La casa dei vampiri

The film features a number of the series regulars repeating their original TV roles, and there are several recycled plot elements from the show that come in handy for the movie. But producer/director Dan Curtis(the creator of the original series), knows the drastic difference between a daytime TV soap opera and a feature film, and uses this knowledge to create a striking, entertaining picture. Unlike an episodic TV series, the film doesn't allow the suspense to lag at a snail's pace, but actually builds suspense from the opening scene and never lets up! The performances by the multi-talented cast are truly wonderful, though star Joan Bennett(one of my most favorite characters on the show), doesn't get as much screen time as I would have liked. This is probably due to the fact that the film was cut by some twenty minutes before being released. But even in its truncated form, HOUSE OF DARK SHADOWS remains one of the greatest vampire/horror flicks of its time.

'Dark Shadows' is one of those shows that wholly deserves its popularity and its reputation as a classic. There are a few films based on it, and while they're all watchable in varying ways quality-wise they're mixed.

By far the best of them is this, 'House of Dark Shadows'. To me also, it's the only film to be as good as the show, not quite on the same level but almost as good. Its only real problems are some characters not given enough screen time or development, especially Elizabeth and Maggie, and Joan Bennett being very underused as Elizabeth that she doesn't shine anywhere near as much as in the show.

'House of Dark Shadows' however is visually an improvement over the show's production values, with the exception of a couple of goofs and bloopers which didn't hurt the film at all. The production and costume design are lavish and splendidly Gothic, and it's all photographed stunningly and boasts some surprisingly good special effects. The music is suitably moody, and evokes a real eeriness.

The script has a good balance of the funny and the tense, and the story is never dull, is always fun and has some real nerve-shredding tension and bone-chilling shock. The highlight was the somewhat poetic ending, which is also a masterclass in sheer galvanising horror and incredible Gothic imagery. There is a good deal of gore, but it's used chillingly and is never overused or gratuitous. Dan Curtis directs beautifully and intelligently, never once undermining the tension, suspense or horror and doesn't make the mistakes of not having enough of either or over-crowding the film with them.

Most of the characters are interesting, particularly Barnabas and Julia, and the wonderful chemistry between the actors in the show translates every bit as wonderfully here. The acting is uniformly good, with only Bennett not shining as much as she could have done due to being so underused. Jonathan Frid is terrifyingly magnetic, while Grayson Hall, Thayer David and Nancy Barrett are particularly strong in support.

All in all, by far the best of the 'Dark Shadows' films and the only one to be as good as the show. 8/10 Bethany Cox

The shining glory of Producer/Director Dan Curtis's career came in 1983 when he transformed Herman Wouk's acclaimed World war 2 novel "The Winds of War" into an epic television miniseries. But it was during the late 60s and 70s that Curtis originally became a known and respected commodity in hollywood. During that time, Curtis was responsible for the creation of several suprisingly effective "B" horror films.

Minor classics like "The Night Stalker"...."The Night Strangler"....."Scream of wolf" are must see nostalgia pieces for true fans of the Genre. His 1971 semi-gothic effort "House of Dark shadows" also ranks high on the list of Curtis's early cinematic achievements.

The film is based on the unquestioned most popular segment of the old daytime TV series, "Dark Shadows". For those that don't know..."Dark Shadows" was a struggling 60s daytime soap opera concerning the dulling exploits of a boorish super rich New England family....the Collin's. After a season of well worn plots about family infighting and powerstruggles the show was on verge of being canceled. That's when series creator....Curtis....came up with a radical idea. Introduce supernatural elements into the show.

Soon the shows focus drifted from standard issue soap opera melodrama into a detailed examination of Collins family's haunted past. Over the next five years, Dan Curtis brought to light virtually every family Skeleton.....often literally. The seemingly eternally cursed clan's estate....Collinwood...was to play host to various unwanted preternatural ghouls who in one way or another were connected to the family. Among the collection of these occult charactors were: Vampires, Werewolves, Witches, Wizards, Demons, Artifically created men and women, Ghosts, Headless entities.....just to name a few.

When Dark Shadows faded from the afternoon scene in 1971....its ever loyal fans cried for more. Curtis responded with with pair of post series movies....and some 20 years later....a prime time sequel series. The first of these films efforts being the aforementioned 'House of Darkshadows'. In the recreation process the noted director quite capably revived and enhanced many of numberous supernatural elements that made the old serial popular....while offering up far superior production values.

In house of Dark Shadows the audience is privy to the scheme of a wily caretaker who happens upon a map he believes leads to an ancient treasure buried on the grounds of Collinwood. The map brings him to the Collins family crypt where rather than treasure, the caretaker accidentally releases something dark from its eternal bondage.

That same night a young woman is attacked at the main gate of the estate. Left comatose from loss of blood caused by mysterious twin puncture wounds on her neck.....the girl can provide no clue to the nature of her attacker. But soon other victims start to pop up...similarly wounded and minus a few pints of plasma.

A pair of learned locals conclude a vampire is responsible for the attacks. The authorities and Collin's family....quite naturally scoff at the notion. They prefer to believe an unknown type of animal or a madman is behind the attacks. However, the doubters soon change their tune when a Collins family member on the intruders menu is killed and eventually returns from the grave as one of the living dead.

The supernatural nature of the killer revealed....the police are soon scurrying about the area with crosses and stakes....while almost the entire Collins family are armed with cross bows and stringing up enough garlic to corner the market.

While terror reigns supreme at Collinwood, the family has no way of knowing the perpetrator of this unspeakable villainy is dwelling unsuspected within their midst.

By todays standard "House of Dark Shadows" might seem somewhat hokey with its max factor fangs and cherry syrup blood. But for its time, it was quality achievement and even now it provides something rarely seen.....a well written horror film with some into classic gothic overtones added into the mix.

For anyone who enjoys Gothic melodramas, this one is for you. In the late 1960s and early 1970s, producer Dan Curtis was on a roll with his hit afternoon television series Dark Shadows. When the powers that be decided to make a feature film version, most of the original cast members of the daily soap opera were recruited to star in this production. It is worth noting that several of the performers were pulling double duty at the time, since the daily program was churning out new episodes while HOUSE OF DARK SHADOWS was being filmed.

Of course, a feature film version is going to have a much larger budget than its TV counterpart. And it is also going to be made in color, not black and white. Curtis and his crew do a very effective job transferring the basic original ideas to the big screen. In fact, they do not miss a beat introducing vampire Barnabas Collins (Jonathan Frid) and the rest of the inhabitants of Collinwood to celluloid. From the first fade in, it's a bloody good show, and the entire affair is raised a notch or two by the presence of an old pro-- Joan Bennett, doing quite well as matriarch Elizabeth Stoddard Collins, fang you very much!

Movie version of the Gothic soap opera Dark Shadows with better production values. It's a great-looking movie that makes effective use of location shooting. Dan Curtis, creator of the series as well as many other horror-related films and shows for television in the '70s, directs his first theatrical release here. I've always been a big admirer of Curtis, who did more for horror (and television in general) than he seems to get credit for.

The plot for the film comes directly from the TV series. Essentially it retells the story of vampire Barnabas Collins (Jonathan Frid), the show's most popular character, and his quests for a cure and to be with his reincarnated love. I wouldn't call it a scary movie, though some of the outdoors scenes at night do carry a reasonable amount of spooky atmosphere and tension. Also, the old-age makeup used on a character at one point is well-done and creepy. Nice music, as well. Fans of the series will probably find more to like than most but I think there's a lot here to enjoy, even for those unfamiliar with Dark Shadows.