Aggiungi una trama nella tua linguaTwo friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Recensioni in evidenza
"Loot" is a British comedy based on a Joe Orton play with a dark, funny premise. Young men manage to steal money from a bank vault, attempt to hide it in a coffin that already holds a body, remove the body, and then are stuck attempting to hide both.
Hywel Bennett plays Dennis, one of the young robbers, who lays every woman in sight; Milo O'Shea plays his father; Richard Attenborough is the Inspector on the bank case; and Lee Remick plays a sexy nurse caring for Dennis' mother and looking for a rich man. I confess it took me a while to recognize her. She looks totally different here as a sexy, bombshell blonde, and speaks with an accent.
This is a very '60s film, sort of Carry on Doctor Meets Caper Film, and some of it comes off as a little tired and frantic today. Still, the acting is good, and it is an amusing story. Made even a few years later, it might have been a darker and tighter film.
Hywel Bennett plays Dennis, one of the young robbers, who lays every woman in sight; Milo O'Shea plays his father; Richard Attenborough is the Inspector on the bank case; and Lee Remick plays a sexy nurse caring for Dennis' mother and looking for a rich man. I confess it took me a while to recognize her. She looks totally different here as a sexy, bombshell blonde, and speaks with an accent.
This is a very '60s film, sort of Carry on Doctor Meets Caper Film, and some of it comes off as a little tired and frantic today. Still, the acting is good, and it is an amusing story. Made even a few years later, it might have been a darker and tighter film.
Got recommended to me by a friend who loves the cars displayed in the film (Triumph Mayflower, car used for the actual heist)... but I must say, I really enjoyed this (seemingly trashy) film: it made up with wit, sharp dialogue and humor for some wicked plot points and awkward slap-stick situations.
It may mystify those hooked on two modern types of comedy film: those which mock the people who don't conform and those which don't ever rise beyond crude vaudeville. Loot sympathises with those who defy and subvert social codes.
The visual aspect of the film got me, as well: the color coding of the set design, character blocking and image compositions are very well done. Very cramped, chaotic, blindingly colorful (enhanced by analogue film and how it filters colors) and brimmed with humor and details. Especially I liked the mansion of the dead mother with its exuberant vintage opulence and vibrant colors. Also the light design is in some scenes just upright genius.
Overall, this gem was LOADS of fun to watch, don't take everything to serious and enjoy the witty dialogues, sometimes SUPER trashy music and exaggerated humor. This is a comedy, made for those who won't take everything to seriously, not even love, death, money and society. It is so dark, it is the brightest thing I've watched in months.
It may mystify those hooked on two modern types of comedy film: those which mock the people who don't conform and those which don't ever rise beyond crude vaudeville. Loot sympathises with those who defy and subvert social codes.
The visual aspect of the film got me, as well: the color coding of the set design, character blocking and image compositions are very well done. Very cramped, chaotic, blindingly colorful (enhanced by analogue film and how it filters colors) and brimmed with humor and details. Especially I liked the mansion of the dead mother with its exuberant vintage opulence and vibrant colors. Also the light design is in some scenes just upright genius.
Overall, this gem was LOADS of fun to watch, don't take everything to serious and enjoy the witty dialogues, sometimes SUPER trashy music and exaggerated humor. This is a comedy, made for those who won't take everything to seriously, not even love, death, money and society. It is so dark, it is the brightest thing I've watched in months.
I have seen this play on stage a few times and I must say that it really does work better there. On screen, even though that does allow for greater location flexibility, the story/farce is just a little too undercooked and slapstick here for my liking. It all centres around "Hal" (Roy Holder) and his pal "Dennis" (Hywel Bennett) who have managed to rob a bank. One works in a funeral parlour, so they hit on the idea of stashing their ill-gotten gains in an as yet unoccupied coffin and to lie low for a while. Hot on their trail is the razor-sharp, wandering-handed, "Insp. Truscott" (Richard Attenborough) and as their secret proves difficult to keep, they have to manage the venal expectations of nurse "Fay" (Lee Remick) too. Like so many of it's genre, the humour is very visual and unsophisticated. Again, on stage that exudes a certain adult pantomime feel to it. On screen, that misses much more often than it hits and the pair of them harrying around their cash in the altogether delivering some rather crude, innuendo-ridden, dialogue smacked more of a "Carry On Coffin" type affair. The ending has a twist and that does raise a smile and Milo O'Shea injects a gentle mischief now and again, but that's not enough to carry the rest of this rather crass and mediocre comedy drama.
You can't go wrong when Galton and Simpson adapt an Orton play.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Simply put, I enjoyed this thoroughly. Although I am not familiar with the play of the same name, or any of the actors aside from Richard Attenborough, or any of the crew, I suspect this only enhanced my enjoyment.
I had only previously seen Richard Attenborough in Jurassic Park and this movie will most certainly make me keen to see him again. I caught this on TV after another movie and I had absolutely no idea what I was watching. It was completely unplanned on my part.
By the end I was laughing obediently at the ensuing hilarity. If you happen to find this movie is to your tastes then the comedy hits hard and uncompromising like a heavy weight boxer. But to be fair I enjoyed The Love Guru and Basic Instinct 2 so I am in no position to comment on 'taste'. I did however enjoy it enough to feel motivated to add my first review for it.
I had only previously seen Richard Attenborough in Jurassic Park and this movie will most certainly make me keen to see him again. I caught this on TV after another movie and I had absolutely no idea what I was watching. It was completely unplanned on my part.
By the end I was laughing obediently at the ensuing hilarity. If you happen to find this movie is to your tastes then the comedy hits hard and uncompromising like a heavy weight boxer. But to be fair I enjoyed The Love Guru and Basic Instinct 2 so I am in no position to comment on 'taste'. I did however enjoy it enough to feel motivated to add my first review for it.
Lo sapevi?
- QuizThe character of the corrupt Inspector Truscott is generally regarded as playwright Joe Orton's revenge on the police force. He had once served a short prison sentence for defacing library books. The character was, as he conceded, also based to an extent on the notorious Detective Sergeant Harold Challenor, whom he never met, but who had been at the center of a great scandal in 1963. Challenor was found to have planted evidence to ensure a conviction in several cases, including those of innocent people. The fictitious Truscott even uses a catchphrase of Challenor's.
- BlooperWhen the hearse that Dennis is driving goes out of control because its brakes have failed, and the other vehicles in the funeral procession accelerate to keep up, they lurch round several corners. Skid marks from previous takes are visible on each corner.
- Citazioni
Nurse Fay McMahon: The police used to be run by men of integrity!
Inspector Truscott: That is a mistake which has since been rectified.
- ConnessioniFeatured in Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024)
- Colonne sonoreMore More More
Written by Keith Mansfield
Performed by The Keith Mansfield Orchestra
Sung by Steve Ellis
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Loot?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Die größten Gauner weit und breit
- Luoghi delle riprese
- West Pier, Brighton, East Sussex, Inghilterra, Regno Unito(opening scenes)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 41 minuti
- Mix di suoni
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti