manner simple and concise about what it means to be the outsider, to be used and abused and your voice never heard, to be at the bottom of the barrel looking up. It speaks about despair violence and moral devastation in the Pennsylvania coal mines of 1876, about right and wrong, law and ethos, and their flipsides, violence and anarchy. The movie's characters have amazingly human needs, some of them to be heard in that shanty town of Pennsylvania and others to get away from it. Richard Harris plays one of the most fascinating complex characters I've seen. I love his type of character so much because he's the villain, the one we must boo, but he doesn't give a damn about our booing, he doesn't look for absolution or forgiveness in the end. I like characters who have what it takes to be the bad guy.

He's paid to infiltrate a radical group of coalworkers, The Molly Maguires, find out who they are and give them up. For a time he sympathizes with their cause, he goes down to the coal mines and comes out with the same paste of coaldust grime and sweat on his face and gets paid 24 cents a week for it, but when he needs to name names he does so without flinching. Like the Irish coal miners he mingles with, he's a man "at the bottom of the barrel", but unlike them, he wants to be at the top of the barrel looking down. He finds love, his boarding lady who's desperate to get out of that coaldusted hellhole, a woman of strict ethics who wants decency and lawfulness. He tells her that "you buy decency and respectability like you buy a loaf of bread", so that he recognizes the futility of the Mollies' struggle and can't help to be drawn to it, to that fleeting sparkle of futile human defiance against injustice. But that's not the movie's meridian, although it feels so at the time. A little later we get a magnificent discussion in a tavern, during a wake, between himself and Sean Connery, brooding leader of the Mollies', where Richard Harris tells him that he'll never die, that he's going to live forever.

It struck me like a brick, like reading Judge Holden speak to his scalphunter comrades in Blood Meridian around a campfire in the middle of the desert, because essentially and metaphorically, that is true; everybody else will pass away, the men who struggle and fight oppression and the men who die "without making a pip", but Richard Harris will live forever. He's deceit everlasting, the cosmic trickster. During their trial, when the prosecutor against the Mollies' calls for the first witness, a door to an adjacent room opens and we see Richard Harris calmly playing cards with the police captain, a man he has nothing but contempt for. In the end, there's neither punishment nor forgiveness for him, he's beyond all that, a little above and beyond everything else, damnation and vengeance, beyond even love or self-pity, human compassion and regret too. In the end he walks by a newly erected scaffold being tested by prison wardens, and he simply walks away never looking back. He's not even going away to Denver, Colorado, to be in charge of a detective agency there, he goes beyond that, [...] he never sleeps, he says that he will never die, he dances in light and in shadow and he is a great favourite, he never sleeps, he says that he will never die. Perfect.

What's not perfect is the bogus score by Henry Mancini, basically upbeat irish folk reworkings. Maybe 16 Horsepower should redo this one.

Molly Maguires (1970)

Plot In A Paragraph: A terrorist group known as the Molly Maguires has been sabotaging a coal mine in Pennsylvania where they in fact work. Detective James McParlan (Richard Harris) must infiltrate the group led by John Kehoe (Connery) Throughout the film McParlan's allegiances are tested. Will he side with the Maguires and become a true member, or keep his mission in mind and bring an end to the group??

This for me is Connery's best performance to date. I personally think he is brilliant here!! But once again audiences and the Academy did not care, and ignored the movie. Richard Harris (billed above Connery, even though Connery was paid more and was the bigger star) is a funny actor to me, I've never really taken to him, there was just always something about him I didn't like, but I can't fault his work here.

The movie is so powerful (at least to me) and deserves to be seen as it's filled with fantastic performances. The first line of dialogue doesn't come till about 15 minutes in, with Connery not speaking until about the 40th minute despite being one of the first characters introduced on screen. Director Martin Ritt wanted to film this in black and white, but Paramount were worried it would put off movie goers.

Molly Maguires was another Connery movie to fail at the box office, and it failed in a big way, grossing only $2 million at the domestic box office on a budget of $11 million.

Having been born and raised in the area this picture was filmed in,naturally I feel a bond to it. Add to that the fact that Richard Harris,one of my favorite actors stars in the film,and its a must see for me. Looking past that the film is riviting. Harris and Connery carry the film as the Cat and Mouse in this Coal town saga each playing to their professional strengths while adding a bit of their own to the roles. The supporting cast is just as strong,particularly the lovely and talented Samantha Eggar and the underused shakespearean actor Frank Finley.

On a personal note,two of my early mentors in theatre,J. Gerald Godwin and Jane Tomassetti have small roles in the film as the Paymaster and Miliner respectivley.

To sum it up..Molly McGuires is a film that you can sink your teeth into..and no matter which side of the conflict you find yourself on you can see what it was that drove men to do what they did.This film will not fail to keep you on the edge of your seat and make you think in the process.

Real story about secret society of Irish miners in Pennsylvania , circa 1876 .The Molly Maguires was an Irish 19th century secret society active in Ireland, Liverpool and United States. The "Mollies" were mostly known for their activism amongst Irish American coal miners in Pennsylvania , they fought for better conditions for coal miners , using even terrorist acts . The Molly Maguires" were so-called because they would often disguise themselves by wearing womens' clothing, hence their name . Life is rough in the coal mines of Pennsylvania , suffering a dreadful existence . Wages were low, working conditions were atrocious, and deaths and serious injuries numbered in the hundreds each year. As the film deals with a secret group of Irish immigrant miners, known as the Molly Maguires led by a worker (Scotsman Sean Connery as Jack Kehoe who was not a miner, but the owner of a saloon, The Hibernia House) , there arrives a newcomer (first-rate performance by Irishman Richard Harris) who is working as informer , in fact , he is a Pinkerton detective who infiltrates the group .

Exciting and thought-provoking story of Unions , treason and secret societies plenty of interesting drama , emotion and a strong antagonism between entrepreneurs and mine-workers . This good flick packs nice acting , vivid settings , evocative atmosphere , though is hurt by overlong scenes and depressing finale . Interesting screenplay dealing with brooding themes such as betrayal , fidelity , working fight , terrorism and many other things . As main cast : Connery , Harris , Eggar , as support cast : Frank Finlay , Anthony Zerbe , John Alderson , Bethel Leslie , Art Lund , Anthony Costello give top-notch interpretations . Colorful cinematography in Panavision by the classic cameraman James Wong Howe , filmed on location . According to cinematographer Howe, director Martin Ritt wanted to photograph this film in black and white, but was not allowed to do so by Paramount . Most of this film was shot in Eckley, Pennsylvania ; Paramount Pictures saved the town from being destroyed , it was slated to be demolished for strip mining . Special mention to impressive musical score , including a breathtaking leitmotif .

This understatement as well as downbeat motion picture was compellingly produced and directed by Martin Ritt , though a little long . The film was a notorious flop when it was released in 1970, earning back a little over 10% of its $11-million budget, an enormous sum for the time . Director Ritt blamed the film's massive critical and commercial failure for permanently damaging his career. Ritt was an expert on well-crafted dramas such as ¨Stanley and Iris¨ , ¨Nut¨ , ¨Norma Rae¨ , ¨The front¨, ¨The Sound and the Fury¨ , ¨Black orchid¨ , though also directed films of all kind of genres such as : ¨The Spy Who Came in from the Cold¨ , ¨The Great White Hope¨ , ¨Mafia¨ . And he worked with Paul Newman in three Westerns : ¨Hombre¨ , ¨Hud¨ and ¨Outrage¨. ¨Molly McGuire¨ film will appeal to drama enthusiasts and Sean Connery , Richard Harris fans . Rating : Above average, well worth checking out ; along with ¨Outrage¨ , being one of Ritt's best movie.

The picture was well based on actual events , they are the followings : About 22,000 coal miners worked in Schuylkill County, Pennsylvania. 5,500 of these were children between the ages of seven and sixteen years, who earned between one and three dollars a week separating slate from the coal. Injured miners, or those too old to work at the face, were assigned to picking slate at the "breakers" where the coal was crushed into a manageable size. The miners lived a life of "bitter, terrible struggle". Wages were low, working conditions were atrocious, and deaths and serious injuries numbered in the hundreds each year. The mine owners without one single exception had refused over the years to install emergency exits, ventilating and pumping systems, or to make provision for sound scaffolding and on September 6, 1869, a fire took the lives of 110 coal miners. Franklin B. Gowen, the president of the Philadelphia and Reading Railroad, and of the Philadelphia and Reading Coal and Iron Company and "the wealthiest anthracite coal mine owner in the world", hired Allan Pinkerton's services to deal with the Mollies. Pinkerton selected James McParland to go undercover against the Mollies. Using the alias "James McKenna", he made Shenandoah his headquarters and claimed to have became a trusted member of the organization.McParland's assignment was to collect evidence of murder plots and intrigue, passing this information along to his Pinkerton manager. He also began working secretly with a Pinkerton agent assigned to the Coal and Iron Police for the purpose of coordinating the eventual arrest and prosecution of members of the Molly Maguires. After months of little progress, McParlan reported some plans by the "inner circle". When Gowen first hired the Pinkerton agency, he had claimed the Molly Maguires were so powerful they had made capital and labor "their puppets". When the trials of the alleged puppet-masters opened, Gowen had himself appointed as special prosecutor . On June 21, 1877, six men were hanged in prison .

The beginning of this movie is probably the longest I've ever watched without a single word of dialogue. Sean Connery, the protagonist, heads a group called the Molly Maguires, named after an Irish martyr, which uses terrorist tactics to fight for better working conditions, etc. Richard Harris plays a Pinkerton cop who comes to America to infiltrate the group and get the goods on Connery.

I feel VERY attached to this movie because it stars my husband's favorite actor (Sean) and MINE (Richard). I currently live in central Pennsylvania and the scenery in the movie (though filmed in the Poconos) is what I see every day. The creepy thing is, that after some research, I discovered that my husband's grandfather was a coal miner born (1870) and raised in the very town where this movie was filmed (Jim Thorpe, formally known as Monchauk, I think). So, naturally, I HAD to name my daughter Molly! I have a picture of my husband's grandfather dressed in the very outfits seen in the film. Life is strange!