Aggiungi una trama nella tua linguaTwo friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.Two friends rob a bank and hide the loot in a coffin at the funeral parlor where one of them works. A nurse's greed and a detective's questionable tactics complicate matters.
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I am rarely tempted to add my own thoughts on any film on IMDb, but when the review for the black farce that is LOOT is compared less than favourably to WEEKEND AT BERNIES in all seriousness then even I feel I have to hitch up the keyboard and redress the situation.
These are two films that are from totally different worlds.
W.A.B's is an American teen romp, the kind that keep the tit and ass count down to get as many 15 year olds in to the multiplex, whilst LOOT is the second to last play written by Joe Orton the darling of the mid sixties theatre scene in London.
Now I have never particularly liked LOOT as a play or as a film, preferring Entertaining Mr Sloane, Berly Reid's performance being worth the price of admission alone, but to compare it to W.A.B.'s is like comparing Hamlet to GHOST because of the presence of a spook in them. But it is easily a far superior film, yes it is a little creaky and the farce is shoe horned in but then that was Orton's style.
LOOT is an example of the sad fag end of the sixties as they misfired to a close.I half expect to see Withnail and I come lurching over the horizon like spectres.
Weekend At Bernies indeed.
see also "Entertaining Mr.Sloane" and the bio pic "Prick Up Your Ears".
These are two films that are from totally different worlds.
W.A.B's is an American teen romp, the kind that keep the tit and ass count down to get as many 15 year olds in to the multiplex, whilst LOOT is the second to last play written by Joe Orton the darling of the mid sixties theatre scene in London.
Now I have never particularly liked LOOT as a play or as a film, preferring Entertaining Mr Sloane, Berly Reid's performance being worth the price of admission alone, but to compare it to W.A.B.'s is like comparing Hamlet to GHOST because of the presence of a spook in them. But it is easily a far superior film, yes it is a little creaky and the farce is shoe horned in but then that was Orton's style.
LOOT is an example of the sad fag end of the sixties as they misfired to a close.I half expect to see Withnail and I come lurching over the horizon like spectres.
Weekend At Bernies indeed.
see also "Entertaining Mr.Sloane" and the bio pic "Prick Up Your Ears".
Er......that's because it is a play. A play PLAY PLAY PLAY PLAY PLAY PLAY PLAY PLAY PLAY. Did I mention it is a well known play in England? It's a rather good play.
Simply put, I enjoyed this thoroughly. Although I am not familiar with the play of the same name, or any of the actors aside from Richard Attenborough, or any of the crew, I suspect this only enhanced my enjoyment.
I had only previously seen Richard Attenborough in Jurassic Park and this movie will most certainly make me keen to see him again. I caught this on TV after another movie and I had absolutely no idea what I was watching. It was completely unplanned on my part.
By the end I was laughing obediently at the ensuing hilarity. If you happen to find this movie is to your tastes then the comedy hits hard and uncompromising like a heavy weight boxer. But to be fair I enjoyed The Love Guru and Basic Instinct 2 so I am in no position to comment on 'taste'. I did however enjoy it enough to feel motivated to add my first review for it.
I had only previously seen Richard Attenborough in Jurassic Park and this movie will most certainly make me keen to see him again. I caught this on TV after another movie and I had absolutely no idea what I was watching. It was completely unplanned on my part.
By the end I was laughing obediently at the ensuing hilarity. If you happen to find this movie is to your tastes then the comedy hits hard and uncompromising like a heavy weight boxer. But to be fair I enjoyed The Love Guru and Basic Instinct 2 so I am in no position to comment on 'taste'. I did however enjoy it enough to feel motivated to add my first review for it.
I have seen this play on stage a few times and I must say that it really does work better there. On screen, even though that does allow for greater location flexibility, the story/farce is just a little too undercooked and slapstick here for my liking. It all centres around "Hal" (Roy Holder) and his pal "Dennis" (Hywel Bennett) who have managed to rob a bank. One works in a funeral parlour, so they hit on the idea of stashing their ill-gotten gains in an as yet unoccupied coffin and to lie low for a while. Hot on their trail is the razor-sharp, wandering-handed, "Insp. Truscott" (Richard Attenborough) and as their secret proves difficult to keep, they have to manage the venal expectations of nurse "Fay" (Lee Remick) too. Like so many of it's genre, the humour is very visual and unsophisticated. Again, on stage that exudes a certain adult pantomime feel to it. On screen, that misses much more often than it hits and the pair of them harrying around their cash in the altogether delivering some rather crude, innuendo-ridden, dialogue smacked more of a "Carry On Coffin" type affair. The ending has a twist and that does raise a smile and Milo O'Shea injects a gentle mischief now and again, but that's not enough to carry the rest of this rather crass and mediocre comedy drama.
You can't go wrong when Galton and Simpson adapt an Orton play.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Very black, very funny, and gloriously captures the end of the swinging sixties with the Dennis and Hal's curious way of getting out of a parking ticket.
Roy Holder and Hywel Bennett are perfectly cast as the roguesh but likable main characters, and the supporting players help to carry the film along at a pace.
Ultimately a very enjoyable film, and I can only roll my eyes at the thought of it being compared to Weekend at Bernies - where Loot has black humour, Bernies only has slap stick.
Lo sapevi?
- QuizThe character of the corrupt Inspector Truscott is generally regarded as playwright Joe Orton's revenge on the police force. He had once served a short prison sentence for defacing library books. The character was, as he conceded, also based to an extent on the notorious Detective Sergeant Harold Challenor, whom he never met, but who had been at the center of a great scandal in 1963. Challenor was found to have planted evidence to ensure a conviction in several cases, including those of innocent people. The fictitious Truscott even uses a catchphrase of Challenor's.
- BlooperWhen the hearse that Dennis is driving goes out of control because its brakes have failed, and the other vehicles in the funeral procession accelerate to keep up, they lurch round several corners. Skid marks from previous takes are visible on each corner.
- Citazioni
Nurse Fay McMahon: The police used to be run by men of integrity!
Inspector Truscott: That is a mistake which has since been rectified.
- ConnessioniFeatured in Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024)
- Colonne sonoreMore More More
Written by Keith Mansfield
Performed by The Keith Mansfield Orchestra
Sung by Steve Ellis
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- Celebre anche come
- Die größten Gauner weit und breit
- Luoghi delle riprese
- West Pier, Brighton, East Sussex, Inghilterra, Regno Unito(opening scenes)
- Azienda produttrice
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- Tempo di esecuzione1 ora 41 minuti
- Mix di suoni
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