Blood Suckers

The picture concerns about a bunch of friends ( Patrick Mcnee , Johnny Sekka..) , as they are looking for a English young student (Patrick Mower) who is seduced into an old cult carried out by a beautiful vampire (Imogen Stubbs) and being disappeared while was researching in a Greek island . There happens various unsolved killings and the police blame him as perpetrator of the creepy murders but his friends and the fiancée whose daddy is the University Principal (Peter Cushing) no believing his culpability but is spelled by a blood-sucking vampire .

It's a mediocre British terror film with suspense , action and vampires but a little bit boring and slow-moving . However , it contains some spectacular and glimmer Greeks outdoors , besides set on Oxford University . Patrick McNee ( Avengers) interprets smartly , as always . The great Peter Cushing plays correctly the starring's dad but his acting is secondary , also Edward Woodward (The wicker man) acts in a minimum role . Patrick Mower (Devil rides out)as charmed young is good and Johnny Sekka (Naked prey) in a quite secondary role is nice . The movie is regularly directed by Robert Hatford Davies , author of some other Horror film as ¨Corruption¨ (with Peter Cushing) , ¨The Fiend¨ (with Patrick McNee) and Blaxploitation movies as ¨Black Gunn¨ (Jim Brown) and ¨ The Take¨ (Billy Dee Williams) . This director due to disagreements with producers signed the film as Michael Burrows and the motion picture was shelved during years until its cinematic exhibition.

An Oxford don (Patrick Mower) goes to Greece to study mythology. Suddenly he disappears and nobody hears from him. A bunch of his friends and fiancée travel there to find him. They discover he is traveling all over Greece--and wherever he goes there's a murder. He's also under the spell of beautiful but deadly Chriseis (Imogen Hassell)...

This DOES have some good points. The initial story is intriguing and there is some beautiful location shooting in Greece and a few exciting fights here and there. Also Peter Cushing and Patrick Macnee are in it--they're not given much to do but they're both very good. Also Mower is pretty good and Hassall is VERY good (and beautiful).

But the plot gets increasingly confusing (and sillier) as it goes on. When they threw in the vampirism it was badly handled and just too ridiculous to take seriously. There were obvious production difficulties--quite a few scenes just have narration. Also Madeleine Hinde is just horrible playing Mowere's fiancée.

Basically though--it's boring! I dozed off a few times...and didn't miss a thing. And, as a horror movie, it just doesn't work. It plays more like an action film or a travelogue of Greece.

Not totally worthless (because of Cushing and Macnee) but not really worth seeing. I give it a 4.

A relic of the hippy, trippy, psychedelic early-'70s, this contemporary take on vampirism is a colossal waste of the acting talent involved. Peter Cushing, Edward Woodward, Patrick Macnee and Patrick Mower can do nothing to save this boring mess of a movie that treats vampirism as a sexual perversion, with impotent Oxford don Richard Fountain (Mower) only able to achieve orgasm while having blood sucked from his neck. This leads him to fall under the spell of sexy Greek vampire Chriseis (Imogen Hassall), and become part of a hippy cult that dabbles in ritualistic murder.

Concerned about Richard, his girlfriend Penelope (Madeleine Hinde) and friends Bob (Johnny Sekka), Derek (Patrick Macnee) and Tony (Alexander Davion) travel to Greece where they carry out a daring rescue mission.

Within the first fifteen minutes, a prolonged, multicoloured, kaleidoscopic orgy scene set to prog rock tests the mettle of even the most determined of bad movie fans. Make it past this and you will be rewarded with lots of pretentious dialogue, some incredibly poor action, a perplexing scene in which Richard harps on about an eagle, Macnee plummeting to his death off a cliff, and Richard upsetting his stuffy academic superiors during a banquet (a scene that is both dull and confusing).

The film finishes with Richard snacking on Penelope, being pursued by Bob across the Oxford University rooftops, and falling onto spiked metal railings (not a moment too soon).

I'll be a little less harsh than my fellow reviewers here, who all seem to agree that this `Incense for the Damned' is a giant waste of time, effort and film. I can't deny this is a failure in all viewpoints but I'm deeply convinced that the story's potential, along with the talent of the cast, could have resulted in a much better film. Although the screenplay remains faithful to Simon Raven's novel, the film completely lacks feeling and coherence. Small aspects, like the annoying use of voice-over, ruin the horror atmosphere and the occult-aspects are dreadfully overstressed. There's a drug trance/ sexual ecstasy sequence near the beginning of the film and it takes WAY too long! Even Imogen `the Queen of Cleavage' Hassall doesn't manage to keep you fascinated during this tedious scene.

But I still stand by my idea that the messy `Bloodsuckers' (the more appealing a.k.a of the film) contains several neat moments of clarity! Like a brief appearance by Edward Woodward, giving us a little insight on the unusual and slightly perverted sexual fantasies of humans… Or Desmond Dickinson's brilliant camerawork on location in Greece. I might even say that the entire substance of the story is excellent horror matter! Richard, a young and respected Oxford student has disappeared in Greece and a group of friends, including his girl, go on a search for him. Richard seems to be under the influence of a beautiful, sexy vampire who even forces him to perform sado-masochism. Believing they annihilated the ravishing bloodsucker, the return to Britain. Yet, Richard's behavior when back at Oxford remains bizarre and alarming… The plot is promising enough, no? If `Incense for the Damned' would have been directed by Roman Polanski, I might have enjoyed a classic status by now. Erotic morbidity is definitely more his field! Or, who knows, in the hands of Italian mastermind Mario Bava this could have been one of the greatest horror masterpieces ever. Instead Robert Hartford-Davis directed it and the only appreciation he gets is when people hear he took his name off of this project afterwards. Better luck next time.

Whilst in Greece researching a book on Greek mythology, a young Oxford Don (Mower), falls under the spell of Chriseis (Hassal), a beautiful but sexually perverted vampire who murders her victims for their blood.

An oddity in the history of the British horror genre. Director Robert Hartford Davies disowned the picture due to never fully explained production problems, although it has been suggested that the low budget ran out and that scheduled re-shoots never happened. As a result the film was pasted together quickly and it's disgruntled director was credited under the pseudonym Michael Burrowes. The film got a trade show in 1972 but it wasn't given a London showing until 1976.

The picture does show a few scars of it's troubled production like when a studio rock is quite clearly seen bouncing off an actor's head without doing him any injury, but it's interpretation of vampirism as a sexual perversion is interesting although there quite clearly wasn't enough time to develop it properly. The location shooting in Greece of Desmond Dickenson is first class and the best performances come from Patrick Macnee (who had just finished The Avengers) as Major Longbarrow, Patrick Mower as the ill-fated scholar and Peter Cushing as Dr Goodrich who put the pressure on Mower academically to such a degree that it made him tempted to join the perverted vampire for excitement.

The film has been reissued on DVD under it's alternative title, "Bloodsuckers", featuring a deleted scene which attempted to add drug addiction to the mixture of sex and vampirism.