Jane Eyre nel castello dei Rochester

This film needs restoration. It is so dark in some places you can't really see anything. George C. Scott is flat and wooden; no emotion. Susannah York is too old for the part. The movie is too short. With all that said I still rate it a 7. Give it a try but lower your expectations.

I've read the book so many times and seen every version of Jane Eyre made and for me, George C Scott played the tortured soul Mr Rochester the best. One couldn't fancy Orson Welles, William Hurt was just a sap and Timothy Dalton melodramatic. George C Scott was as rough and gruff as Mr Rochester was supposed to be. When you first read of him, Jane is quite frightened - he has a large personality, makes a lot of noise and kicks things about. Gradually we see a softer side and soon you really want the guy to be happy. The set appeared right out of my own imagination and the creepy bit made me lift my ankles from below the sofa. The score is absolutely brilliant - oh those violins really get your heart pumping'. Ian Bannen is suitably slimy as St John (sinjin). Susannha York was a bit too pretty to be Jane Eyre but she tried her best. She was flavour of the month at the time and I can't remember what other actresses were around that would have been more suited. Jane was supposed to be VERY plain, and considerably younger than Mr Rochester. Nyree Dawn Porter played Blanche beautifully an sympathetically.

Of all the actresses who have attempted this role, belated congratulations to Miss Susannah York for alone understanding "Jane" to the core, a knowledge absolutely necessary to render the character in a manner that Miss Bronte herself would assuredly recognize and approve.

No other film actress has achieved Jane's self possession, self reliance, modesty, and self control in a way that consistently points to the novel itself, rather than some film director's misguided attempts to deliver a trivialized cartoon cut out. And it is these attributes that render Miss York's treatment of Jane's deeply held emotions all the more affecting, since they are kept under lock and key.

Some other actresses have come close, (Joan Fontaine) while others have evidently had no conception of what on earth they were doing (Virginia Bruce).

Suffice it to say that up to now, Susannah York has bested all others. As Mr. Roderick, George C. Scott is too old, but turns in a serviceable performance otherwise.

Plaudits also to the cinematography for achieving a truly romantic bleakness comparable the paintings of Caspar David Friederich. Delbert Mann understood the importance of landscape to this story, (another key attribute jettisoned in other versions) and for this he is to be congratulated.

Finally, the sumptuous and unforgettable score of John Williams. Forget "Star Wars" ! for this is a score of genuine musical achievement, richly romantic, stirring and melancholic all at the same time, not to mention being eminently listenable on its own terms.

Three cheers to all concerned in this A-1 production.

While I may not have seen every version of Jane Eyre, this is my favorite of those encountered and definitely preferable to the more recent ones. This adaptation is made by George C. Scott who, as others have noted, positively IS Mr. Rochester. In fact, I've never really been able to properly appreciate any other version, because I keep longing to see Scott in the part. Forget William Hurt, Ciaran Hinds, or even Timothy Dalton. Scott has taken command of Rochester's role for me, just as Alastair Sim in the 1951 A Christmas Carol commands the role of Scrooge, making all others second best.

Of course this is Charlotte Bronte's classic story of an orphan, Jane Eyre, who is first sent to Lowood School, and then upon reaching young womanhood, obtains a position as governess to a little girl called Adele at Thornfield Hall. Adele's father and the lord of the manor is the enigmatic Edward Rochester. As opposite as employer and governess appear, as intimidating as Mr. Rochester seems and as wary as Jane is, the two become attracted. However, Thornfield Hall has an air of mystery about it...

Susannah York seems a bit too old and perhaps too pretty for the role, as Jane is intended to be rather plain. Charlotte Gainsbourg from the 1996 version is actually my favourite Jane portrayal. However, York is convincing enough as the maidenly but rather spunky governess. The two, Scott and York, have amazing chemistry together, an endearing tenderness in some of their scenes. It is touching to behold the interactions between the rough hewed, gruff, & brooding Mr. Rochester and the shy, gentle, principled, yet underneath potentially passionate Jane. Some have criticized Scott's Rochester as lacking passion, but I personally found him perfect in the role.

Everything else as I recall is well done, including supporting cast, Yorkshire moors scenery, haunting atmosphere, and lovely musical score.

Just a point of interest, these two stars appear together again in the 1984 version of A Christmas Carol, with Scott as Scrooge and York as Mrs. Cratchitt. I enjoy all the versions and Scott's sideburns are wonderful, but he seems to be enjoying playing Scrooge a wee bit too much! He's a lot better here as Mr. Rochester.

I thought this little obscure adaptation was one of the better versions of the Bronte novel to ever be put on film. I would say that George C. Scott's Rochester ties with the best interpretations of the character with the likes of Mr.Orson Wells and Ciaran Hinds. The musical score (one of the earliest works of John Williams) was a haunting little melody that fit the film perfectly and I found the laughing and the "Grace Poole" parts more mysterious, even slightly more frightening. This version also has Blanche Ingram portrayed as Charlotte Bronte' had visioned, a tall brunette of a slightly older age and not rediculously imitated by a supermodel as in some other adaptations. Ms. York did a remarkable job as Jane Eyre, however, I believe the best Jane Eyre performance goes to Samantha Morton in the BBC 1997 version. However, Susanna York and George C. Scott's scenes have the most chemistry and tenderness in them. I thought this little version (even with Jane's 70's hair-do)was great and after a long search I finally found it on video. 8 out of 10.