Il castello dalle porte di fuoco

Ivanna is employed as a chemist at the laboratory of Baron Janos. The baron is suspected of several brutal femicides in the area, but she doesn't worry about that. She doesn't really mind, either, to be drugged in the night and carried away to the torture chamber. After all, her scientific work is all that matters to her, and the rest is minor obstacles. For some strange reason, the baron asks her not to open a particular door, never, under no circumstances. Sure she opens the door one minute later, and then the real trouble begins...

Laughable story, totally ridiculous main character, but great gothic look and altogether it's quite some fun - maybe not in the way the makers intended. Not to be missed by lovers of weird European gothic cinema.

This is the second José Luis Merino film I've seen this week and comparing the two, SCREAM OF THE DEMON LOVER is much more sexual in nature than TERROR OF THE LIVING DEAD due, no doubt, to the Italians being involved. DEMON LOVER is also set in the nineteenth century and stars Erna Schürer as a kittenish chemist who's come to Baron Dalmar's medieval estate to assist him in trying to bring his dead brother back to life. The villagers warn her that the Baron is killing women and ripping them to shreds after consensual sex but she stays on anyway, even after being drugged nightly and put on a rack in the dungeon (?!).

Although it's nowhere near as atmospheric or entertaining, the movie owes something of a debt to Mario Bava's THE WHIP AND THE BODY and it's fascination with sadomasochistic mise-en-scène. The Baron and his hounds cut a dashing figure atop the grand staircase and sexy Schürer shows her globes a lot but she's outshone by the exquisite Agostina Belli, who also bares her boobs in the secondary role of a castle servant.

Erna Schürer was born Emma Costantino in Naples, Italy and modeled for "Vogue" and "Harper's Bazaar"before appearing in the popular "fumetti" foto-comic "Satanik" in the mid-60s. Placed under contract by movie producer Alberto Grimaldi, Erna spent most of the '70s cranking out "classics" like EROTIC CONFESSIONS FROM A WOMEN'S PRISON, YOUR HANDS ON MY BODY, STRIP NUDE FOR YOUR KILLER, MY PLEASURE IS YOUR PLEASURE, and DEPORTED WOMEN OF THE SS SPECIAL SECTION before more-or-less disappearing from the cinema scene. There's no birth or death dates given for Erna on IMDb and there's precious little about her on the worldwide web, either, for that matter. Today, Schürer's sure as sh!t a GILF somewhere (unless she's split the scene, if you know what I mean).

The handsome Baron Janos Dalmar is believed to be a homicidal maniac who rapes the girls he lures to his castle before feeding the bodies to his monstrous dogs. Still, these are just rumors nobody can prove. Dalmar then recruits the beautiful and intelligent female chemist Ivanna and, through her dreams, she discovers that there are much deeper secrets hidden behind the castle's walls. "Blood Castle" is mediocre Gothic horror with a lot of routine plotting and only one or two really ingenious moments. The castle setting is terrific, though, and the make up effects on the actual murderer are quite eerie and convincing. The lead actress drivels way too much and she doesn't only seem to bore her male counterpart but also us; viewers. All the clichés are there, with the beast in the cellar, the ominous servants and the superstitious villagers who only just survived a plague-epidemic. This film is watchable enough, but there are many other Gothic horror classics available, so you don't really need to waste your time on this average installment. The better choices include "The Virgin of Nuremberg", "The Whip and the Body", "Nightmare Castle", "Baron Blood" and "Danse Macabre".

Ivana, a chemist, is hired by Baron Janos Dolmer to work in his secret laboratory in his big castle. The castle is located outside a small village, in which a series of brutal murders of young women has been committed. The townspeople all suspect Janos and his big doberman dogs (or is it rotweilers?). Ivana moves into the castle and pretty soon strange things starts to happen. Nobody of Janos' staff seems to want her around, her drink gets spiked and she has nightmares of a torture chamber in the cellar. Or is it really a dream? Janos himself is a bit suspicious, and the experiment he wants Ivana to participate in is far from normal.

It's quiet a good plot, and the characters are interesting. There are some logical gaps and the `scientific' discussions held between Ivana and Janos are laughable. The castle is beautiful and the atmosphere in the movie is very gothic. The flick features some nudity and sex.

I'd give this one a 6 out of 10. I'd recommend `La plus longue nuit du diable' by Jean Brismée instead if you're looking for an excellent 70's gothic horror movie.

"Il Castello Dalle Porte Di Fuoco" (*) aka. "Altar of Blood"/"Blood Castle"/"Scream of the Demon Lover" (1970) is a below par Italian Gothic Horror film. This is not to say that it isn't a good film, however, as this combination of country and sub-genre has brought forth so many masterpieces and cult-gems, that even a highly entertaining, atmospheric and neat-looking flick like this one is below par (to be precise, this is an Italian Spanish Co-Production, the director José Luis Merino being Spanish).

José Luis Merino's film may lack logic, and seems to be terribly predictable and cheap in the beginning. However, it soon gets better, and furthermore turns out not to be quite as predictable as one might think. In the 19th century, the female chemist Ivanna (Erna Schürer) accepts a job in the castle of Baron Janos Delmar (Carlos Qunay). In spite of rumors that the Baron is a madman who rapes girls and has them mangled by his dogs, the un-superstitious Ivanna decides to stay. However, she soon has to realize that there are indeed strange things going on in the castle...

The foxy leading actress Erna Schürer might be recognized by Italian Horror lovers, as she had a role in Andrea Bianchi's sleazy Giallo "Nude Per L'Assassino" ("Strip Nude For the Killer", 1975); the role suits her quite well. Leading man Carlos Quinay appeared alongside the Spanish Horror legend Paul Naschy in "La Orgia De Los Muertos" (aka. "The Hanging Woman"/"Terror of the Living Dead", 1973). The cast member of this film that is doubtlessly (and rightly) best known, however, is the drop-dead gorgeous young Agostina Belli, a stunning beauty who appeared in a bunch of Italian genre films. She plays the supporting role of a young maid here. Marino Vidal Molina, who plays a police inspector, appeared in several films alongside Paul Naschy.

The film has a nice atmosphere, even though it is not quite as moody and eerie as it is the case with many other Italian Gothic Horror films. In some parts I was reminded of Antonio Margheriti's "La Vergine Di Norimberga" ("Horror Castle", 1963), which, of course, is a lot better. The plot has huge holes, but these holes are often entertaining, as are the spontaneous moments of comparatively rather tame sleaze. The camp-factor is definitely a good thing in this case. The characters' actions and emotions make little sense at times, but the film is entertaining anyway. It probably isn't going to scare anybody's pants off, but it is warmly recommendable to my fellow enthusiastic fans of Italian Gothic Horror. People not so familiar with the genre should doubtlessly stick with the many Italian Gothic Horror masterpieces, such as anything by Mario Bava, Antoni Margheriti, Riccardo Freda, etc. My rating of "Il Castello Dalle Porte Di Fuoco": 6/10

_____________

(*) This actually does not concern this film in particular, but all non-English language films listed on IMDb: Am I the only one who laments IMDb's decision to change from using original titles to using American a.k.a. titles? The titles used are often not even the most common English titles. And the name-change concerns only about half of the non-English films. Furthermore, the films appear under the English aka-title but are still alphabetically listed under the beginning letter of the original title. E.g.: "What Have You Done To Solange" is listed under "C" ("Cosa Avete Fatto A Solange"); this film appears as "Scream of the Demon Lover" but is listed under "I" ("Il Castello..."). This makes it quite confusing and annoying to browse one's own Reviews. Well, no sense in nagging, I guess.