Esotika Erotika Psicotika

The follow up of Camilla 2000, remember, the flick with the moaning girls and the sex scene's who were a bit lame. If we could talk about sex scene's to be honest, but the score made it all better. So with the voluptuous main lead, Silvana Venturelli, from Carmilla the director Radley Metzger went on to this project made in full porn bloom.

Starts off with a bunch of people watching an erotic picture. The erotic flick goes further then Camilla ever did. Silvana goes full frontal and this time the camera shows the girls giving head even as nothing is shown it do offer some soft-erotic parts. We move over to some stunts being done on motorcycles, a bit too long but there the man recognises the girl on the bike as the girl from the erotic flick. He invites her back to his castle, guess you all know what is coming. In the castle the director goes as far as possible with close-ups of Silvana's private parts.

Much better story with the magic involved, excellent filmed. A bit of mystery going on with the films itself which give this flick an uplift. Not bad at all, Metzger's best effort.

Gore 0/5 Nudity 3/5 Effects 0/5 Story 3/5 Comedy 0/5

It's hard for me to rate this movie because I have no reference to what porn or sexploitation film was like in the late 60s. This is definitely not one of those seedy production, but actually a decent dramatic movie.

I understand that the director was born in New York, but the movie has European flavor to it. The world was going through the sexual revolution, and many experimental films were created during this period. What I see in this movie is what the French used to call Nouvelle Vague (New Wave) where the reason for the story takes back seat to the unintelligible vagueness that's supposed to enhance the artistry of the production.

Nouvelle Vague didn't last too long as it didn't gather much following, but there were more than few of this type of movies made by Jean-Luc Godard and Roger Vadim. In fact, the film strongly reminds me of Roger Vadim's style of film making.

I have to give credit to the beauty of this film. The director certainly has eyes for keeping interesting and clean appearance to the picture.

How you rate the story of the movie probably differs widely depending on the audience. I kind of liked it for its modern appearance, and interesting story.

It really took me back in time to experience what it was like to live in the '60s and very early '70s. It will probably do the same to you.

'The Lickerish Quartet' is very much a product of the early 70s when the idea of mixing the art movie and soft core genres was in vogue. Radley Metzger created a fascinating albeit very pretentious pseudo-psychedelic mindbender which is quite unlike any other similar movie of this era. At times I was reminded a little of Jess Franco's 'Succubus', but 'The Lickerish Quartet' is truly a one-off. Metzger plays with time, with frequent cuts, flashbacks, flashforwards, and dream sequences, so by the end fantasy and reality are blurred, and everybody, including the audience, is no longer exactly sure what actually happened, and what didn't. Silvana Venturelli is beautiful and well cast as the mysterious "visitor", and Frank Wolff ('Cold Eyes Of Fear') stands out from the supporting cast, as the wealthy sophisticate who gets a lot more than he bargains for. This movie is a real treat for lovers of 60s and 70s "head" movies, and will appeal to fans of Jodorowsky and Bunuel as much as Franco or Jean Rollin. Highly recommended.

I didn't enjoy this quite as much as I did a few years back and this may be because I found the pacing a little difficult this time. Nevertheless it is still a fabulous looking, brave, intriguing and beguiling movie. I don't know where the title comes from and I don't know why the daredevil motorcycle sequence, early on, was so long but the central idea with the supposed projection of an old stag movie that is not all it seems is a great notion. The castle setting (Balsorano, Italy) is amazing and the Stelvio Cipriani score one of his very best, so lush and stirring, particularly effective in the 'very sixties' running jumping and having sex outdoors sequence and the superb pop art library sex sequence. I must mention the solid Frank Wolff, who would drown himself in a Hilton bath tub shortly after this film and the amazing, Silvana Venturelli, who would do little else after this than some playboy layouts. Not for everyone but if the names Vadim, Robbe- Grillet and Warhol don't scare you off, you'll probably get something out of this unique film.

This movie left me confused at times. This is one of those movies with confusing endings. If you watch this film, watch very closely, because if you're going to forward throughout the whole thing, then you miss out. There is some nudity in the film and brief frontal nudity. I wouldn't say there is real "sex" in the film, so don't get confused by what you read about the film. I hope this helps you understand a little about this film. I'll give it 7/10 for the little things in the movie(you'll see what I mean by watching it).